A pair of NYPD detectives in the Narcotics Bureau stumble onto a heroin smuggling ring based in Marseilles, but stopping them and capturing their leaders proves an elusive goal.A pair of NYPD detectives in the Narcotics Bureau stumble onto a heroin smuggling ring based in Marseilles, but stopping them and capturing their leaders proves an elusive goal.A pair of NYPD detectives in the Narcotics Bureau stumble onto a heroin smuggling ring based in Marseilles, but stopping them and capturing their leaders proves an elusive goal.
- Won 5 Oscars
- 22 wins & 13 nominations total
- Devereaux
- (as Frederic De Pasquale)
- La Valle
- (as Andre Ernotte)
- Chemist
- (as Pat McDermott)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Best Picture Winners by Year
Best Picture Winners by Year
Storyline
Did you know
- TriviaAccording to William Friedkin, the significance of the straw hat being tossed onto the shelf of the rear window in Doyle and Russo's car was that at that time it was a universal signal in the New York City Police Dept. that there were undercover cops in the car, on duty.
- GoofsEarly on in the movie, a Frenchman is shot. The "blood" is coming from a clearly visible hose at the bottom of the screen, which squirts red paint at the actor's face.
- Quotes
Jimmy 'Popeye' Doyle: You dumb guinea.
Buddy "Cloudy" Russo: How the hell did I know he had a knife.
Jimmy 'Popeye' Doyle: Never trust a nigger.
Buddy "Cloudy" Russo: He could have been white.
Jimmy 'Popeye' Doyle: Never trust anyone!
- Crazy creditsThe 20th-Century Fox logo appears in black and white and then slowly dissolving to color.
- Alternate versionsThe version released on first Blu-ray release features a radically-different color scheme from all earlier versions - it was recolored with the assistance of director William Friedkin. The second Blu-ray release features a color scheme more like all the previous versions.
- ConnectionsFeatured in Monsieur Cinéma: Episode dated 23 January 1972 (1972)
- SoundtracksEverybody Gets to Go to the Moon
(1969) (uncredited)
Written by Jimmy Webb
Performed by The Three Degrees in the club
Don't look here for any sense of fantasy-justice or n'er-do-wrong comic book heroism. Look here instead for gut wrenching nihilism, frustration with the unfairness of criminal justice in the hands of bureaucracy, and a solid, plot-driven story about a couple of cops who are just trying to do their jobs as best they can.
And by all means, don't watch this film if you aren't fully awake and willing to be taken down the electric, ambiguous, and compelling roads it leads to. If you watch this film with any part of your brain turned off you'll end up asking questions like "plot, what plot?" The fact that some people can't find it reflects more on them as film-watchers than it does on this film. This film does not offer passive entertainment like most of the contemporary action market does. It makes you pay attention, though, at times you might not want to.
Hackman and Scheider are incredible, with some of the greatest chemistry I have ever seen between two young actors. They play two hard-ass NYC detectives looking to end the war on drugs more-or-less permanently by taking down an international conspiracy which they have just barely sniffed out. And make no mistake, they, particularly Hackman's "Popeye Doyle" are at war, and treat their jobs as a battlefield. Doyle pursues his quarry with utterly wreckless abandon, endangering the lives of dozens of people along the way. While both men are absolutely terrific, this stands out as one of Hackman's greatest performances, and his Oscar is well-deserved (not something you will see me say often). Backed by a strong supporting cast, and some of the best live-action cinematography of the late 20th century, this film does not allow you to turn away, get popcorn, or even deal with bodily functions for its entire duration.
Considered in the early 70s to be 'shockingly violent', this film does not even reach a tenth the degree of passive violent repulsion of the average Tarantino film, and it relies, instead, on amazing performances, flawless direction, a phenomenal post-modern soundtrack and edgy, tense camera-work. Unlike contemporary action film garbage, it also gives you complex characters who you can care about, but never fully understand. I will cut this review short because I am running out of superlatives. Anybody remotely interested in expanding or just appreciating the artistic breadth and depth of mainstream film needs to see this.
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Contacto en Francia
- Filming locations
- Château d'If, Marseille, Bouches-du-Rhône, France(secret meeting between Charnier, Nicoli and Devereaux)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,800,000 (estimated)
- Gross US & Canada
- $51,700,000
- Gross worldwide
- $51,703,274
- Runtime1 hour 44 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1