Pasolini's artistic, sometimes violent, always vividly cinematic retelling of some of Chaucer's most erotic tales.Pasolini's artistic, sometimes violent, always vividly cinematic retelling of some of Chaucer's most erotic tales.Pasolini's artistic, sometimes violent, always vividly cinematic retelling of some of Chaucer's most erotic tales.
- Awards
- 1 win total
Orla Pederson
- Pilgrim
- (as OT)
Derek Deadman
- The Pardoner
- (as Derek Deadmin)
George Bethell Datch
- Host of the Tabard
- (as George B. Datch)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaRemarkably, this is the only major cinematic take on Geoffrey Chaucer's classic tales.
- GoofsSome of the women have tan-lines from bikinis.
- Quotes
The Wife from Bath: There's nowhere in the Gospels that says we ought to stay virgins. Anyway, tell me, what were the genital organs made for at the creation? Not to lie dormant I suppose. And nobody's going to tell me they were just put there to piss through. Mark you, I use it for that as well. And every man must serve his wife in wedlock...
- Alternate versionsThe original UK cinema version was cut by the BBFC with edits to anal sex shots, a man being whipped, and Rufus urinating on the crowd during the 'Pardoner's Tale' segment for an 'X' certificate. The cuts were fully restored in 2001 and the certificate downgraded to a '15'.
- ConnectionsFeatured in Playboy: The Story of X (1998)
- SoundtracksThe Old Piper
written by Carl Hardebeck in 1912
performed by Frank McPeake
Played over the opening credits and sung frequently by Perkin the Reveler in the Cook's Tale
Featured review
When I was going to see "Canterbury Tales", I knew Pasolini was infamous director who made crazy films, that weren't for everyone's taste.When I saw it. It was one of those movie experiences that change the way you see films. It's not that I loved this film, I don't see how I can use word "love" here. It's just that from the beginning to the end I couldn't believe my eyes. Sequence after sequence, the movie became one of the most original films I ever seen in my life. Wife having sex standing on her husband's shoulders, woman farting in the face of the young boy who loves her, drunken man, p***ing on dining people, giant ass, that defecates with demons, it's shocking, yes, but it's not the point. The point is,we believe every single thing we see on the screen. Of course, it's because Pasolini uses natural lightning, unprofessional actors, and partly because when there is fucking on the screen, it's not simulation, it's real f**king (what other film can be classified as "porn", and also have Oscar-winning costume designer in its credits?). But it's not the reason. I always admired Pasolini, because he was one of those people, who make others respect them, who have remained hip even twenty years after they are dead. And being this incredibly fascinating person, he could put part of the magic that made him the person he was into his movies.
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Pasolinis tolldreiste Geschichten
- Filming locations
- Battle Abbey, East Sussex, England, UK(merchant's tale: hall interior)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $9,028
- Runtime1 hour 51 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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