The Cuban misadventures of a Florida smuggler, at the time of the Cuban Revolution.The Cuban misadventures of a Florida smuggler, at the time of the Cuban Revolution.The Cuban misadventures of a Florida smuggler, at the time of the Cuban Revolution.
Stephen Peck
- Pepito
- (as Steven Peck)
Carlos Romero
- Carlos Contreras
- (as Carl Rogers)
John A. Alonzo
- Soldier Checking Car
- (uncredited)
Salvador Baguez
- Revolutionary
- (uncredited)
Steve Carruthers
- Gambler
- (uncredited)
Walt Davis
- Gambler
- (uncredited)
Isabelle Dwan
- Gambler
- (uncredited)
Storyline
Did you know
- TriviaDirector Don Siegel was unhappy with Audie Murphy as the choice for the lead role.
- GoofsAt 1 hour 19 min Hanagan falls, then kicked by Sam into the engine compartment. After Sam dispatches two thugs Hanagan is resting comfortable against the engine block. The engine should have been extremely hot, certainly hot enough to elicit some response from Hanagan.
- ConnectionsRemake of The Breaking Point (1950)
- SoundtracksHavana Holiday
Words and Music by Joe Lubin, and Curly Howard (as Jerome Howard)
Featured review
The Gun Runners is directed by Don Siegel and adapted to screenplay by Daniel Mainwaring and Paul Monash from the Ernest Hemmingway novel, "To Have and Have Not". It stars Audie Murphy, Eddie Albert, Patricia Owens, Everett Sloane, Richard Jaeckel, Paul Birch and Jack Elam. Music is by Leith Stevens and cinematography by Hal Mohr.
It's The Cuban Revolution and boat owner Sam Martin (Murphy) finds himself unwittingly mixed up in gun running...
The Hemmingway novel had already been adapted with considerable success twice previously (To Have and Have Not (1944)/The Breaking Point (1950)), so why another variant on the source was commissioned is a bit of a mystery. As it happens, it's no dead loss without pulling up any trees.
Thematic heart comes by way of Sam Martin's moral compass, which is jarred when he learns he is quite simply in over his head. With an adoring wife at home (Owens) and his alcoholic best friend in tow (Sloane as usual good value), the human interest factor is above average. Albert gives quality villainy, with henchmen by his side, and the pic stands out for the moments of violence that take one by surprise.
There's some poor back projection work, but this is offset by some lovely location photography, with Mohr (Phantom of the Opera/The Lost Moment) also bringing some nifty monochrome shadings to key character interactions. Yet ultimately the plus point is with Murphy, who really pushes himself for Siegel, his performance deserved a better film, but as it is he lifts it above average and makes it a must see for his fans. 6/10
It's The Cuban Revolution and boat owner Sam Martin (Murphy) finds himself unwittingly mixed up in gun running...
The Hemmingway novel had already been adapted with considerable success twice previously (To Have and Have Not (1944)/The Breaking Point (1950)), so why another variant on the source was commissioned is a bit of a mystery. As it happens, it's no dead loss without pulling up any trees.
Thematic heart comes by way of Sam Martin's moral compass, which is jarred when he learns he is quite simply in over his head. With an adoring wife at home (Owens) and his alcoholic best friend in tow (Sloane as usual good value), the human interest factor is above average. Albert gives quality villainy, with henchmen by his side, and the pic stands out for the moments of violence that take one by surprise.
There's some poor back projection work, but this is offset by some lovely location photography, with Mohr (Phantom of the Opera/The Lost Moment) also bringing some nifty monochrome shadings to key character interactions. Yet ultimately the plus point is with Murphy, who really pushes himself for Siegel, his performance deserved a better film, but as it is he lifts it above average and makes it a must see for his fans. 6/10
- hitchcockthelegend
- May 15, 2020
- Permalink
- How long is The Gun Runners?Powered by Alexa
Details
- Runtime1 hour 23 minutes
- Color
- Aspect ratio
- 1.85 : 1
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