The File of the Golden Goose

While File of the Golden Goose is not a particularly well made film, it does have it's charms.

This is one of those films one reaches for when you don't really want to watch a movie.

Yul Brynner plays Secret Service Agent Peter Novak, who, after his girlfriend is caught and killed in the crossfire of bullets meant him, vows revenge on the counterfeiting ring responsible for the hit. In London, Novak and married policeman Arthur Thompson go undercover as surviving members of the infamous Golden Goose gang in order to infiltrate the counterfeiting ring.

I've always enjoyed this movie because Yul Brynner appears to be having such fun as he digs deeper and deeper within the gang, intent on getting to the unknown Head Man.

Charles Gray is suitably over the top in his performance as 'The Owl.' The homosexual distribution manager for the gang's counterfeit money.

All in all, it's pretty entertaining. Brynner's terse dialog and intimidation factor work very well.

Production quality is very good, from the opening of a boy and his dog at play on the beach to the finale at the mansion home of the gang's mastermind

My only complaints is the over the top sleaze in some places and the need for perhaps more fluid camera work during action scenes. It's almost like no one knew how to choreograph a film fight. Finally, the resolution of the identity of the 'Head Man' still falls flat, even after 40 years.

Still, this is a fondly remembered film still enjoyed.

But...if the gang had tried to kill Novak at the beginning of the movie, how could he expect to infiltrate them?

This movie was better than I had expected. The script is not exactly Oscar-caliber, but "Golden Goose" has good actors and an interesting story. The various location shots of London were impressive. Yul Brynner plays a U.S. Secret Service agent trying to bust up a counterfeiting ring.

A routine,uninspired secret agent thriller.What is not generally acknowledged is that this film is a remake of Anthony Mann's first-class 'B' Film Noir T-MEN(1947).The original had far more resonance and atmosphere(mainly because of Mann's effective direction and John Alton's moody monochrome photography).THE FILE OF THE GOLDEN GOOSE has touristy views of London,flat colour imagery,and unremarkable direction by Sam Wanamaker.Wanamaker,a fine actor,never really made it as a film director,and despite some reputable performers here,like Yul Brynner(in the old Dennis O'Keefe role),and Edward Woodward(in the doomed Alfred Ryder part),the result is a just passable time-waster.

Yul Brynner (yes, Yul Brynner, believe it or not) plays a U.S. Secret Service agent assigned by Washington to investigate an international gang counterfeiting $100 bills in Europe. He teams up with a Scotland Yard detective played by Edward Woodward ("The Equalizer" in a future life).

The movie opens with the gang attempting to assassinate Brynner near the United Nations building in New York, because he has developed too much evidence. The gang misses, of course, but his girl friend is killed. Brynner travels to London, works undercover, and gets in good with the gang.

I gave this movie a 7 out of 10, if only because they got the right American law enforcement agency (Secret Service) investigating counterfeit.

Quite routine as can be for a crime feature, but there's somewhat a dreary and hardened underbelly. The investigation that transpires is predictably weary as you feel like your watching something out of a old- school crime TV episode… but what it has going for it is that the grimy locations help with the moody ambiance and the main performances up it a notch. Yul Brynner is in the lead and along side are Edward Woodward and Charles Gray as a shady, if eccentric villain "The Owl". So there are some real solid acting chops on show.

An American secret service agent working with Scotland Yard goes about trying to infiltrate a dangerous counterfeit ring looking to upscale their business. Brynner plays it tough as nails (but there's something a little more to his psyche that be shows minor cracks), while Woodward is the chatty local partner who's assigned to Brynner's American agent. I thought it was going to play out like some buddy feature (as the two shared a fitting combination with some British humour), but it soon moves away from that angle midway through when the thick script brings in the villains and the scheming begins (also slowing things down) as our protagonist (Brynner) sets his plans in motion by snooping and trying to uncover the mastermind behind this counterfeit ring. In between this are some intense exchanges, beat-downs, nasty encounters and sauna visiting amongst the London views.

There's clichés aplenty amongst the smokescreen of genre staples and throw in that racy big band score typical of the era. The plot is rather thin, as you can feel it being stretched out with the amount of repetitive actions occurring and its revelation feels abrupt making little headway, but I always found Brynner to be a very watchable actor despite that detached-persona and it does possess a dangerous edge never making the character feel too safe. The earnest direction is tranquil in manner and the handling rather practical in style, as the pace is leisured throughout making a little sluggish. Although its does come to a crushing end in the final stages with a downbeat final shot.

"He's rather a tough nut".