User reviews

Patchy weeper with terrific and enjoyable performances , in which a businessman Frank Valente (Anthony Quinn) romancing criminal's widow named Rose Bianco (Sophia Loren) and the principal problem results in convincing their children that marriage will make all their lives better . As the Italian Frank wooing a mobster's widow that leads to unexpected consequences . Both of whom are strongly involved with their sons , as Frank has to convince his sternly moralising daughter (Ina Balin) about marry herself to Noble (Peter Mark Richman) , while Rose must convince her little boy Ralph (Jimmy Baird) who usually is locked at remand home like in N.Y. State Farm .

This is a plain and simple film with plenty of interesting drama , Soap opera , emotion and a sensitive as well as unexpectedly tender romance . Filmmaker Martin Ritt has got a considerable success in delineating their troublesome roles in this fabricated Soaper . Various character-studios furnish the basis for this agreeable drama and it results to be a superb piece of acting . Excellent interpretation by protagonist duo , as Anthony Quinn as the bungling businessman romancing a moll's beautiful widow , this was the first of Anthony's European roles leading to his hit five years later in ¨Zorba the Greek¨ . And Sophia Loren playing magnificently the mature but attractive crook's widow , though she was 23 years old during filming, only 10 years older than the actor playing her juvenile son . The picture also established Loren's claim as a player of some worth and paved the way for her Acadeny Award-winning success three years later in ¨Two women¨ and her triumph in ¨The Cid¨ . It is a mostly staged drama in which the two main actors spend the majority of the movie attempting to persuade their children that all will be better if they marry and it can work out . Nice screenplay by Joseph Stefano dealing with sensitive themes such as the disintegration of a family , an enticing love story , rebellious childhood and including engaging dialogs . Evocative cinematography in VistaVision by Robert Burks , he's a classic cameraman and Hitchcock's usual . The music is sparse, but it's potent and lively every time it appears , it was composed by Alessandro Cicognini .

This understatement motion picture was well produced by Carlo Ponti , Sophia Loren's husband , and professionally directed by Martin Ritt, who worked with Paul Newman in three Westerns : ¨Hombre¨ , ¨Hud¨ and ¨Outrage¨. Ritt was an expert on dramas such as ¨Stanley and Iris¨ , ¨Nut¨ , ¨Norma Rae¨ , ¨The front¨, ¨The Sound and the Fury¨ , though also directed films of all kind of genres such as : ¨The Spy Who Came in from the Cold¨ , ¨The Great White Hope¨ , ¨Mafia¨ and ¨Molly McGuire¨ . This ¨Black orchid¨ film will appeal to drama enthusiasts and Anthony Quinn/Sophia Loren fans . Rating : Above average, well worth watching ; along with ¨Hud¨ ,and ¨Outrage¨ being one of Ritt's best movie.

An early effort by director Martin Ritt, "The Black Orchid" is an unconvincing melodrama about the romance between a widow and a widower. Each has a child that complicates the situation, although the widower's daughter provides most of the roadblocks to the couple's happiness. Filmed in black and white by Hitchcock favorite Robert Burks, the story is predictable and often frustrating and annoying. The widower's daughter, played by Ina Balin, evidently suffers from mental illness, although professional help is not sought. She locks herself in her room to protest her father's involvement with the widow, she walks out on her fiancé after he refuses impossible living arrangements, and she is obsessed with maintaining her hold on her father and his life. The character is unsympathetic, and most fathers would have put her on an analyst's couch, while most fiancés would have seen what the future held and walked out.

However, the film cannot be completely dismissed, because the widow is played by Sophia Loren at her most beautiful, despite a nearly all-black wardrobe, and the widower is played by Anthony Quinn, who is wonderfully appealing in a rugged lovable way. Physically and emotionally, Loren and Quinn make a fine pair, and their performances rise above the problematic material. Quinn particularly has a difficult time making his character believable. That such an imposing forceful man would allow his daughter to ruin his life is hard to swallow, especially when the happiness of the widow, her son, and his daughter's fiancé also hang in the balance. Loren is on firmer ground in a role that takes the actress from mourning a dead husband to the joy of newfound romance. Her strong performance foreshadows her later work in "Marriage Italian Style." Loren's famous eyes are on full display, and the actress seems wise and earthy beyond her years. Perhaps Quinn's performance was not acting, because who could fail to fall for Sophia.

The movie moves back and forth between sets and locations. Although the sets are well designed, their stagy nature is jarring when the action moves outdoors. Few actors stand out beyond the leads, except for a matchmaking neighbor amusingly played by Naomi Stevens. The screenplay by Joseph Stefano, better known for "Psycho," borders on soap opera and seems conceived for the stage. Like a well-oiled episode of "As the World Turns," "The Black Orchid" moves slowly to a predictable, if unconvincing, conclusion that extols the power of sausage, which is perhaps a symbolic key to the daughter's emotional problems. However, despite its flaws, the magnificent stars ultimately redeem the film and save it from the dustbin of Hollywood history. Unfortunately, Loren and Quinn no longer grace the screen, but fortunately their shadows linger and enhance even otherwise lackluster films such as this one.

Black Orchid, The (1958)

*** (out of 4)

Rose (Sophia Loren) is a young Italian woman who has just buried her husband who was murdered by the gangsters he worked for. Rose's depression soon takes another turn when her young son gets sent to a boarding school for breaking into parking meters. News gets even worse for her son after many attempts at running away, one more attempt will send him into a reform school where he won't get released until he is much older. With all the heartbreak going on, Rose spends her evenings alone making what money she can.

Down the street is Frank (Anthony Quinn), another widower who is getting ready to see his only daughter married. Frank is the type who keeps a smile on his face no matter how much bad luck life delivers him. When he first sees Rose he notices her extreme beauty but soon he becomes interested in the person that he has so much in common with. Rose finally drops her guard and the two become quick friends and soon start to fall in love but Frank's daughter, bitter with jealousy, refuses to let their relationship go anywhere.

Perhaps I missed something or the entire film went over my head but the back of the DVD case called this a sensitive comedy romance and a couple other film books I owned called this a bittersweet romantic comedy but I certainly didn't find any comedy in The Black Orchid. Why this film would be called a comedy is beyond me but it's certainly romantic in the sense of meeting two lonely people who must travel a hard road and learn tough lessons before seeing a greener field.

The movie has its heart in the right place, although near the end things start to tumble a little bit. The biggest key to the film is its two stars who both turn in wonderfully charming performances. Sophia Loren has always been known for her beauty, which is in pull blossom here but she also manages to be quite believable as the distraught widow trying to make good for her troubled son. Loren does a very good job during various quiet scenes where she must confront her past and she also fairs very well in her louder, bleaker moments where she's trying to push people away from her.

The key highlight to the film is Anthony Quinn who was an actor who never received enough praise for his work. Quinn gives one of the most charming performances I've ever seen in a film and this here really brings the relationship of all the characters together. No matter who he's sharing the screen with Quinn sells the viewer on each subject brought up and we can't help but want him to smile and be happy no matter what. Quinn features a certain grace that makes him appear to float through his scenes and this adds all the believability that a viewer will need.

They certainly don't have star chemistry like this any more and that's one shame when it comes to people refusing to watch older films. Director Martin Ritt (Norma Rae, Stanley & Iris) does a very nice job at holding the film together and not letting the melodrama become too thick, although his selection for the music score is really distracting. The score seems to be something from The Twilight Zone, which really isn't needed here. The biggest problem with the film is the forced, if cute, ending and some of the scenes with the daughter become very obnoxious and annoying. Other than that The Black Orchid offers two great stars the ability to shine and create a wonderfully quiet little film that has enough charm to make it worth watching.

Martin Ritt was a very good director, but this film is not his best. Probably because the film was one of those he directed after being accused of being communist during the McCarthy's hunt. Two stars like Sophia Loren and Anthony Quinn together again for the second time (They were acting together in "Attila" 1954) made the film a good entertainment with a very happy end. Quinn's daughter is too egoist with his father because she does not want to share him with any other woman, and once noticed the new relationship with Sophia, a widow of a presumably maffia man, who also has a son sitting in farm school for children with problems of behavior. Sophia solved the problem Quinn had with his daughter (too simple way of solution) and Quinn was able to get the sympathy of her son and to take him back with them. I wish life could be like it was shown here, it was so simple and easy.

The soon-to-be-married daughter of a handsome widower is furious when her father starts dating the widow of a gangster. Anthony Quinn and Sophia Loren are quite good as the older lovers whose romance hits a family obstacle (Quinn, in particular, is well-attuned to his role), but the stereotypical Italian characters get to be a bit much. One can understand why Quinn's daughter is reluctant to let go of her papa (she's been mother and daughter to him for years), but her overwrought behavior--not to mention her over-acting--creates an hysterical mood which nearly undermines the love story. Martin Ritt directed, staging the piece with sensitivity yet never allowing the characters and their emotions to bloom. **1/2 from ****

Black Orchid concerns the story of two neighbors both of whom lost their respective spouses and seem like a natural match for each other. But for their respective children the ship of romance would have some smooth sailing.

Sophia Loren is a bit young to play a middle aged widow, but she carries it off beautifully. She was a bride fresh from Italy when she married her husband and she fell in love with the material wealth of America. It cost her husband his life when he turns to being a gangster to give his wife all she desires. She also shuns and is shunned by the neighborhood.

Anthony Quinn is a widower whose wife died years earlier and left him to raise daughter Ina Balin who was making her big screen debut. Although she is engaged to Peter Mark Richman she wants him to move in with her and her father and Richman who has his business in another town wants his own household.

As for Loren's kid Jimmy Baird he's on a youth farm for youthful offenders. How he reacts to his mother's new romance is a bit unusual but in keeping with how the adult characters are drawn in this drama.

What I liked about Black Orchid is the sheer ordinariness of the people yet some great drama is played out across the screen. No heroes or villains, just people going about the day to day business of living. For a writer it's probably the most difficult to find a story with these characters, but it is done beautifully in Black Orchid.

Case in point. Anthony Quinn and Sophia Loren were together before in the Italian film Attila where Quinn plays the title role the scourge of Europe and Loren is a pulchritudinous and seductive Roman princess. Two totally different types, but that's a tribute to the acting ability of the stars.

This is a film that should get more attention and maybe it will some day.

Well, I have to tell ya - Had Sophia Loren not been in The Black Orchid, then, you can bet, I would have probably rated this picture somewhat lower than I did.

Not only do I consider Loren to be one of the greatest beauties of her day, but, besides being just another pretty face, she was really quite a competent actress, as well. Loren certainly had the ability to inject a sense of genuine believability into her character portrayals, as she did so here in The Black Orchid, as the recently widowed, Rose Bianco.

I think it's kinda funny to note that at the time of filming The Black Orchid, Loren was 25 years old which, in reality, made her only 12 years older than the age of her character's son in the story.

In this "Eat-Drink-And-Be-Merry" tale of love, Italian-style, Loren plays an unglamorous role of a struggling, single mother (with a few skeletons in her closet) who is being romantically pursued by a boisterous and persistent older man with a few family problems of his own.

The Black Orchid's "lonely hearts" story (which was set in NYC) was basically something of a soap opera, and it really wasn't all that great. But because of Loren it earned itself 6 stars from yours truly.

*Note* - Sophia Loren is now 80 years old.

I liked "The Black Orchid", as it's a film that works well because the script is very good and the acting really carries it off well. Too many films feature everything but fine acting--so this one is a great lesson to aspiring actors and folks who want to learn to appreciate more than explosions and the like.

The film begins with the death of a gangster. He's left a mixed up son and a beautiful but mixed up wife (Sophia Loren). Because of some sense of guilt for pushing her husband to succeed, he chose organized crime--and now she feels responsible for killing him. Her penance is to shut herself away from the world and be miserable. However, a gregarious widower (Anthony Quinn) is determined to break through this wall. He figures that they both are lonely and they should make a go of it.

When it comes to Loren's change from closed and unhappy to falling in love with Quinn, this is probably the weakest point in the film. It happens very quickly--as if some period of time is missing. However, considering that their being in love and wanting to get married is NOT the main point of the film, this can be forgiven.

The hiccup in this relationship is, surprisingly, not from Loren's son. While he is in reform school, he likes the idea of the marriage. The problem is Quinn's adult daughter. She has an almost incestuous bond with her father and she is determined to do anything to prevent him from remarrying--even if it means her losing her own chance for marriage. While this may seem a bit unrealistic, as a family therapist, such reactions from daughters to the prospect of their widowed fathers remarrying isn't that unusual--and is the great basis of a film.

All this works together very well due to the acting. Quinn is simply great--very likable and decent. As for Loren, it's one of her earliest English language films--and she is exceptional. In particular, I loved her body language and expressions. As for the rest, the ensemble cast is uniformly good. While this is not an exciting film, it is very well done and deserves to be seen. A sweet and worthwhile romance that will probably leave you feeling a bit misty-eyed.

Anthony Quinn adds an Italian to his long list of ethnic types in 'caring hunk' mode as he courts widow with a past Sophia Loren in the face of opposition from daughter Ina Balin (actually only three years younger than Loren) to the accompaniment of an appropriately noisy score by Alessandro Cicognini in this garrulous soap opera set in New York but obviously shot almost entirely on a Hollywood soundstage.

Under the tutelage of husband Carlo Ponti, Loren's dressed-down appearance ("you shouldn't dress in mourning all the time") sufficiently impressed the jury at Venice that year for them to vote her Best Actress.

Released back in 1958 - "The Black Orchid" is a somewhat average Drama/Romance that stars the alluring Sophia Loren (25 at the time) in a decidedly non-glamorous role as the Rose Bianco character.

Recently widowed when her shifty husband is murdered by the mob, the lonely Rose must now support herself and her troublesome teenage son, Ralph, even though times are proving to be very trying for her.

(IMO) - "The Black Orchid's" biggest asset was, of course, having Loren in a leading role.

Anthony Quinn and Sophia Loren play two lonely, recently widowed people whose tentatively blossoming romance is in danger of being derailed by the behaviour of their respective children in this Martin Ritt melodrama that calls for its audience to exercise a high degree of patience combined with a low expectation of anything exciting happening.

Quinn is very good as the single father of a grown daughter, exuding a charm that makes the speed with which the widow Rose's initial reluctance towards him is turned into a willing embrace believable. Loren is OK, although for me she lacked confidence in some of the quieter moments in which she is called upon to emote without words. But then, she was only in her early twenties – a good few years younger than her co-star – so perhaps a disparity in the quality of their acting is forgivable.

Perhaps the most interesting thing about the movie is that it isn't Rose's tearaway juvenile son (Jimmy Baird) who proves to be the biggest obstacle to their romance, but Quinn's grown daughter Mary (Ina Balin) who is herself on the verge of marriage. This aspect of the story is also the least convincing, and to be honest you just feel like telling her to get over herself and let her Dad get on with his life. Any adult who would deliberately imitate the behaviour of their mother immediately before she (the mother) committed suicide in order to get their way really deserves no sympathy from the audience and a lot less understanding than they get from the characters here. This situation also lacks any meaningful resolution between father and daughter as it is Rose who finally brings Mary around – and then seals the deal by showing her prospective daughter-in-law how to cook the perfect sausage

To this point in her American career, Italian actress Loren had starred mainly in big budget, Technicolor productions—e.g. Legend of the Lost, The Pride and the Passion, Boy on a Dolphin, (all 1957). Of course, such a format showed off her ample proportions for that mammary obsessed decade. I suspect this little b&w production was intended to help establish her as more than a sex goddess. And it does.

She's quite good in the de-glamorized role of an embittered working widow, Rose. Despite her resistance, she's being intensely courted by prosperous business man, Frank (Quinn). Trouble is Frank's daughter Mary (Balin), is very possessive of dad and also thinks Rose is undeserving of him. So Mary creates problems that jeopardize not only dad's engagement but also her own—to nice guy Noble (Richman). If this sounds like tangled relationships, it is, especially when Rose's delinquent son (Baird) is added to the mix.

Fortunately, the movie's well acted and directed (Ritt), which helps what turns out to be something of a soap opera. The first part comes across as mainly a character study as the hardened widow Rose fends off Frank's persistent gambits. However, once the relationships begin to spread and conflict, the screenplay takes on a more conventional tone. Also, looks like the movie was shot entirely on the Paramount lot. Thus, I expect they were able to squeeze it into her hectic schedule. Note too how subtly actress Loren expresses emotions with her eyes. That's probably something guys like me never noticed before.

Despite the obscurity in Loren's canon, the film works as an engaging showcase for the two leads, and is not without its moments.

This movie deserves a better score. The scene alone in which Quinn declares her affection for Sophia deserves an Oscar.

The looks between both characters dignify Black and White cinema for their expressiveness in settings typical of the 20s and 30s.

It's a shame that this formidable actors hadn't made more films. The two identify each other very well. They are both extraordinary on camera. It seems as if they had known each other from a long time ago just because of their naturalness when acting. Worth seeing it again.

The beginning reminds us "The Untouchables" television series and in fact that was the atmosphere that the mafia gave socially under that dark time in big cities like Chicago.

Sophia Loren won the Venice Film Festival best actress award for her portrayal of Rose Bianco (White Rose) in The Black Orchid. The remainder of the cast are equally impressive (with a special nod to Anthony Quinn) in this engrossing drama. Pop some corn, turn the phone off and enjoy.

Enjoyed this 1958 film which was the first film that Carlo Ponti who was Sophia Loren's husband in real life, and this was the first film that he directed in the United States for Paramount Studios. This story is about a woman, Rose Bianco, (Sophia Loren) who was the wife of a Mafia mobster who was killed and Rose just lived with her son and worked in a factory making flowers and mostly orchids. Frank Valente, (Anthony Quinn) is a widower after many years with a wife who had a mental condition. The neighbors all felt sorry for Rose and the fact that her only son was sent to a correction farm because he was a problem child and always ran away. The same neighbors wanted to matched up Rose & Frank in hopes of them getting married someday. This story becomes very complicated with many people falling in love and then there are many fights and plenty of cold shoulders going on. I noticed in the film whenever something was going wrong with people there was this strange music being played like in a horror film. Very unusual film and worth viewing this great 1958 Classic film.

Martin Ritt was a fine director with movies like Hud and Hombre to his name and The Black Orchid is a film he could be proud of in my opinion. I really enjoyed this unexpected gem fro. 1958. Sophia Loren excels in an early English speaking role for the Italian find of the decade. Beautiful and sensitive in her acting, Sophia radiates charisma in every scene, even when she scowls as she does to begin with as a gangster's widow in mourning who gets hit on by a friend of her next door neighbour called Frank played by the exuberant Anthony Quinn. Quinn pursues her with an almost stalker like enthusiasm which might be frowned on in today's age, but it pays off for him as she gradually comes around, first to liking and then loving the simarlerly widowed man. Then the drama becomes more complicated involving Loren's delinquent son and Quinn's troubled daughter, played by Ina Balin in her introductory screen role. Sadly Balin, a rather beautiful and accomplished actress, died far too young in her early fifties from a chest ailment. Shot in black and white but full screen, I really got into this melodrama and recommend it to anyone who just likes a good story, well told and directed and superbly acted.

The Black Orchid features a perfect, typical Anthony Quinn role. He's passionate, full of love and laughter, and devoted to the woman who captured his fancy. Basically, he's every woman's fantasy that doesn't exist.

All kidding aside, he plays the timid but ardent suitor of Sophia Loren. Sophia is a widow whose troubled son is stuck in a reform school run by Whit Bissell. Tony's been a widower for a long time, and he believes if Sophia got the chip off her shoulder, they'd be a great match. For the whole beginning section, Sophia pouts and ignores him. But it's Anthony Quinn! Do you think he'll get her to thaw and show her beautiful smile?

You might wonder why Alessandro Cicognini's music sounds so eerie, when The Black Orchid is a love story. This movie isn't all giggles and hand-holding at the diner (although that scene is adorable), since Tony's adult daughter Ina Balin is very attached to her father and can't stand the idea of him getting another woman in his life. I'd recommend this drama if you like both exciting leads. It's entertaining and keeps you guessing, and it's pretty sweet.

At first , I saw it as a sort of refuge . Familiar actors, good script, old fashion romance , beautiful acting.

And a realistic obstacle front to a form of new chance to happiness for two single people after not easy experiences from past.

A film about love, neighbuorhood, attitudes and answers, difficulties and life in fresh aspects .

Sure, for so many reasons, the film of Sophia Loren and Anthony Quinn. But it is not honest or fair to ignore the supporting actors.

The main virtue of film, maybe wise mix of honesty and noble simplicity. A film who you feel it , scene by scene, against a sort of hurry to craft the romance. But, no doubts, a film who deserves be seen. Not only once.

"The Black Orchid" is a good drama that is evocative and poignant . It is focused on character development and has the good acting necessary to make that work. Anthony Quinn is the standout here and makes this film; it was really nice to watch. Interesting story, filmed well, and has some heart. I would recommend watching if you get the chance. My rating: 8/10.