A young girl runs away from home and meets a grouchy older man who reluctantly takes her in. Eventually they develop a romantic and affectionate relationship.A young girl runs away from home and meets a grouchy older man who reluctantly takes her in. Eventually they develop a romantic and affectionate relationship.A young girl runs away from home and meets a grouchy older man who reluctantly takes her in. Eventually they develop a romantic and affectionate relationship.
- Awards
- 3 nominations
- Marcy
- (as Jamie Smith Jackson)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDanny Peary in his book "Guide for the Film Fanatic" (1987) states "not many people paid attention to the film upon release" while Richard Schickel in his book "Clint: A Retrospective" (2012) states that this movie in theaters "came and went virtually without notice". In a later interview, Eastwood would blame Universal for not marketing this film correctly, leading it to be a flop at the box office - even with its relatively low budget of only $750,000.
- GoofsWhen Frank takes Breezy to the Pacific Ocean so she can see it for the first time, it is early morning. When they arrive, the sun is clearly behind the ocean, casting shadows onto the beach, not away from it, so the scene was shot at sunset, not sunrise. In the next scene, Breezy is seen in bright sunlight with the sun high in the sky.
- Quotes
Frank Harmon: I'm sorry... is that better?
Breezy: I know I'm being a baby. So, don't say anything.
Frank Harmon: I wouldn't think of it.
Breezy: No lectures on maturity, either.
Frank Harmon: Not a word shall pass my lips. I'll let you in on a secret... nobody matures. They just grow tired.
Breezy: Y'know, Davy and Marcy have been living together for almost six months now. But, they don't have this... what we have. Davy tells her he loves her all the time, but... the words by themselves don't mean a hell of a lot. Marcy says that she loves him, but I think she has to say it because... then she doesn't realize how really alone she is.
Frank Harmon: Maybe sometimes it's better to be alone.
Breezy: Sure. Just like if you have something incurable, it's better to be dead.
[chuckles]
William Holden plays Frank, a cynical divorced real estate broker who lives by himself with only a series of uncommitted relationships for companionship and a mental rulebook that precludes serious involvement. He is likewise surrounded by like-minded cynics that all want for something they have long since given up on . . . youth. Not so much in chronological terms, but more in attitude and that sense of wonder about life. Breezy is the very embodiment of that sense of wonder, and despite her 19 years, possesses a wisdom that cuts through the cynical disillusionment of Frank, who unlike what you'd expect, never makes a sexual advance toward the younger girl, even though she's very attractive and probably willing. For her part, Breezy recognized the sensitive soul that Frank has taken pains to suppress and confounds his suspicions by giving of herself to him without asking for anything in return. When he eventually gives in to his feelings, the age difference becomes irrelevant, but Breezy and Frank do not exist in a vacuum and the outside world eventually fills his head with doubt. His best friend, while being envious of the "zing " Breezy has put into Frank's life, laments thus: "Why should a young girl like that love an old fart like me? I'd be a meal ticket for her and nothing more." And even if it could be more, "where could I go with her without feeling like a child molester?" And so Frank smolders in a crisis of perception that already had been countered by Breezy in an earlier scene. "Is that how it is Frankie? Do you start believing what you see in the mirror and forget about what you feel inside? Do you stop feeling because the outside of you makes it seem foolish? Does becoming older mean feeling foolish? What's there to look forward to if you can't go on loving and being loved?" Surely this bit of wisdom transcends any distance of years between two people.
- stephen-357
- Jan 23, 2005
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Details
- Release date
- Country of origin
- Language
- Also known as
- Begegnung am Vormittag
- Filming locations
- 4946 Vanalden Avenue, Tarzana, California, USA(Frank Harmon's house, known at the 'Kimball House' or the 'Triangle House')
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $750,000 (estimated)
- Gross worldwide
- $17,753
- Runtime1 hour 46 minutes
- Aspect ratio
- 1.85 : 1