Two wealthy, independent young people meet in Venice and fall in love, but their affair takes a tragic turn as the young woman becomes hooked on heroin.Two wealthy, independent young people meet in Venice and fall in love, but their affair takes a tragic turn as the young woman becomes hooked on heroin.Two wealthy, independent young people meet in Venice and fall in love, but their affair takes a tragic turn as the young woman becomes hooked on heroin.
Renée Taylor
- Selma Rottner
- (as Renee Taylor)
Allan F. Nicholls
- Hell's Angel #2
- (as Allan Nicholls)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe original cut delivered to United Artists was longer, featuring Kim Hunter in the role of Jennifer's mother. This cut was ruled too arty (disastrous in the eyes of studio barons), so the film was re-cut to 90 minutes. Hunter's role was eliminated.
- GoofsWhen Marcus and Sig put Jenny's body in the car trunk, the spare tire is not visible. When Marcus opens the trunk to change the flat, not only is the spare clearly visible in the trunk, but Jenny's body is in a different position deeper in the trunk.
- Quotes
Marcus Rottner: I know. You're the best friend money can buy.
- Crazy creditsThe opening credits are shown over seemingly unrelated photos of immigrants arriving in America, circa 1890s.
Featured review
From the writer of LOVE STORY comes another somber slice of downbeat romance as a man looking for love gets mixed up with a selfish and free-spirited blond hippy-chick junkie. It starts with her already dead and we look back on how they met and her mental decline to the inevitable overdose on heroin. The guy hides her body in his piano and then his car trunk until he can figure out a way to get rid of it. There's potential here for some dark humor but it's never really exploited as the film stays on its tragic trajectory to an ending that at least does bring closure to the story. The film has a slow deliberate pace which makes this film really boring because who cares about these people, especially the girl. The best part was an early appearance by Robert De Niro as a high-strung gypsy taxi driver which is about as far removed from Travis Bickle as you can get. See it if you love obscure counterculture cinema of the late 60s/early 70s.
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