Young Jewish man tries to find his way in 1960's Paris while pondering whether to follow his father into the fur business or go into films.Young Jewish man tries to find his way in 1960's Paris while pondering whether to follow his father into the fur business or go into films.Young Jewish man tries to find his way in 1960's Paris while pondering whether to follow his father into the fur business or go into films.
Photos
Hénia Suchar
- Betty Langmann - la mère
- (as Hénia Ziv)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaActors considered for the role of Claude's father : Serge Reggiani, Louis de Funès, Michel Serrault and Peter Ustinov.
- ConnectionsFeatures Aux yeux du souvenir (1948)
Featured review
"Le cinema de papa " belongs to the series of films which depicts the director's memories ,although the order was not chronological ,except for the first one,generally considered the best : childhood in WW2 "le vieil homme et l'enfant" , the marriage ("Mazel Tov ou le mariage , the military service ("le pistonné" ) , his apprenticeship in the world of cinema (this movie) and the first time you fall in love ("la première fois" generally looked upon as his nadir) .
This one begins in 1946 , and depicts the life of a Jewish family just after the war (therefore ,it's the follow-up to "le vieil homme et l'enfant" ) ; but it avoids certain details (which will be revealed in the first (fiction) film of sonny , a good trick perhaps inspired by Duvivier 's "la fête à Henriette"(1952).
For Berry was primarily a cine buff : his hero was Jean Marais (an extract of "le château de verre " by René Clément is included) ,and he longed to become an actor ; his meeting with a director de l'Académie Française (although his name is not mentioned , it 's René Clair ,of course) is a failure ,his first effort leading to a 7- second appearance in a cheap dud are discouraging ; undaunted ,the young man is hired by the Columbia Company (no less) and his pidging English gives the funniest scenes of the movie: it turns an earnest resistance movie into a farce ("alibi" is the same word in both languages but the pronunciation differs ).
He then becomes a screenwriter , but his role is stolen by a handsome actor ,cast against type (in the sixties ,Gerard Barray was Jean Marais 's alter ego , a king of the swashbuckler ) ; but it's when he makes his own father the hero of his first work (hence the mysterious title ) that he hits the big time (Yves Robert was also the father in "le pistonné").
It's a pleasant entertaining movie,with a tendency to navel-gazing (one can forgive,for at the time ,Berri was not yet the tycoon (director/producer) he would become )
A note about the title : it gives its name to the French cinema before the Nouvelle Vague,when it was a la mode to despise it ;now this opinion is phased out and ,thanks to reissues on DVD , the cinema de papa is upgraded ;quite rightly so.
This one begins in 1946 , and depicts the life of a Jewish family just after the war (therefore ,it's the follow-up to "le vieil homme et l'enfant" ) ; but it avoids certain details (which will be revealed in the first (fiction) film of sonny , a good trick perhaps inspired by Duvivier 's "la fête à Henriette"(1952).
For Berry was primarily a cine buff : his hero was Jean Marais (an extract of "le château de verre " by René Clément is included) ,and he longed to become an actor ; his meeting with a director de l'Académie Française (although his name is not mentioned , it 's René Clair ,of course) is a failure ,his first effort leading to a 7- second appearance in a cheap dud are discouraging ; undaunted ,the young man is hired by the Columbia Company (no less) and his pidging English gives the funniest scenes of the movie: it turns an earnest resistance movie into a farce ("alibi" is the same word in both languages but the pronunciation differs ).
He then becomes a screenwriter , but his role is stolen by a handsome actor ,cast against type (in the sixties ,Gerard Barray was Jean Marais 's alter ego , a king of the swashbuckler ) ; but it's when he makes his own father the hero of his first work (hence the mysterious title ) that he hits the big time (Yves Robert was also the father in "le pistonné").
It's a pleasant entertaining movie,with a tendency to navel-gazing (one can forgive,for at the time ,Berri was not yet the tycoon (director/producer) he would become )
A note about the title : it gives its name to the French cinema before the Nouvelle Vague,when it was a la mode to despise it ;now this opinion is phased out and ,thanks to reissues on DVD , the cinema de papa is upgraded ;quite rightly so.
- ulicknormanowen
- Sep 13, 2022
- Permalink
Details
- Runtime1 hour 30 minutes
- Sound mix
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