User reviews

I stumbled on this movie on a Sunday afternoon and, having nothing better to do, sat down to watch. I wasn't expecting much--director Michael Winner doesn't have the strongest reputation--but this was a very well-done film. It has that 60s anti-establishment tone, though Oliver Reed's character is more indifferent to war than an outright rebel. When he is captured, Reed's character, Hannibal Brooks, volunteers to work at the Munich zoo and becomes the caretaker for the zoo's elephant, Lucy. When the German caretaker is killed in a bombing raid, Brooks is put in charge and directed to take the elephant to safety in Ausria. What follows is a series of largely comic misadventures, though the film does develop a serious tone as it goes on. Unable to take the elephant by train, Brooks sets off on foot, accompanied by two German guards and a female cook.

There is some great German scenery in the film as Brooks and company make their way into the high country. Following the accidental death of one of the guards, plans change and the remaining trio make their way to Switzerland. There's a rogueish American escapee, played by Michael J. Pollard, who keeps crossing paths with Brooks, as well as a German officer, played by Wolfgang Preiss, whose path crosses Brooks' as well. Rather reluctantly, Brooks becomes something of a hero, though he's motivated more by his desire to keep Lucy safe than by anything else. A very enjoyable movie that I wouldn't mind seeing again some time.

What can you say about a war movie where an elephant crosses the Alps? It's silly but a heck of a lot of fun. The scenery is gorgeous, the acting is light and the action sequences are top notch. Oliver Reed is perfectly cast as our hero Brooks. He has played so many villain roles that it's great to see him play a nice guy for a change. The beautiful Austrian scenery steals the show. Somehow every time we see a breathtaking view of the mountains, we forget we're watching a war movie. The war is shown in a very comedic way(especially all of Michael J. Pollard's scenes, which are priceless) and this works to some extent. The comedy never goes overboard (a fine balance is kept throughout the film). A good example of this is the final action sequence at the border crossing which is exciting and well played with a nice dash of humour thrown in. At many times we are required to check our disbelief at the door but this is such a good natured movie that we don't really care.We root for our heroes to make it to safety, all the way to the end, without ever really wondering if they will make it, but that's part of the film's charm. Overall a great movie to see on a cold winter day.

Michael J. Pollard does, to an extent, spoil every scene he is in.

I think that the main problem that Oliver Reed is one of the finest actors of the past thirty years - all brooding menace and power bubbling under the surface. Considering his role as Bill Sykes (the ultimate depiction of a vicious character), he is quite believable here.

However Pollard hams up his role and plays it like a smacked up hippy. I can't imagine that the French Resistance fighters would have followed him for an instance, and I am sorry to say he is badly miscast here.

The film is also, to an extent, a little derivative, with some pretty shoddy direction. It does have some superb cinematography which helps balance this out, but to be honest its a film to watch on December 27th when you have had your fill of Christmas cheer and just fancy something light.

A breezy, light-hearted and, dare I say, humorous World War II movie very much reflecting the sensibilities of the late 60's. Oliver Reed is Lance Corporal Brooks, the perfect antihero with very little respect for authority, even when the authority is SS Colonel von Haller played with a certain roguish charm by Wolfgang Preiss. As a captured British soldier, Brooks willingly volunteers to work in the Munich Zoo where he becomes the caretaker for an elephant named Lucy. The zoo is bombed and he is charged with taking Lucy to safety. Thwarted by von Haller in his attempt to get her there by rail, Brooks and his escort (two guards and a female cook) undertake the journey on foot. Circumstances arise that lead to the decision to attempt an escape over the Alps to Switzerland, and because Brooks has grown so attached to her, leaving Lucy behind is not an option. As you can imagine, trying to escape Nazi Germany with an elephant in tow makes for some interesting situations.

This is not high art, but the story is good, and there's a nice little twist, too. The cast is universally good and you can tell the actors are having a good time. Joining Reed and Preiss is an elfin Michael J. Pollard as a fellow POW turned goofy guerilla. Peter Carsten and Helmut Lohner are Brooks' German guards and Karin Baal is the cook who, with a very 60's sensibility, explains to Brooks why she made what might not have been such an obvious choice in the 1940's.

All in all Hannibal Brooks is a highly entertaining film. If only this movie were on DVD, or even video for that matter.

As war films go, this one stands alone as the daftest concept I have come across. However, as light entertainment, it has all the mix of goodies and baddies, superheroes, tragedy and comedy. The 'we're here' line never fails to bring a smile to my face. One can excuse the acting [which is a tad wooden and stilted at times] and settle back to enjoy a traditional good yarn. The music, I believe by Francis Lai, remains one of my favourite film scores and superbly compliments the film throughout. To summarise, take time out to watch this film and I'm sure you wont feel time was wasted.

WWII adventure that veers skillfully between drama and comedy . In War Was Two , captured British soldier Stephen Brooks (Oliver Reed) is on a prison train to Germany . On the train he meets an American prisoner, Packy (tiresomely flacky Michael J. Pollard in a major comic role) , who's obsessed with getaway. On arrival at the POW camp Stalag 7 , Brooks and other fellow POWs are sent to work at the local Munich zoo, to care for the animals .After a devastating bombing raid that kills some of the animals , the zoo staff is decided to evacuate the surviving animals. The prisoner of war , Hannibal Brooks working at the zoo is assigned to look after an elephant named Lucy , to whom he grows devoted , as he gets the chance to escape from the Germans, so he does and he takes with him the elephant that he's been caring for and liberated from Munich zoo . En route with the elephant from Munich to a safer zoo in Innsbruck , Hannibal accidentally kills the Nazi member of the escort and then he sets off with Lucy over the mountains to Switzerland . As he attempts to cross the Alps on the back of the elephant . Together they head for the Swiss border and freedom. Supersoldier in the Super Adventure . It's a suspense story. It's a comedy story. It's a war story. It's a warm story. It's a wild story. It's a love story. It's a moving story. It's an elephant story. It's a super story. Guess who "got the Steve McQueen-Sean Connery-Burt Lancaster-type role" in this super adventure?

A war comedy with adventures , thrills , humor , spectacular battles and a good thrilling climax . It is a sympathetic tale with entertainment and funny enough , featured by some likeable roles who enhance the amusement . It waves from comedy , noisy action to melodrama . Main and support cast are pretty well . British Oliver Reed plays a POW assigned to evacuate valuable elephant from Munich zoo , giving an agreeable acting , forming a peculiar buddie movie with snub-nosed American Michael J. Pollard who steals the the show by delivering comic relief , while the elephant wins all hearts in the emotive final. They're very well accompanied by a fine support cast , such as : Wolfgang Preiss as Colonel Friedrich von Haller , John Alderton as Bernard , Peter Carsten as Kurt , gorgeous Karin Baal as Polish Vronia , Ralf Wolter and brief appearance by James Donald as POW priest.

Hannibal Brooks (1969) contains a sensitive and catching musical score by French composer Francis Lai . As well as colorful cinematography by Robert Paynter , though a perfect remastering being really necessary . The picture was acceptably directed by Michael Winner. He had important commercial success in the mid-70 with his fetish actor, Charles Bronson , achieving various box-office hits, as ¨Deathwish I and II¨, furthermore ¨The mechanics¨ and ¨The stone killer¨. With his obsessive need to work, Winner accepted many inferior projects, including two weak Death Wish sequels , though occasionally he attempted to make more prestigious films, notably ¨The Nightcomers¨ (1971), a prequel to Henry James' The Turn of the Screw, made in Britain with Marlon Brando; and ¨A chorus of disapproval¨ (1989), a satisfying version of Alan Ayckbourn's bittersweet comedy . Hannibal Brooks (1969) rating : 6.5/10 . Fun and enjoyable film that will appeal to Oliver Reed fans and WWII enthusiasts.

I recall seeing this film as a child, and it always made me smile. Oliver Reed is the eponymous WWII POW who has a job at a zoo in Munich looking after "Lucy". Nope, she's not a glamorous blonde - she's an elephant, and quite a stubborn one at that. As the allies close in, it's decided to evacuate "Lucy" to Austria, but when an officer commandeers their train, they decide to walk - the two, with a pair of soldiers as escort and a cook. Their escapades are light hearted adventures with Reed on good form as the recalcitrant determined to get himself and his "girl" to the safety of Switzerland. Wolfgang Preiss is quite effective as his pursuing Nazi "von Haller" exuding just a hint of menace and Michael J. Pollard pulls some quite comical stunts as escaping American "Packy" who turns his hand to sabotage at times... Aside from the affable humour, I also remembered the lightly orchestral score from Francis Lai - a memorable little theme that, as they wander through some gorgeous Germany scenery sets this up nicely. It's a fun film this, a more interesting wartime feel good film that does exactly what it (and they) set out to.

You've already read the plot, where an English POW risks his life to conduct a bombed-out zoo elephant, Lisa, from Germany to a safe haven in Switzerland during World War II. Despite the doubts that plot line might suggest, this is a great movie that held my attention the whole way through. An excellent cast gives life to a wide range of characters; and you really do come to understand their actions and care about them.

Oliver Reed, as "Hannibal" Brooks, brings a light touch and a wry sense of humor to this role that blends both comedy and drama. It pays to listen closely to the by-play between Brooks and his fellow POWs and the zoo staff, and German soldiers he encounters - there's some really funny stuff here. However, as a war film, it's not all comedy - there are fighting sequences and the film includes some spectacular explosions and pyrotechnics.

One thing I liked about the movie is that it portrays the decency of common people; the ordinary people they met along the way who took time to be caring and kind -- in contrast to the horrors of war all around them.

Michael J. Pollard, as Packy, an American POW who has ambitions of military glory, is kind of strange. But, then Michael J. Pollard is always strange, so I guess that's what they wanted for his role. I would have preferred to see it played "straight", but I think the strangeness works in this movie anyway.

This is a very enjoyable movie - I hope it gets wider distribution on video/DVD so that more people can enjoy it.

Short, quirky, extremely offbeat Michael J. Pollard is like a novelty song of an actor, with BONNIE AND CLYDE his one big hit while in other movies, such as Michael Winner's fourth collaboration with Oliver Reed, HANNIBAL BROOKS, he doesn't really fit at all...

Although he seems deliberately cast against type as a gung-ho explosives-expert leading partisans around to kill Germans, and since Reed himself hardly seems part of World War II, both work together comfortably enough in a hybrid of road movie, comedy and action/adventure where Reed, a POW in Germany... after conveniently working in a German zoo... takes a prized elephant across enemy lines into, eventually, Switzerland...

And there's hardly any pressure to think otherwise - although it's not an entirely happy ending for some of the humans including a bad German, a good German and a lovely Polish ingenue (meanwhile Reed & Winner's THE SYSTEM co-star John Alterton turns up with POW-Cinema legend James Donald)...

Overall the usually bombastic Reed seems passive and indifferent towards war, catered to the Vietnam-era audience as Winner overindulges in zoom shots, the camera thrusting forward and back - yet mostly to showcase the Austrian woodsy locales that, like that elephant, provides a nifty backdrop for a decent time-filler.

WWII story with a light touch has Hannibal Brooks, a British POW in Germany, volunteering to care for one of the zoo animals left vulnerable by the bombing; he's assigned Lucy, an Asian elephant. After the zoo is destroyed by fire, Brooks, a female cook and two German soldiers are instructed to accompany Lucy across the Swiss border--a journey which will also provide crafty Brooks with the opportunity to escape. Something different from director Michael Winner, known at that time for his 'mod' British dramas (although the colorful stories told about Winner during production show that the filmmaker had not misplaced his bad boy persona). The screenplay by Ian La Frenais and Dick Clement, based on a story by Winner and Tom Wright, has some basis in fact, and yet it's a very patchy film. The cinematography and scoring are lovely, and Oliver Reed as Brooks gives a charmingly unforced performance, but the third act with American escapee Michael J. Pollard helping Reed defeat the Nazis is wearing. Pollard was riding high on the success of "Bonnie and Clyde" two years before, but he's clearly not the star here, nor is Reed. It takes a delightful pachyderm to upstage these wily men, not to mention the entire German army. ** from ****

They simply do not make films like this any longer. Anyone who is reading this probably already knows what the film is essentially about. This particular movie has a truly timeless quality about, and all the various plot twists and surprises never leave the viewer at all bored. Michael J. Pollard and Oliver Reed work very well together on screen, and it is too bad that this is the only film the two them made with one another.

Try your best to locate this film, as it is frequently listed. Again, this movie is great fun and is worth repeated viewings!

Very interesting story concept. It's worth watching for that novelty alone, however, thankfully, there are other reasons. Some decent action, comedy, and even some well performed and interesting characters exist in this slightly off beat film. If you can suspend you're disbelief enough to accept that an elephant can traipse about a countryside with little to no food for it to eat, then you should be able to enjoy Hannibal Brooks.

6 of 10 stars

Well worth watching! Escaping from Germany to Switzerland with an elephant, Hannibal Brooks embarks on an action-packed adventure that will keep your attention, and provide some laughs along the way.

Before he became obsessed with violent thrillers like Death Wish and vulgar costumers like The Wicked Lady, director Michael Winner made a reputation for himself making quaint family movies. His early directorial efforts are littered with light-hearted films like Play It Cool, The System, and You Must Be Joking. The transition probably began in 1969 with Hannibal Brooks, for in this film Winner veers erratically between cute family-orientated escapades and modestly violent wartime action. The switches in mood and style are somewhat jarring - one moment we are cooing at the delightful elephant around which the story is based, the next we witness a German soldier plunging to his death from a cable car.... similarly we are meant to feel tension when those darned Nazis are on-screen, but the evil that is Nazism is absurdly counterbalanced by the presence of the comical supporting character played by Michael J Pollard. Hannibal Brooks is desperately uneven, and is one of the most oddball films ever made, but something about it is endearingly likable.

Prisoner-of-war Stephen Brooks (Oliver Reed) is assigned to work in a Munich zoo, where he becomes the keeper of a huge, friendly elephant named Lucy. During a heavy bombing raid on Munich, Brooks escapes from the zoo but decides, absurdly, to take his new elephant friend with him (!) Brooks' plan is to follow in the footsteps of the famous Carthiginian general Hannibal who, if you know your history, led his soldiers and elephants over the Alps in battle. Brooks guides Lucy into the Alps intending to find his way to the Swiss border, where freedom and neutrality await. Along the way, Brooks frequently runs into an American saboteur named Packy (Michael J Pollard) who, with his team of misfits, spends most of his time being a thorn in the side of the Germans. Progressing through the German countryside with an elephant in tow proves no easy task, but eventually Brooks and Lucy close in on the Swiss frontier. Occasionally, Lucy proves herself to be a useful creature to have along, such as in the scene where her brute strength is used to dislodge a German checkpoint from a hillside.

Hannibal Brooks is as implausible as it is inoffensive. The backdrop is beautiful, and Robert Paynter captures the Alpine landscapes in wonderful DeLuxe colour. Oliver Reed gives a superb performance, holding together the potentially ridiculous story with infectious enthusiasm, and proving the old saying that actors should never work with children or animals is not always true. He has an on-screen chemistry with his elephant co-star that is surprisingly heart-warming (Reed really does seem to have some kind of rapport with the pachyderm, which helps to add some believability to an otherwise unbelievable scenario). Like I pointed out earlier, the film veers dramatically between cuteness and cruelty, action and comedy, and is consequently so uneven that it doesn't really gel. Pollard's eccentric performance as the saboteur Packy is also distracting for the wrong reasons, pulling the film down a further notch or two. But in all honesty, Hannibal Brooks still emerges a strangely likable misfire, and is a film that always goes down nicely on a rainy afternoon when there's nothing better to do.

Sadly they do not make films of this type today. an innocent film (if a film about war can be that), and very funny in places which also does not surprisingly, conflict with the film's war content.

I have seen this brilliant 'British' film only twice and narrowly missed seeing (and recording)it for the third time recently. As it doesn't seem to be shown on TV (as often as the Great Escape anyway), I tried to buy a DVD instead. I was therefore completely surprised and frustrated to find it isn't listed as available anywhere, as far as I could see.

Mr Winner, if you ever read this, please, please, please, make arrangements for this excellent film to be made available (again?) with possibly,dare I suggest, a Director's commentary, and comments from some of the (sadly few) remaining actors.

That got your attention, didn't it? The words "Michael Winner" and "Orson Welles" in the same sentence. And I don't just mean because of their fondness for wine and good food. No, the fact is, that like, Orson Welles, Michael Winner made all his best films at the start of his career ("The Jokers", "The Games" and this film). After the first "Death Wish", he was starting to go downhill professionally (although "A Chorus of Disapproval" was not bad). If you see any of his most recent films, you'll find it hard to believe that this was the same man that made such a class act as "Hannibal Brooks" back in 1968. In fact, his films don't get released any more, they escape. "Dirty Weekend" is a case in point, executed so crassly and seemingly assembled by some clueless chimp who has no idea about film-making.

Anyway, back to "Hannibal Brooks" and the days when Winner made films for the family that didn't involve women being raped and tortured. The story of a British P.O.W. in 1944 helping to lead an elephant over the Alps to freedom in Switzerland was devised by Winner and former P.O.W. Tom Wright and blessed by a great script full of quotable lines by "Likely Lads" Dick Clement and Ian La Frenais. Reed is great, although the film is stolen by Michael J. Pollard, who has never been better than he is in this film. With great picture postcard photography of Austria (by Robert Paynter) and a terrific score by "Love Story" composer Francis Lai, this is great entertainment and deserves a DVD release now.

Loved this film ever since I saw it as the supporting movie in a double bill with something I can't remember. That was when I fell for Ollie. I was only 8 at the time but he was my 1st love and I was devastated when he died. If you love elephants watch it.

How can you not love this film? I have grown up watching this film, and grown up using the phrase 'we're here' instead of elephant! lots of laughs are involved in watching this film, except from went he zoo is bombed :( all good films from this decade end with a happy ending, like this one! Just wish i could find it on DVD so i could watch it an endless amount of times. You can't get bored of a film this brilliantly bizarre! I love it! You should too! This film is the film that made me want a zoo when i was little, and to have lots of 'we're here's! Before i watched this film i didn't know quite how useful and elephant could be at freeing prisoners from wars, i'll remember this if i ever join the army!

This really is a different kind of war film,and probably one of the best for family viewing,as a kid i watched this film every time it was on TV its memorable because it is so different.It is also one of the first films that was made that got us to support elephants against the unnecessary tusk trade as the terrible slaughter was at its height.In reality Ollie Reed was a bit frightened of the elephant as it wasn't a particularly friendly one he didn't like turning his back on her,i take it he was sober?Another good point about this film is that it doesn't portray the Germans as one dimensional characters,you have a mixture of good and bad, British films have always tried to do this its a shame that a lot of modern film makers from other parts of the world cant follow this example they should set out to entertain not offend.People shouldn't get off on seeing other races ridiculed,this shouldn't happen in modern cinema The Patriot is one example,and there's a lot more like that.Back to the film ,theres a lot to like about it, its entertaining well acted and has an exciting climax and eventually a happy ending.This was Ollies most likable role its a shame he didn't play more parts like this rather than the hardened villain types.But i think after this film his drinking got heavier,which ruined his looks his weight ballooned,and eventually his acting career went fastly down hill,he showed so much promise in the early part of his career.This is a good film to see him in his hey day when he was at the height of his popularity,wasted talent?Also Micheal J Pollard is really funny in this film.