While awaiting the outcome of her husband's surgery, Julie Messinger discovers he has been having affairs.While awaiting the outcome of her husband's surgery, Julie Messinger discovers he has been having affairs.While awaiting the outcome of her husband's surgery, Julie Messinger discovers he has been having affairs.
- Awards
- 1 nomination total
Storyline
Did you know
- TriviaScreenwriter "Esther Dale" is a pseudonym for Elaine May. May did not want her real name to be credited when she wasn't directing. So, for this reason alone, she decided to use this pseudonym. She was rather annoyed with director Otto Preminger for revealing her identity when promoting the film, although he praised her work.
- Quotes
Shakespeare Theatre in the Park: [talking to a musician for a Shakespeare production] The sitar is... it's interesting. But can you tell me what a sitar has to do with a play set in Denmark?
- Crazy creditsIn the film's opening, three red-colored "legs-crossed icons" (the trademark that Saul Bass created for the film, as seen on the poster) converge on a blank screen to form one whole icon. The title appears and then below the title, it reads "AN OTTO PREMINGER FILM". Cast and crew are credited in the closing, but nowhere else. Preminger was the only one credited in the opening.
- Alternate versionsSome versions cut the intimate scene between Ken Howard and Dyan Cannon, in which Howard's character takes a faux nude picture of Cannon.
- ConnectionsFeatures Adventures of Superman (1952)
Featured review
By the time Otto Preminger got around to making "Such Good Friends" his reputation had already begun to wane but while this is hardly one of his masterpieces it's still a brilliant and nicely nasty satire on consumerism, sex and all things medical. It was written by Elaine May under the pseudonym Esther Dale with help from David Shaber from Lois Gould novel and it's beautifully played by the likes of Dyan Cannon, James Coco, Ken Howard, Nina Foch and Laurence Luckinbill and while the jokes are often very funny in that New York Jewish kind of way they are often sour enough to leave a nasty aftertaste.
These are characters we wouldn't want to meet or spend time with so when one of them, (Luckinbill), goes into a coma after a very simple operation goes wrong, you hardly care. He's an art director on a New York magazine, an author of children's books and a real sleaze-ball and it's only after he goes into hospital that his wife, (Cannon), discovers just what a philandering sleaze-ball he actually is.
With a very large cast and overlapping dialogue this is more like an Altman film than a Preminger picture but I doubt if Altman would be this cynical. The humour, however, is all May's, totally off-the-wall and razor sharp. Of course, it wasn't a hit either commercially or critically and Preminger only made two more films, both failures. This gem certainly deserved a better fate and Cannon is really extraordinary.
These are characters we wouldn't want to meet or spend time with so when one of them, (Luckinbill), goes into a coma after a very simple operation goes wrong, you hardly care. He's an art director on a New York magazine, an author of children's books and a real sleaze-ball and it's only after he goes into hospital that his wife, (Cannon), discovers just what a philandering sleaze-ball he actually is.
With a very large cast and overlapping dialogue this is more like an Altman film than a Preminger picture but I doubt if Altman would be this cynical. The humour, however, is all May's, totally off-the-wall and razor sharp. Of course, it wasn't a hit either commercially or critically and Preminger only made two more films, both failures. This gem certainly deserved a better fate and Cannon is really extraordinary.
- MOscarbradley
- Jul 29, 2020
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