When three hundred thousand members of the Love Generation collided with a few dozen Hells Angels at San Francisco's Altamont Speedway, the bloody slash that transformed a decade's dreams in... Read allWhen three hundred thousand members of the Love Generation collided with a few dozen Hells Angels at San Francisco's Altamont Speedway, the bloody slash that transformed a decade's dreams into disillusionment was immortalized on this film.When three hundred thousand members of the Love Generation collided with a few dozen Hells Angels at San Francisco's Altamont Speedway, the bloody slash that transformed a decade's dreams into disillusionment was immortalized on this film.
- Awards
- 3 wins & 1 nomination total
- Self
- (as Keith Richard)
- Self
- (as Jefferson Airplane)
- Self
- (as Jefferson Airplane)
- Self
- (as The Flying Burrito Brothers)
- Self
- (as Jefferson Airplane)
- Self
- (as The Flying Burrito Brothers)
- Self
- (as Jefferson Airplane)
- Self
- (as Jefferson Airplane)
Storyline
Did you know
- TriviaAfter viewing concert footage, police identified Alan Passaro, a local Hell's Angel, as the man who stabbed Meredith Hunter. He was arrested and charged with murder. At his trial, closer examination of the footage showed that Hunter had pulled a gun before Passaro pulled his knife. Passaro was acquitted on grounds of self-defense.
- Quotes
Grace Slick: You don't hassle with anybody in particular. You gotta keep your bodies off each other unless you intend love. People get weird, and you need people like the Angels to keep people in line. But the Angels also - you know, you don't bust people in the head - for nothing. So both sides are fucking up temporarily; let's not keep FUCKING UP!
- Alternate versionsRe-released in 1992 with some uncensored dialog and some more brief nudity; this version is rated R.
Even though gigantic festivals like Altamont were new at the time, it is hard to imagine just how clueless people were in organizing the event. Even with the parking, when they are talking about how they have room for only a (relatively) small number of cars when they need room for many times more, the answer simply is a suggestion to ask the landowner next door to use his land to park cars and hope for the best, and that's that.
There probably is no better film where you can get that certain "feel" for the late 60's hippie-rock crowd and scene. It's really sad in a way because unfortunately, all the hippies themselves come across as clueless themselves, as if The Stones have all the answer's to their problems.
The whole mix was amazingly combustive, with The Stones, 300,000 drugged-out hippies, and plenty of showerless Hells Angels just looking for an excuse to kick someone's ass. It's hard to imagine anyone giving the security responsibilities to such a mammoth event to a group of guys that appear as if they'd have a difficult time simply *spelling* the actual word "security." But it all does make for an amazing portrait of a truly incredible event. Truth is, Altamont never actually changed anything much; instead, it was a wakeup call for those who still for whatever reason, refused to acknowledge that the times have already been changing indeed.
The footage at Madison Square Garden is actually the best concert footage in the film, interesting seeing how the house lights were on all the time and how the band played on stage without any props or effects (KISS was still 5 years away).
Many may disagree with this, but on the DVD, the newly remixed music in the film actually sounds too clean, especially during the concert sequences. The audio sometimes sounds so good, that it makes the film, itself gritty and hardcore, look "fake" and "dubbed" all too many times.
- stevenfallonnyc
- Dec 29, 2003
- Permalink
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- The Rolling Stones: Gimme Shelter
- Filming locations
- Muscle Shoals, Alabama, USA(Playback of tracks in studio)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $999
- Runtime1 hour 31 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1