IMDb RATING
7.9/10
6.3K
YOUR RATING
A widow tries to marry off her daughter with the help of her late husband's three friends.A widow tries to marry off her daughter with the help of her late husband's three friends.A widow tries to marry off her daughter with the help of her late husband's three friends.
- Awards
- 3 wins total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn 1961, Late Autumn (1960) (Akibiyori) was selected as the Japanese entry for the Best Foreign Language Film at the 33rd Academy Awards®, but was not accepted as a nominee.
- Quotes
Akiko Miwa: You have to marry eventually.
Ayako Miwa: No, I don't. I'm happy just as I am. But Mother, if I did find someone, what would you do?
Akiko Miwa: What do you mean?
Ayako Miwa: Would you be lonely?
Akiko Miwa: I'd miss you, but it can't be helped. I'd have to make do. It was the same with my mother. That's how it is with parents and children.
- ConnectionsFeatured in Satoshi Kon: The Illusionist (2021)
- Soundtracks1st Movement
from "Piano Sonata No.11 A Major, K.331"
Composed by Wolfgang Amadeus Mozart
At the scene of a dressmaking school
Featured review
Apparently this is a semi-remake of one of Ozu's own films, which I haven't seen (Late Spring). It's also a little familiar to the most recent Ozu film I watched, 1962's An Autumn Afternoon. Besides having titles that share a word, each involves parents looking for partners for their daughter to marry. In An Autumn Afternoon, it's a father looking for someone for his daughter to marry, and in Late Autumn, it's a mother looking for someone to marry her daughter (with the help of three very entertaining male side characters, who sort of kick off the main plot without being the film's lead characters).
Yasujiro Ozu's films are slow and touching, but never dry or overly sentimental. Personally, I have to be in the right mood to get attached to them, but thankfully, tonight was the right mood. I found this very engaging throughout, and thought the characters were endearing, the visuals were very pleasant to look at, and the mix of drama and humour was pitch-perfect.
There is still the slow pacing that I was aware of here and there, but not too often, all things considered. Part of me felt like 130 minutes was a little long, but another part of me enjoyed spending over two hours with these characters and their important (but not too high stakes) life decisions. I even had to remind myself they were fictional, after I thought to myself right after the movie ended that I hoped a character would be okay in their life going forward... before pinching myself and realising that they're fictional, and there technically is no more life for them to live once the screen fades to black. I think that's the sign of good writing and acting right there.
Yasujiro Ozu's films are slow and touching, but never dry or overly sentimental. Personally, I have to be in the right mood to get attached to them, but thankfully, tonight was the right mood. I found this very engaging throughout, and thought the characters were endearing, the visuals were very pleasant to look at, and the mix of drama and humour was pitch-perfect.
There is still the slow pacing that I was aware of here and there, but not too often, all things considered. Part of me felt like 130 minutes was a little long, but another part of me enjoyed spending over two hours with these characters and their important (but not too high stakes) life decisions. I even had to remind myself they were fictional, after I thought to myself right after the movie ended that I hoped a character would be okay in their life going forward... before pinching myself and realising that they're fictional, and there technically is no more life for them to live once the screen fades to black. I think that's the sign of good writing and acting right there.
- Jeremy_Urquhart
- Dec 12, 2022
- Permalink
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Details
Box office
- Gross worldwide
- $17,781
- Runtime2 hours 8 minutes
- Sound mix
- Aspect ratio
- 1.37 : 1
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