The Virgin and the Gypsy

1970
R
1h 35m

IMDb RATING

YOUR RATING

The story, adapted from a novella by D.H. Lawrence, tells how the daughter of a staid Rector in the north of England, rebels against her family by having a relationship with a gypsy, and how... Read allThe story, adapted from a novella by D.H. Lawrence, tells how the daughter of a staid Rector in the north of England, rebels against her family by having a relationship with a gypsy, and how "the voice of the water" triumphs in the end.The story, adapted from a novella by D.H. Lawrence, tells how the daughter of a staid Rector in the north of England, rebels against her family by having a relationship with a gypsy, and how "the voice of the water" triumphs in the end.

See production info at IMDbPro

IMDb RATING

6.0/10

400

YOUR RATING

See production info at IMDbPro

Awards
- 1 win & 4 nominations

Trivia
Fay Compton replaced Dame Margaret Rutherford as Grandma at short notice after Rutherford reportedly became ill. Rutherford had aged considerably and was finding it difficult to learn and remember lines of dialogue.

Goofs
Bob plays his pipe while the kids are on the road, but the last shot before they arrive at the farm, the audio continues the pipe's music, while the visual shows Bob has put the pipe down.

Quotes
Yvette: It's always cold in this part of the world.
Bob: Oh, I dunno. It makes you grow hair on your ch... makes you strong.

Soundtracks
Keep Your Hand On Your Halfpenny
Alex Glasgow

User reviews7

Review

Featured review

8/10

excellent adaptation of a powerful story

This film (written by Alan Plater from the story by DH Lawrence, and directed at a slow pace by Christopher Miles) is engrossing, evocative, and boasts fine performances from Franco Nero as the Gypsy and Joanna Shimkus as the frustrated, rebellious Yvette.

Yvette has been away in France at school and returns to the stifling atmosphere of the family Rectory (father Maurice Denham is a righteous sort who resents the desertion of his wife when Yvette and her sister Lucille were children; aunt Kay Walsh is a ranting religious nut who sees the presence of the devil in Yvette's free spirited ways; Grandma Fay Compton is senile, difficult, and has a viper's tongue; Uncle Fred, Norman Bird, is laid back and given to quiet tolerance of the family ways; and sister Harriet Harper is full of guilt at the betrayal of the mother when she flew the nest).

She finds free spirited friends (Honor Blackman and Mark Burns as the shockingly living-in-sin pair Mrs Fawcett and Maj Eastwood) and becomes enamoured of the brooding gypsy (Nero) whose blue eyes look at her with true desire.

There are recurring motifs throughout the film - mainly of water, which has much to contribute to the climax of events which make up Yvette's mind conclusively. Does she stay and marry Leo (a rich man's son with little personality - played by Jeremy Bulloch) or does she take her chance in a world which accepts her? It is interesting to compare this film with the earlier 'Sky West and Crooked' which took similar themes (and the same story as a starting point of suggestion) but went in a quite different direction.