IMDb RATING
7.0/10
6.6K
YOUR RATING
Showdown in Arizona between the Bonnell brothers, U.S.Marshals, and Jessica Drummond, the iron-fist rancher who controls the territory.Showdown in Arizona between the Bonnell brothers, U.S.Marshals, and Jessica Drummond, the iron-fist rancher who controls the territory.Showdown in Arizona between the Bonnell brothers, U.S.Marshals, and Jessica Drummond, the iron-fist rancher who controls the territory.
Sandy Wirth
- Chico's Girlfriend
- (as Sandra Wirth)
Albert Cavens
- Doctor
- (uncredited)
Tex Driscoll
- Barber
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaBarbara Stanwyck's stunt woman refused to be dragged by a horse, saying that it was too dangerous. Without further ado, Stanwyck did it by herself. She got some bruises and scrapes, but was okay. At that time, she was 49 years old.
- GoofsWhen the gunsmith is fitting Wes for a new rifle, he is holding the stock from a model 1898 Mauser, which would not be invented for another 20 years. Wes also picks up a Winchester and looks through the barrel to see the lady gunsmith, which is not possible due to there being no straight line of sight through the action.
- Quotes
Jessica Drummond: I'm not interested in *you*, Mr. Bonnell. It's your trademark.
[gestures at his gun, purring]
Jessica Drummond: May I feel it?
Griff Bonnell: Uh-uh.
Jessica Drummond: Just curious.
Griff Bonnell: It might go off in your face.
Jessica Drummond: I'll take a chance.
- ConnectionsEdited into Gli ultimi giorni dell'umanità (2022)
Featured review
I often record films off TCM or other film channels and I'll nearly always record westerns. Often I don't get past the first few minutes but every now and then I come across a real classic. I wasn't aware of this film or its cult status when I watched it so I was able to form an opinion without a prior bias.
Firstly I was impressed by the opening scene of Barbara Stanwyck and her forty horsemen thundering across the screen and richness of the black and white cinematography. The film itself immediately grabbed my interest and the dialogue was at times cheesy, at times full of sexual innuendo, but always interesting. It was only when it came to a scene where the Bonnell brothers are walking through Tombstone that I realised I was watching a single shot that went on and on and on. There's no merit in doing long tracking shots just for the hell of it but this was something that worked beautifully.
The composition of many shots and their realisation was quite magnificent and I would love to see this on a big screen now. One scene where a widow is shot from below and there is a long pan past the hearse to a singer under a tree and back again puts most modern music videos to shame.
It has to be said that this is also one of the silliest and campest films ever made with its emphasis, not to mention song, on a "high riding woman with a whip". The general fondling of firearms and sexual references are so blatant that it seems surprising that this film wasn't universally condemned by the usual suspects on its release.
I was also impressed by the cast who weren't what you might expect for a western. I especially liked Barry Sullivan's pre-Leone, pre-Eastwood portrayal of the gunslinger.
All in all a complete delight. I'm looking forward to watching it again.
Firstly I was impressed by the opening scene of Barbara Stanwyck and her forty horsemen thundering across the screen and richness of the black and white cinematography. The film itself immediately grabbed my interest and the dialogue was at times cheesy, at times full of sexual innuendo, but always interesting. It was only when it came to a scene where the Bonnell brothers are walking through Tombstone that I realised I was watching a single shot that went on and on and on. There's no merit in doing long tracking shots just for the hell of it but this was something that worked beautifully.
The composition of many shots and their realisation was quite magnificent and I would love to see this on a big screen now. One scene where a widow is shot from below and there is a long pan past the hearse to a singer under a tree and back again puts most modern music videos to shame.
It has to be said that this is also one of the silliest and campest films ever made with its emphasis, not to mention song, on a "high riding woman with a whip". The general fondling of firearms and sexual references are so blatant that it seems surprising that this film wasn't universally condemned by the usual suspects on its release.
I was also impressed by the cast who weren't what you might expect for a western. I especially liked Barry Sullivan's pre-Leone, pre-Eastwood portrayal of the gunslinger.
All in all a complete delight. I'm looking forward to watching it again.
- basilisksamuk
- Oct 21, 2012
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Details
Box office
- Budget
- $300,000 (estimated)
- Gross worldwide
- $6,344
- Runtime1 hour 20 minutes
- Color
- Aspect ratio
- 2.35 : 1
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