A seedy writer of sleazy pulp novels is recruited by a quirky, reclusive ex-actor to help him write his biography at his house in Malta.A seedy writer of sleazy pulp novels is recruited by a quirky, reclusive ex-actor to help him write his biography at his house in Malta.A seedy writer of sleazy pulp novels is recruited by a quirky, reclusive ex-actor to help him write his biography at his house in Malta.
Robert Sacchi
- The Bogeyman
- (as Roberto Sacchi)
Maria Cumani Quasimodo
- Office Manageress
- (as Maria Quasimodo)
Liù Bosisio
- 1st Typist
- (as Liu Bosisio)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaSpike Milligan wrote a letter to producer Michael Klinger following a television screening of this movie in 1977. Milligan was considering sending a letter to animal cruelty organizations until he was reassured that a pig hunting scene involved no actual harm to the pigs.
- GoofsIn his narration, Michael Caine claims that five people were in their graves, as a result of the proceedings of the movie, but there were actually six: Preston Gilbert; the singer at Preston's banquet; the accordionist at the banquet; the servant at the poolside shooting ("the projectionist," according to Nadia Cassini); the old Italian who directed Caine to the beach; and of course, Jack Miller.
- Quotes
Mickey King: [voice-over] I am famous for such books as "My Gun is Long". I have many aliases. I am authors Susan Eager and Paul S. Coming. I am those and others. I am Paul Strong, Gary Rough and Les B. Han.
- Crazy creditsThe words "The End" are 'incorrectly' typed and appear as "The Enf1/2".
- ConnectionsFeatured in Assassin (1973)
Featured review
One reviewer suggested that "Pulp" never became a box-office hit because it can't be easily classified into a genre. That's certainly a legitimate way of explaining it. Another explanation could be that it's just not a very good movie. It wants to be a mystery, but the plot never grips you like it should; it wants to be a comedy, but the laughs are not as frequent as they should be (one great line, though: after trying to watch a film that is projected upside down, a guy says "This would be a big hit in Australia!"); it wants to "say something" about the thin line separating reality from fiction, but that "something" doesn't come through very clearly. Michael Caine gives a sly performance, full of his typical cool bemusement, and he just about manages to get you through the film (with some help from the pleasant Malta locations and Nadia Cassini's long legs). Near the end, there is a scene on a deserted beach that may remind you of the finale of "Get Carter". That's not a good thing, however, as you may find yourself wishing you were (re-)watching that film instead of this one. (**)
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- Memoirs of a Ghostwriter
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