Two wealthy, independent young people meet in Venice and fall in love, but their affair takes a tragic turn as the young woman becomes hooked on heroin.Two wealthy, independent young people meet in Venice and fall in love, but their affair takes a tragic turn as the young woman becomes hooked on heroin.Two wealthy, independent young people meet in Venice and fall in love, but their affair takes a tragic turn as the young woman becomes hooked on heroin.
Renée Taylor
- Selma Rottner
- (as Renee Taylor)
Allan F. Nicholls
- Hell's Angel #2
- (as Allan Nicholls)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe original cut delivered to United Artists was longer, featuring Kim Hunter in the role of Jennifer's mother. This cut was ruled too arty (disastrous in the eyes of studio barons), so the film was re-cut to 90 minutes. Hunter's role was eliminated.
- GoofsWhen Marcus and Sig put Jenny's body in the car trunk, the spare tire is not visible. When Marcus opens the trunk to change the flat, not only is the spare clearly visible in the trunk, but Jenny's body is in a different position deeper in the trunk.
- Quotes
Marcus Rottner: I know. You're the best friend money can buy.
- Crazy creditsThe opening credits are shown over seemingly unrelated photos of immigrants arriving in America, circa 1890s.
Featured review
Upper class Jew Michael Brandon meets upper class WASP Tippy Walker while both are touring Venice in this sloppy, sentimental movie written by Eric Segal.
Segal is, of course, remembered for writing LOVE STORY, the story about the problems of being rich and in love at Yale; it was turned into a movie that was the TITANIC of the era. I was not impressed by its rich kitsch schmaltz, but it had Arthur Hiller directing, and Ryan O'Neal and Ali MacGraw in the leads, and Ray Milland in a supporting role, so at least the studio spent the money for a first class production. In this one, although parts of it are shot in Venice - the one in Italy - the cinematography by Peter Laszlo never bothers to show us any vistas.
Kim Hunter was cut out of the final print, lest it be too arty. At least you have Barry Bostwick in his screen debut as 'Nanki'.
Segal is, of course, remembered for writing LOVE STORY, the story about the problems of being rich and in love at Yale; it was turned into a movie that was the TITANIC of the era. I was not impressed by its rich kitsch schmaltz, but it had Arthur Hiller directing, and Ryan O'Neal and Ali MacGraw in the leads, and Ray Milland in a supporting role, so at least the studio spent the money for a first class production. In this one, although parts of it are shot in Venice - the one in Italy - the cinematography by Peter Laszlo never bothers to show us any vistas.
Kim Hunter was cut out of the final print, lest it be too arty. At least you have Barry Bostwick in his screen debut as 'Nanki'.
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