User reviews

Let's face it, this is a pretty bad film.However if you go in ready to make fun of it you can survive the experience.Okay, you'll scream in agony a lot.African jungle fun in a dopey kind of way.

Tom Conway (who spends most of the film wearing a funky chapeau) is using the local witch doctor and mad science to create a "perfect" being.It looks like a varmint that has been on a six week drunk and is in a sack dress.Ugly is being kind.But it won't kill for him because he's using a good girl as his subject.He needs a bad bad girl.

Marla English and Lance Fuller are two petty crooks in search of African gold.Acting lessons for Ms English should have been at the top of the search list.She's a bad girl and lets everybody know it in a performance worthy of a junior high school play.Mike "Touch" Connors is the white guide English & Fuller con into leading the expedition.

English & Conway finally meet and it is a match made in hell.She is the perfect subject to become his voodoo creature because she'll do anything (stress anything) to get what she wants.You will do anything to stop the agony of this movie at this point.

What made this movie interesting for me was Conway wearing that funky tribal hat/headdress/floral piece!Still trying to figure out what kind of dead animal it was.Guess he thought if he pulled it down low enough over his eyes nobody would recognize him.

Truly bad cinema.

This 1950's howler is so bad it's unintentionally funny. Tom Conway portrays Dr. Gerard, a scientist who is turning natives into a monster using voodoo. His poor wife, played by Mary Ellen Kay, is being held captive by her wacko hubby who has no time for her but threatens to kill her if she leaves him. Along comes Marla English as a greedy murderess who has already killed a man to find treasure in the jungle. Her idiot boyfriend, portrayed by Lance Fuller, is along on the safari. They hire "Touch" Connors, (later renamed Mike Connors, of Mannix fame) as a guide. English is a terrible actress, but hey, no one else in the cast were turning in academy award winning performances either. "Touch" (I'm sorry, I can't even type the name without cracking up, I mean, what the...) gave the only half way decent performance of the bunch and that's saying a lot. The monster is only seen briefly, and the ending is predictable to say the least. I would say this movie falls into the "it's so bad, it's almost good" category of movies. It's good on a rainy night when nothing else is on the tube.

Random thoughts that popped into my head while watching "Voodoo Woman":

1) Poor Tom Conway. Either he thought this role was beneath him (but took it anyway to keep the wolf from the door) or he was completely out of his depth, because he gives a completely squirrelly and disconnected performance where he is obviously reading from cue cards most of the time. Plus...that HAT!!!

2) Poor Lance Fuller. The guy had a certain way about him, but alas his talent is strictly 3rd tier, and it doesn't help that the character he plays is a greasy slimeball.

3) Poor Mike Connors. He pretty much carries the movie, but he should have carried it straight out the door and into the dumpster.

4) The lead female - someone should have gently taken her aside and told her the difference between "tough noir temptress" and "irritating, hateful harpy". She actually looked pretty good in the role, but every time she opened her mouth, I wanted to punch her.

6) The final scene where the murderous harpy tries to retrieve the final remaining chunk of gold from the edge of the volcanic pit where it came to rest, only to lose her balance and fall in...is the single most badly staged and unbelievable choreography of a "fall" I can remember seeing. Apparently it never occurred to the poor lady to bend her knees.

7) This wasn't nearly as bad as earlier AIP fodder like "Beast With A Million Eyes", and I am sure someone had fun watching it as the bottom half of a Drive in double feature...but 40+ years down the road, it has not aged well. Good AIP/Corman stuff almost always had the germ of something interesting and creative driving them...but this poor cast- off just comes off trite, rote, and derivative.

8) At the end of the day, people who were trying to make a living in the movie business got paid. At least there's that.

Voodoo Woman is not the greatest film I have ever seen, but I have certainly seen worse: A LOT WORSE. There are exactly two reasons to watch this movie. 1: Mike Connors ( Ted Bronson). 2: Marla English.( Marilyn Blanchard). Marla in her final film ( she retired to raise a family), is drop dead beautiful as always ( particularly in a sarong). She is also one of the nastiest women you will ever see in a movie ( she murders two men in cold blood). The only thing she cares about is having gold. Connors is the hero here and although it was years earlier, looks just the same as he did on Mannix. He even reminds me of Joe Mannix in a fight: Connors is also the only one who is not stupid, evil or both. Anyway 4/10 stars 2 for Connors and 2 for looking at Marla English.

"Voodoo Woman" is a super-cheap film from American-International Pictures. Now you know it's cheap as instead of giving the project to Roger Corman (who had a knack for making good films out of nothing), Edward Cahn directs this silly mess of a film.

The film is set in voodoo country--a land inhabited by obese people who inexplicably have allowed a totally loony white man (Tom Conway) to live among them with his wife. I say inexplicably because these natives hate outsiders and keep threatening to kill him--then minutes later they're teaching him their deepest secrets! At the same time, an incredibly violent and vicious woman (Marla English) and her male cohort are planning on an expedition to the tribe with whom Conway lives--as the place apparently is loaded with gold. They need a guide, so they convince tough-talking Mike Connors to join them.

By the time Connors and his new 'friends' meet up with Conway and his 'friends', it's obvious that bad things will happen. That's because Conway is truly crazy and plans on using his personal voodoo monster to kill (bummer)--all with very predictable results. All the viewer knows is that it's all pretty confusing and messy and you just want them all to die. Fortunately, most of them do! This film is just plain dumb. Often the plot just made little sense so someone would just kill someone of Marla would turn into a monster--the story itself made little difference. Bad acting, horrible writing and awkward direction--there really isn't anything to recommend this film unless you like bad movies. Pretty dumb...and made worse by the omnipresent soundtrack consisting of bongos--lots and lots of bongos! Yuck!

Looking for gold in a remote African village, a team of explorers stumble upon a mad doctor working with the natives to create a race of people using black magic to rule the world, and that the first test subject is stalking them in the jungle along their journey.

This one here wasn't all that bad of a low-budget voodoo effort. What really gives this one a lot of enjoyable elements here is the fact that it really generates a pretty intriguing atmosphere with the use of the voodoo angle to really help sell this one's connection to the jungle setting here. This one gets that element off to a great start here with the opening voodoo ceremony being performed where the gathered crowd gets whipped into a frenzy as the ritual items placed on her and the enhanced dancing before the transformation makes which for a great start to this, and with the ever-present tribal drumming throughout here as well as the jungle- dwelling atmosphere that really helps to solidify the voodoo-filled atmosphere of this part of the film. As well, this also makes use of one of the strongest and most vital aspects of voodoo about it not being able to force someone to do something they usually wouldn't do, and it really sells this aspect of the religion by forcing a critical plot-point to come from this and to be able to stick to conventions is to be commended. Other fun here comes from the scenes with the voodoo-raised creature as the different resurrections in the bunker are incredibly creepy and the action scenes of it charging into villages and destroying everything are quite fun, though it's the finale that really sells this one. Bringing into play the ceremonial altar deep in the fog-enshrouded jungle, the wild dancing and chanting being quite fun and there's the fine set- pieces of capturing the wife as well as the different battles to be found at the ceremony which is where this one really makes for a great time here. With the fantastic creature design and the low- budget charms on display, this one is enjoyable enough to overcome the few minor flaws here. The main issue against this one is obviously the cheap, low-budget nature of the film which doesn't really make any part of this one look like anything else here except for a cheap cash-in. The sets, the simplicity of the locations and the whole atmosphere is so obviously and easily seen as such it really takes a lot out of the film in that state. Likewise, that continues into the overall length of this as the film takes on barely enough to reach the hour mark and really only gets there with only a few minor set-pieces that stretch that length out with the rather lame scenes of her being kept hidden in her room, the time- wasting scene in the motel room where they get held up from going on their trip and the scenes of them in the jungle wrestling for control with each other are quite lame and really just seem stretched out variations just to get it to a proper running time. These issues, along with the rather cheap look, all lower this one somewhat.

Today's Rating/PG: Violence.

Believing that a tribe deep in the African jungle has gold a ruthless woman by the name of "Marilyn Blanchard" (Marla English) and her boyfriend "Rick Brady" (Lance Fuller) manage to manipulate a guide named "Ted Bronson" (Mike Connors) to take them to this village. What none of them realize is that there is a mad scientist named "Dr. Roland Gerard" (Tom Conway) who has been staying there and learning the black arts which he hopes to combine with western science in order to transform a female into a monster he can control with the power of his mind. Now rather than reveal any more of this movie and risk spoiling it for those who haven't seen it I will just say that this is clearly a low-budget, grade-B film from days gone by which most people probably won't like or appreciate. However, to suggest that this is one of the worst films ever made is probably a bit of a stretch too. In any case, having grown up with movies like this in my early years I personally didn't think it was that bad and for that reason I have rated it as about average.

Voodoo Woman (1957)

* (out of 4)

Really bad film about a mad scientist in the African jungle turning a woman into a monster by using voodoo. I love these old "B" movies and AIP was always one of the best but this film here is just downright boring, slow and not interesting in anyway. The film is full of dialogue, which is poorly written and slows everything down. The performances are all equally bad but not bad enough to where we can laugh at them. The film is bad from start to finish but it never gets to the point to where you can laugh at it, which means the film is just hard to watch.

Dismal cheapie from AIP that stars a rough-looking Tom Conway as a mad scientist in the jungle using voodoo to turn women into monsters. It's a mostly dull affair with a few campy moments that are worth some laughs. But these are sadly few and far between. Most of the time it's just boring. Conway has seen better days. He looks sickly here. But he still (over)acts his pants off, which is appreciated. Marla English makes for a fun bitch; she's easily the highlight of the movie. Mike Connors is the "hero" who exists just to give the mad scientist's put-upon wife (Mary Ellen Kay) a stud to walk into the sunset with. The monster suit for the 'voodoo woman' is the same as the suit from The She-Creature with some minor changes. She-Creature is a much more fun movie, though. Also the drum beat played throughout sounds a bit like the opening to Sympathy for the Devil.

An Anemic Looking Tom Conway Along with a Native Voodoo Priest Experiment on Women.

And Create a Mesmerized Monster.

The Unimpressive Creation is None Other than Paul Blaidsdale.

Wearing His Modified Left-Over Costume (with some shelf wear) from "The She Creature" (1956).

So Lackluster it is Carefully Hidden from the Camera.

Marla English is a Balls-to-the-Wall Killer and Gold Hunter who Orders the Men Around like Slaves and Dominates All Her Scenes.

Hidden Away in a Room Guarded by a Gargantuan Native with an Ever-Present Spear,

is a Platinum Blonde (there's one in every B-Movie of the 50's), Conway's Wife (Susan Gerard).

She Falls for "Touch" Conners in a Millisecond.

The Sets are Dark and Filled with Many Potted Plants with an Ominous, Swirling Smoke Filled Pit.

The Movie is in Motion Most of the Time and can be Fun if You Let It.

Pretty Awful even by Grade "Z" Standards.

Clocking in at a Whopping 87 Min. Its an Epic by Director Ed Cahn Measures.

For Fans of Schlock, 50's Horror, and All things Psychotronic...

Worth a Watch

For Others Feel No Guilt to Ignore.

We don't worry about motivations when it comes to guys who want to create new women. Unfortunately, the products aren't very good. Tom Conway, one of Hollywood's least memorable actors, is the jungle man with the cool hat who discovers something rather unsavory is going on among the trees. Well, of course it's an evil scientist. If you want to giggle, just listen to the dialogue. It is overly dramatic and stiff. This one doesn't even have the recommendation of being sort of funny. Unless we have a unique sense of humor.

Talent-challenged Marla English and Lance Fuller play a couple of crumbs who hire Joe Mannix - er, Touch (Mike) Connors, to lead them into the jungle in search of gold. Meanwhile, mad doctor Tom Conway performs experiments on a native babe, turning her into a 6-foot Estelle Getty on steroids. Unfortunately, the native girl does not have the killer instinct that Conway desires, but English does. So guess who is Conway's next patient? Connors saves his own skin, and manages to snag Conway's wife in the process.

Tom Conway gives a bore-de-force performance. You've never seen him like this. His trademark pencil-thin moustache is missing. He literally speaks without moving his lips (this time, through mind control). His eyebrows are knit together in an almost simian appearance. He wears the most ridiculous headpiece in the history of hatdom. And he manages to get off a lengthy diatribe with only two glances as his cue cards:

You were interfering with my work, Susan. Nobody's going to stand in my way, not even you. If we had it do over again, we'd know better, wouldn't we, Susan? You wouldn't have married a man of my age and I wouldn't have undertaken to play nursemaid to a whimpering shallow woman who's been crying homesick for the past seven years."

Watch this film if you want to make fun of a movie. There is a lot to make fun of here because it's a real eye-roller. Dumb looking creature with a blonde wig. WOW that's scary! Let's not forget the bad acting - in particular the dark haired female lead. This female lead is just hateful and not tough. There's more to poke fun at but that give you and idea already. It's also very boring so it will help to pass the time to make fun of the film.

Why isn't this another "Voodoo Man" titled film instead of being called "Voodoo Woman"? It's a man that is using voodoo to hoodoo the islanders among others. He's a "mad scientist" trying to create a perfect indestructible race that will do his bidding. Whatever.

OK this film is going in my "garbage films" list.

2/10

You must not watch this Edawrd Cahn's film as a vodoo topic, as was I WALKED WITH A ZOMBIE for instance. Nothing in common. This little B horror adventure movie is interesting because most of the characters are not sympathetic at all, ecxcept maybe Mike Connor's and the Susan role. It is cheap, lousy, sometimes laughable, fun to watch. Typical from Eddy Cahn when he had no budget at all and no intention to pull something exceptional. If you are a fan of this kind of fifties horror stuff, and I know there are thousands of them, this film is absolutely unavoidable. I hardly recognized Tom Conway, only his very voice "betrayed" him.