A pair of NYPD detectives in the Narcotics Bureau stumble onto a heroin smuggling ring based in Marseilles, but stopping them and capturing their leaders proves an elusive goal.A pair of NYPD detectives in the Narcotics Bureau stumble onto a heroin smuggling ring based in Marseilles, but stopping them and capturing their leaders proves an elusive goal.A pair of NYPD detectives in the Narcotics Bureau stumble onto a heroin smuggling ring based in Marseilles, but stopping them and capturing their leaders proves an elusive goal.
- Won 5 Oscars
- 22 wins & 13 nominations total
- Devereaux
- (as Frederic De Pasquale)
- La Valle
- (as Andre Ernotte)
- Chemist
- (as Pat McDermott)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Best Picture Winners by Year
Best Picture Winners by Year
Storyline
Did you know
- TriviaAccording to William Friedkin, the significance of the straw hat being tossed onto the shelf of the rear window in Doyle and Russo's car was that at that time it was a universal signal in the New York City Police Dept. that there were undercover cops in the car, on duty.
- GoofsEarly on in the movie, a Frenchman is shot. The "blood" is coming from a clearly visible hose at the bottom of the screen, which squirts red paint at the actor's face.
- Quotes
Jimmy 'Popeye' Doyle: You dumb guinea.
Buddy "Cloudy" Russo: How the hell did I know he had a knife.
Jimmy 'Popeye' Doyle: Never trust a nigger.
Buddy "Cloudy" Russo: He could have been white.
Jimmy 'Popeye' Doyle: Never trust anyone!
- Crazy creditsThe 20th-Century Fox logo appears in black and white and then slowly dissolving to color.
- Alternate versionsThe version released on first Blu-ray release features a radically-different color scheme from all earlier versions - it was recolored with the assistance of director William Friedkin. The second Blu-ray release features a color scheme more like all the previous versions.
- ConnectionsFeatured in Monsieur Cinéma: Episode dated 23 January 1972 (1972)
- SoundtracksEverybody Gets to Go to the Moon
(1969) (uncredited)
Written by Jimmy Webb
Performed by The Three Degrees in the club
This Oscar-winning film takes us onto the streets of New York City following two detectives, Jimmy 'Popeye' Doyle (Gene Hackman) and his partner, Buddy Russo (Roy Scheider). Popeye is infamous for taking in street-level drug dealers, and at best his policework can be described as shady. He's violent drunk cop with low ethical standards, and his career is rapidly falling apart. But he seizes his biggest opportunity when he learns of a huge heroin shipment coming from France. Now we have an interesting contrast between Popeye and the heroin smuggler, Alain Charnier (Fernando Rey). I just mentioned Popeye has low moral standards, but he still is a dedicated cop. On the other hand, Charnier is a smooth gentleman that no one can predict he is a criminal. Now the standoff between the two men begins when Popeye does all he can to bring Charnier in.
Now going back to that car chase! It was a wonderfully executed car chase and what I like is that it is all real. There was an actual chase filmed in Brooklyn exactly how you see it on screen. It's crazy too because the chase is about a simple car trying to outrun and outmaneuver a moving train which eventually has a dead conductor at the wheel. So then it turns into a psychologically-crazy man versus machine kind of chase. The chase also proves the recklessness of Popeye. He held no regard for the common people as he had close calls with them during the chase. He was basically using the people for his benefit .in an oddly positive way. Some of the camera techniques are very effective. They filmed in a way where the subjects are actually further away from the cars than shown on screen .which must have been a relief for some of the actors. But yes, this is one of the biggest car chases to have ever been filmed so this film is a must-see just for that.
Speaking of actors, well yes let's talk about the acting. Director William Friedkin famously did not want Gene Hackman in the lead role. Hackman, by 1971 was already a bankable star, but Friedkin did not think so. Luckily, they decided to cast Hackman anyway and it's a good thing they did. Hackman is one of those actors who can do any genre and always gives his best effort. I loved his performance here and his character was perhaps the only three-dimensional character in the film because the film spends so much time on him. But I was won over by Hackman almost right away. The scene where he enters a bar and violently asks everyone to turn out their pockets in the search for drugs-well, I knew I would be in for a treat. I was happy to see his performance win Best Actor at the Academy Awards. Roy Scheider does a solid job as Popeye's partner, but I didn't feel the same way for him as I did for Popeye. There was nothing much to do for him except to act as a backup. Same goes for Fernando Rey. A very solid performance, but his character was also under-utilized.
The French Connection is a violent, fast-paced film. I said in my opening the movie plays like one giant chase, but I liked the frenetic pacing of the movie. My favorite scene is no doubt that car chase, but I loved the smaller scenes especially the ones where Popeye is up to no good. I also loved the actual photography of the film. Sure, the movie is over forty years old but seeing the streets of my favorite city in the world always makes me happy as it brings back some fond memories. The film has a violent nature and it may take you by surprise, but this film is heralded by many as an instant classic. I may not think so, but I did enjoy it very much.
My Grade: B+
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Contacto en Francia
- Filming locations
- Château d'If, Marseille, Bouches-du-Rhône, France(secret meeting between Charnier, Nicoli and Devereaux)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,800,000 (estimated)
- Gross US & Canada
- $51,700,000
- Gross worldwide
- $51,703,274
- Runtime1 hour 44 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1