Pakeezah
- 1972
- 2h 27m
IMDb RATING
7.2/10
1.9K
YOUR RATING
In Lucknow at the turn of the century, a dancer and courtesan believes that her pure soul and body will enable her to find true love and honor.In Lucknow at the turn of the century, a dancer and courtesan believes that her pure soul and body will enable her to find true love and honor.In Lucknow at the turn of the century, a dancer and courtesan believes that her pure soul and body will enable her to find true love and honor.
- Awards
- 1 win & 4 nominations
D.K. Sapru
- Hakim Saab
- (as Sapru)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIt took 14 years for this film to be completed. To begin with, the film was launched in 1958, jointly planned by Kamal Amrohi and 'Meena Kumari'. It was launched in black-and-white, but when colour came in vogue, Amrohi scrapped those portions already shot and decided to start again. Later, Cinemascope came into vogue, and Amrohi acquired a Cinemascope lens from MGM and scrapped the plain colour portions too. Then Amrohi and Kumari separated in 1964, bringing filming to an indefinite halt. Finally, the film was resumed in 1968, and though by then Kumari was suffering from alcoholism and was in critical condition, she was still Amrohi's only choice and she agreed to complete the film.
- Quotes
Salim Ahmed Khan: [in a note to Sahibjaan] Aapke paon dekhe, bahut haseen hai. / Inhe zameen par mat utariyega, maile ho jayenge.
[Saw your feet; they are very beautiful. / Don't place them on the ground, they will get dirty]
- ConnectionsFeatured in Ek Number Ka Chor (1990)
Featured review
This movie is one among the very few Indian movies, that would never fade away with the passage of time, nor would its spell binding appeal ever diminish, even as the Indian cinema transforms into the abyss of artificially styled pop culture while drill oriented extras take to enhancing the P.T. styled film songs.
The cinematography speaks of the excellent skills of Josef Werching that accentuate the monumental and cinema scope effect of the film in its entirety.
Gone are the days of great cinema, when every scene had to be clipped many times and retakes taken before finalizing it, while meticulous attention was paid in crafting and editing the scenes. Some of its poignant scenes are filled with sublime emotional intensity, like the instance, when Meena Kumari refuses to say "YES" as an approval for Nikah (Marriage Bond) and climbs down the hill while running berserk in traumatized frenzy. At the moment, Raj Kumar follows her, and a strong gale of wind blew away the veil of Kumari and onto the legs of Kumar........
Kamal Amrohi shall always be remembered with golden words in the annals of Indian Cinema's history for endeavoring to complete this movie in a record setting 12 years. He had to manage filming of some of the vital songs without Meena's close ups, because Meena Kumari, the lady in the lead role was terminally ill and fighting for her life in early 1971.
The cinematography speaks of the excellent skills of Josef Werching that accentuate the monumental and cinema scope effect of the film in its entirety.
Gone are the days of great cinema, when every scene had to be clipped many times and retakes taken before finalizing it, while meticulous attention was paid in crafting and editing the scenes. Some of its poignant scenes are filled with sublime emotional intensity, like the instance, when Meena Kumari refuses to say "YES" as an approval for Nikah (Marriage Bond) and climbs down the hill while running berserk in traumatized frenzy. At the moment, Raj Kumar follows her, and a strong gale of wind blew away the veil of Kumari and onto the legs of Kumar........
Kamal Amrohi shall always be remembered with golden words in the annals of Indian Cinema's history for endeavoring to complete this movie in a record setting 12 years. He had to manage filming of some of the vital songs without Meena's close ups, because Meena Kumari, the lady in the lead role was terminally ill and fighting for her life in early 1971.
- Umar Mansoor Bajwa
- Sep 5, 2005
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Details
- Runtime2 hours 27 minutes
- Aspect ratio
- 2.35 : 1
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