Four men embark on a mission to unearth a fortune in gold from a mine.Four men embark on a mission to unearth a fortune in gold from a mine.Four men embark on a mission to unearth a fortune in gold from a mine.
Federico Boido
- Alfred Brady
- (as Rick Boyd)
Giovanni Ivan Scratuglia
- Telegraphist
- (as Ivan Scratuglia)
Teodoro Corrà
- U.S. Marshall
- (as Doro Corra)
Joe D'Amato
- Bearded Onlooker
- (uncredited)
Jose Halufi
- Card Player
- (uncredited)
Storyline
Did you know
- TriviaItalian censorship visa # 50800 delivered on 6-2-1968.
- ConnectionsReferenced in Reservoir Dogs (1992)
Featured review
This is a very good western with an excellent story and a great cast.
Klaus Kinski, George Hilton, Gilbert Roland, and Van Heflin are all superb, as one would expect, in this film. Kinski is perfect for the part of "The Blond," a bizarre sadistic character who dresses like a preacher because he likes to- not because he's trying to pose as one. Nobody else in the film seems to think this is odd, although Hilton's character snickers a little when an old woman calls Kinski "Father." Odd characters like this are a big part of what makes Italian westerns so entertaining to me. It sure as hell ain't a John Wayne flick, and that's a good thing.
The score is OK, although it could have been better. It's good in a few parts when it sounds like it belongs in a spaghetti western, but too much of it sounds more Hollywood than Rome.
The plot is excellent, and keeps you engaged until the very end. It's not an epic, but it is a tight little story with all the grittiness and violence one expects from a Eurowestern made in the 1960's.
I recommend this one to all Eurowestern fans if you can find it.
Klaus Kinski, George Hilton, Gilbert Roland, and Van Heflin are all superb, as one would expect, in this film. Kinski is perfect for the part of "The Blond," a bizarre sadistic character who dresses like a preacher because he likes to- not because he's trying to pose as one. Nobody else in the film seems to think this is odd, although Hilton's character snickers a little when an old woman calls Kinski "Father." Odd characters like this are a big part of what makes Italian westerns so entertaining to me. It sure as hell ain't a John Wayne flick, and that's a good thing.
The score is OK, although it could have been better. It's good in a few parts when it sounds like it belongs in a spaghetti western, but too much of it sounds more Hollywood than Rome.
The plot is excellent, and keeps you engaged until the very end. It's not an epic, but it is a tight little story with all the grittiness and violence one expects from a Eurowestern made in the 1960's.
I recommend this one to all Eurowestern fans if you can find it.
- spider89119
- Aug 16, 2005
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