14 reviews
The most striking thing about this movie is just how splendid it looks ,thanks to the wonderful Technicolor photography by William Clothier .His credits also include Cheyenne Autumn and The Alamo(John Wayne version).He makes superb use of the rugged outdoors locations and does not neglect close-ups which also look very fine indeed .
The plot is pretty standard fare in the Western -a trek by wagon train across hostile Indian country .The train is being escorted by Captain Riordan (Dennis O'Keefe).Among its passengers is a US Marshall (Trevor Bardette) ,his prisoner ,a killer (Barry Sullivan) a lady of the night (Katy Jurado)a "nice girl"(Mona Freeman)and sundry others.They are forced to put aside their differences in the face of repeated attacks by hostiles and form a bond wrought by adversity .
The script gives each of the figures on the train a turn in the spotlight and the cast responds well with a string of strong performances well in evidence .Especially noteworthy is Jack Elam in a rare sympathetic role. Veteran action director Harold Schuster keeps things moving and the overall result is a strong ,well made Western that will please most genre lovers
The plot is pretty standard fare in the Western -a trek by wagon train across hostile Indian country .The train is being escorted by Captain Riordan (Dennis O'Keefe).Among its passengers is a US Marshall (Trevor Bardette) ,his prisoner ,a killer (Barry Sullivan) a lady of the night (Katy Jurado)a "nice girl"(Mona Freeman)and sundry others.They are forced to put aside their differences in the face of repeated attacks by hostiles and form a bond wrought by adversity .
The script gives each of the figures on the train a turn in the spotlight and the cast responds well with a string of strong performances well in evidence .Especially noteworthy is Jack Elam in a rare sympathetic role. Veteran action director Harold Schuster keeps things moving and the overall result is a strong ,well made Western that will please most genre lovers
- lorenellroy
- Dec 5, 2007
- Permalink
Monogram Pictures changed its name to Allied Artists in an effort to change its image from that of a cheap B-studio. For the most part, it didn't really work. Allied Artists' product suffered from the same deficiencies that Monogram's did: shoddy production values, lesser talent--both in front of and behind the cameras--and a lack of originality in its stories. This film, however, does not fall into that mold. While the story--survivors of an Indian attack make their way across the desert to safety--may seem trite, what is done with it isn't. Director Harold D. Schuster, a former editor, is hardly a household name, but he has made several tight little B pictures (1954's "Loophole" is a first-rate film-noir thriller about a bank teller framed for a robbery), and this is one of them. Dennis O'Keefe does a very good job as a cavalry officer who survives an Indian attack, and must lead a disparate group to safety across the desert. They come across a group of traders who aren't exactly what they seem to be, and must band together with them for mutual protection. Jack Elam plays a gunfighter who isn't quite what he seems to be, either. There's a good musical score, Schuster handles the action scenes quite well, and there are some interesting plot twists. Altogether, a well-paced, intriguing little western, highly recommended.
Marshal Bill Haney, his assistant Tom and driver Jud are transporting prisoners Link Ferris and Tioga through Apache Indian territory and hopefully on to Fort Smith, Arkansas. On an adjacent trail, shifty Indian trader Jonah McAdam happens upon a cavalry troop that has been massacred by the Yellow Claw lead Apaches, the only survivor of the attack is Capt. Riordan, who orders McAdam to take him to Fort Dragoon Wells. Before they set off they are met by the prison wagon and not too long after that a stagecoach carrying Ann Bradley, Phillip Scott and Mexican entertainer Mara Fay also arrives on the scene. All of them now under serious threat of attacks by the Apaches. So Riordan orders the two prisoners to be unshackled so they can aid the defence of the group as they attempt to make it to Fort Dragoon Wells. But the Apache are not the only problem facing them, not all in the group are quite what they seem and with food and water at a premium, the odds are heavily stacked against them making it to safety.
As it was directed by journeyman Harold D. Schuster and coming out of B-studio Allied Artists, the omens weren't that great for Dragoon Wells Massacre being anything other than a poor B Western picture. That it breaks free from budgetary restrains and becomes a fine genre entry is largely down to three key points. First is the screenplay by Warren Douglas, secondly is a few fine acting performances and thirdly is having William Clothier on cinematography duties.
Though very similar in plotting to a number of other Westerns, this boasts a great script that gives weighty substance to the characters, and with Schuster effectively not letting the pace sag, the pic is both entertaining and intriguing. It would have been easy for this to turn out as a bunch of stereotypical caricatures meandering across the plains, but thanks to Douglas these become real people in very real peril. They not only must survive the constant attacks as the Indians try to pick them off at opportune moments, they must also survive each other. Thus with twists and surprising developments popping up during the journey, story doesn't lack for inventiveness.
Casting aside Mona Freeman's awful and grating on the nerves turn as Ann Bradley, the cast deliver some quality characterisations, particularly notable are Barry Sullivan (Ferris), Dennis O'Keefe (Riordan), Jack Elam (Tioga) & Katy Jurado (Mara Fay). While Sebastian Cabot is weasel personified as Jonah McAdam. William Clothier is no strange name to Western fans, his work with John Ford, Howard Hawks & Budd Boetticher ensures he's a name to be excited about on a Western credit list. As usual, he doesn't disappoint. Superbly photographing the rugged terrain (Kanab, Utah) as it imposes on our under duress group, he also does fine work with the close up shots as well. Shot in CinemaScope with De Luxe Color, it's a shame that the print is of average quality.
This is a film that is crying out to be remastered, but its lesser known status lends one to believe that that is unlikely to ever happen. However, it's a testament to Clothier's ability that the piece still manages to look fabulous. There's some bad editing in the mix, and in truth Schuster is no skilled craftsman when it comes to action set pieces. Yet the faults are easily forgiven, for this is all about character emphasis, as nobody on this journey is merely canon fodder, they all are given time and thought to involve the audience. So that coupled with Clothier's work makes this a strong Western that's recommended with confidence to the serious Western fan. 7.5/10
As it was directed by journeyman Harold D. Schuster and coming out of B-studio Allied Artists, the omens weren't that great for Dragoon Wells Massacre being anything other than a poor B Western picture. That it breaks free from budgetary restrains and becomes a fine genre entry is largely down to three key points. First is the screenplay by Warren Douglas, secondly is a few fine acting performances and thirdly is having William Clothier on cinematography duties.
Though very similar in plotting to a number of other Westerns, this boasts a great script that gives weighty substance to the characters, and with Schuster effectively not letting the pace sag, the pic is both entertaining and intriguing. It would have been easy for this to turn out as a bunch of stereotypical caricatures meandering across the plains, but thanks to Douglas these become real people in very real peril. They not only must survive the constant attacks as the Indians try to pick them off at opportune moments, they must also survive each other. Thus with twists and surprising developments popping up during the journey, story doesn't lack for inventiveness.
Casting aside Mona Freeman's awful and grating on the nerves turn as Ann Bradley, the cast deliver some quality characterisations, particularly notable are Barry Sullivan (Ferris), Dennis O'Keefe (Riordan), Jack Elam (Tioga) & Katy Jurado (Mara Fay). While Sebastian Cabot is weasel personified as Jonah McAdam. William Clothier is no strange name to Western fans, his work with John Ford, Howard Hawks & Budd Boetticher ensures he's a name to be excited about on a Western credit list. As usual, he doesn't disappoint. Superbly photographing the rugged terrain (Kanab, Utah) as it imposes on our under duress group, he also does fine work with the close up shots as well. Shot in CinemaScope with De Luxe Color, it's a shame that the print is of average quality.
This is a film that is crying out to be remastered, but its lesser known status lends one to believe that that is unlikely to ever happen. However, it's a testament to Clothier's ability that the piece still manages to look fabulous. There's some bad editing in the mix, and in truth Schuster is no skilled craftsman when it comes to action set pieces. Yet the faults are easily forgiven, for this is all about character emphasis, as nobody on this journey is merely canon fodder, they all are given time and thought to involve the audience. So that coupled with Clothier's work makes this a strong Western that's recommended with confidence to the serious Western fan. 7.5/10
- hitchcockthelegend
- Feb 8, 2010
- Permalink
As Westerns go, this one is a little different. The plot is nothing new, Captain Matt Riordan has to guide a group of travellers across the plains to Dragoon Wells Camp after they have been attacked by Indians. Not all the members of the party is what they appear to be.
This movie is different in the sense that we appear to have a very standards stereotypical group of traditional Western movie characters. However the script is very different, in a sense trying to break the mould, filling out many of the characters. A lot of them feel very fleshed out giving a richness to the movie that you would not expect. The movie takes chances and personally, I like that, something that has the guts to be different. However, the downside of this means that there are several moments where a couple of the key players are acting extremely out of character. Not enough though, to damage the movie as a whole.
The film does have one major flaw. The Ann Bradley character is simply the most irritating woman ever seen in a film. The audience is meant to care about this character, yet for the first 3/4 of the movie all I wanted was to see an arrow put through her head.
Overall, this is pretty good fare, I would recommend this to anyone with even a passing interest in the genre. - 6/10
This movie is different in the sense that we appear to have a very standards stereotypical group of traditional Western movie characters. However the script is very different, in a sense trying to break the mould, filling out many of the characters. A lot of them feel very fleshed out giving a richness to the movie that you would not expect. The movie takes chances and personally, I like that, something that has the guts to be different. However, the downside of this means that there are several moments where a couple of the key players are acting extremely out of character. Not enough though, to damage the movie as a whole.
The film does have one major flaw. The Ann Bradley character is simply the most irritating woman ever seen in a film. The audience is meant to care about this character, yet for the first 3/4 of the movie all I wanted was to see an arrow put through her head.
Overall, this is pretty good fare, I would recommend this to anyone with even a passing interest in the genre. - 6/10
- stevedorsett
- Nov 16, 2001
- Permalink
Dragoon Wells Massacre(1957) is an engaging effort about two disparate groups of travelers who must band together to fight off savage Indians . As a cavalry officer, Capt. Matt Riordan (Dennis O'Keefe) , the sole survivor of an Indian assault , along with stagecoach passengers (Mona Freeman , Katy Jurado , Max Showalter) and a wagon load of prisoners (Barry Sullivan) travel through hostile Indian country. The column remains under the command of the officer , along with a wagon owned by traitor gunrunner Jonah (Sebastian Cabot) that contains hidden repeating rifles , Winchester rifles , ammunition , supplies and whiskey for the rebellious Indians . As the expedition heading for an Union Fort and along the way suffering rampaging native American attacks commanded by Yellow Claw (John War Eagle) , Jeronimo's follower .
Standard Western set during the Arizona Indian Wars with the rebel upheaval of brave chief Yellow Claw , when fear and violence spread throughout the land . This one shows a campy , amusing and entertaining glimpse in the Wild West . This sharp, well-paced film packs thrills , noisy action , horse pursuits , crossfire , high body-count , and it is fast-moving and quite entertaining . It's a medium/low budget film with passable actors , technicians , functional production values and pleasing results . There is plenty of action in the movie , guaranteeing some shoot'em up or stunts every few minutes . Bursting with appealing characters, interesting themes as the peculiar relationships among the prisoners and soldiers, romance , sub-plots , and with very decent filmmaking and interpretation . There is an odd implementation of shots in the camera work during some particular scenes as the film approaches its climax , as the battles between the besieged people and Indians . Nice production design creating an adequate scenario with luminous outdoors , plains , montains and rocky landscapes under a glimmer sun and atmospheric sets but in B-series style . Here stands out its top-notch main and support cast with plenty of famous actors such as Barry Sullivan , Dennis O'Keefe , Mona Freeman, Katy Jurado , Sebastian Cabot , Max Showalter , Jack Elam , Trevor Bardette and Hank Worden , John Ford's regular . Schuster's western Dragoon Wells Massacre (1957) , despite its potboiler title, has nice writing, a rousing score by Paul Dunlap and Schuster's tight direction raise this several notches above the product normally churned out by its studio, the usually low-grade Allied Artists. As well colorful cinematography by expert cameraman William H. Clothier , though a perfect remastering being really necessary, due to the film copy is faded.
This well-crafted B western was decently directed by veteran programmer man, Harold D. Schuster . A highly regarded editor, in fact he cut the classic Murnau's Sunrise (1927) , Harold D. Schuster started out in films as an actor. It didn't take him long to abandon that career, and he turned to the production side of the business, working his way up to editor and eventually taking the reins as a director. While much of his directorial output is run-of-the-mill , there are some real gems scattered throughout such as My Friend Flicka (1943) . Although typed as an "outdoors" director, Schuster could turn out tough, gritty little thrillers when he wanted to, such as Loophole (1954), about a bank teller who gets framed for an embezzlement; it ranks right up there with the edgy crime dramas of Don Siegel and Phil Karlson. Schuster made all kinds of genres in films as Wings of the morning , South of Karanga , Breakfast in Hollywood , Security Risk , Loophole , Jack Slade , Girl Trouble , The Postman Didn't Ring , Small Town Deb , On the Sunny Side , A Very Young Lady , Zanzibar , Frame , Bomber's Moon , My Friend Flicka . Schuster eventually turned to series television, and finished out his career there , directing episodes of notorious series such as Twilight zone , Legend of Jesse James, U. S. Marshall , Wire Service, Detective McGraw , Zane Grey , Lassie , Tombstone Territory , among others .
Standard Western set during the Arizona Indian Wars with the rebel upheaval of brave chief Yellow Claw , when fear and violence spread throughout the land . This one shows a campy , amusing and entertaining glimpse in the Wild West . This sharp, well-paced film packs thrills , noisy action , horse pursuits , crossfire , high body-count , and it is fast-moving and quite entertaining . It's a medium/low budget film with passable actors , technicians , functional production values and pleasing results . There is plenty of action in the movie , guaranteeing some shoot'em up or stunts every few minutes . Bursting with appealing characters, interesting themes as the peculiar relationships among the prisoners and soldiers, romance , sub-plots , and with very decent filmmaking and interpretation . There is an odd implementation of shots in the camera work during some particular scenes as the film approaches its climax , as the battles between the besieged people and Indians . Nice production design creating an adequate scenario with luminous outdoors , plains , montains and rocky landscapes under a glimmer sun and atmospheric sets but in B-series style . Here stands out its top-notch main and support cast with plenty of famous actors such as Barry Sullivan , Dennis O'Keefe , Mona Freeman, Katy Jurado , Sebastian Cabot , Max Showalter , Jack Elam , Trevor Bardette and Hank Worden , John Ford's regular . Schuster's western Dragoon Wells Massacre (1957) , despite its potboiler title, has nice writing, a rousing score by Paul Dunlap and Schuster's tight direction raise this several notches above the product normally churned out by its studio, the usually low-grade Allied Artists. As well colorful cinematography by expert cameraman William H. Clothier , though a perfect remastering being really necessary, due to the film copy is faded.
This well-crafted B western was decently directed by veteran programmer man, Harold D. Schuster . A highly regarded editor, in fact he cut the classic Murnau's Sunrise (1927) , Harold D. Schuster started out in films as an actor. It didn't take him long to abandon that career, and he turned to the production side of the business, working his way up to editor and eventually taking the reins as a director. While much of his directorial output is run-of-the-mill , there are some real gems scattered throughout such as My Friend Flicka (1943) . Although typed as an "outdoors" director, Schuster could turn out tough, gritty little thrillers when he wanted to, such as Loophole (1954), about a bank teller who gets framed for an embezzlement; it ranks right up there with the edgy crime dramas of Don Siegel and Phil Karlson. Schuster made all kinds of genres in films as Wings of the morning , South of Karanga , Breakfast in Hollywood , Security Risk , Loophole , Jack Slade , Girl Trouble , The Postman Didn't Ring , Small Town Deb , On the Sunny Side , A Very Young Lady , Zanzibar , Frame , Bomber's Moon , My Friend Flicka . Schuster eventually turned to series television, and finished out his career there , directing episodes of notorious series such as Twilight zone , Legend of Jesse James, U. S. Marshall , Wire Service, Detective McGraw , Zane Grey , Lassie , Tombstone Territory , among others .
A small group of travellers stranded in the Arizona Desert. One of the group is an outlaw (Barry O'Sullivan) who is being taken to trial, and another is a cavalry captain (Dennis O'Keefe) whose troop has been wiped out by the Apaches. Matters are complicated by the presence of two women and an unscrupulous gunrunner.
Dragoon Wells Massacre is a western featuring an assortment of characters left to fend off the Apaches in the rough terrain, however there's some effort to add some refreshing elements such as fleshing out the characters. It's tautly-drawn, has great cinematography and some good action, but it's the characters that makes this film interesting. The acting is great too, particularly Jack Elam, who plays a misunderstood man. Mona Freeman can be an irritating character with her self-centredness, but the other characters such as Barry Sullivan put her in her place.
Dragoon Wells Massacre is a western featuring an assortment of characters left to fend off the Apaches in the rough terrain, however there's some effort to add some refreshing elements such as fleshing out the characters. It's tautly-drawn, has great cinematography and some good action, but it's the characters that makes this film interesting. The acting is great too, particularly Jack Elam, who plays a misunderstood man. Mona Freeman can be an irritating character with her self-centredness, but the other characters such as Barry Sullivan put her in her place.
Dragoon Wells Massacre is a rare gem. I can say rare, because there are only 11 people commenting on it. The good news is it can now be found on YouTube. There are two characters that stand out. Mona Freeman ( Ann) and Sebastian Cabot ( Jonah). I simply hated these characters ( but for different reasons). Ann because she is a miserable woman always complaining, and Jonah because he is a nasty, evil murdering coward who sells guns and whiskey to the Indians. What makes the movie is the scenery, music and suspense. It is really a 10 Little Indians type story where various people are thrown together and it is a question who survives and who gets killed. The most interesting characters are two who are paired off together. Captain Matt Riordan ( Dennis O'Keefe), the only soldier who survived an Indian massacre and Maria Fay ( Katy Jurado) a Mexican woman who you strongly suspect is a prostitute. These two prove the old adage correct. "Opposites Attract." The question remains: Who survives and who dies ( besides Jonah obviously)? That is why you watch: To find out. I would like to rate this movie higher: Very good instead of just good, but I can't because of Mona Freeman she ruins things. 7/10 stars.
- januszlvii
- May 31, 2024
- Permalink
- mark.waltz
- Apr 17, 2020
- Permalink
This is a very formula Western.
The formula is the same one used today. Since about 1950, the formula has been heavily in favor of "outlaws turning hero". This mentality didn't "creep" into the culture. It was slammed into the subconscious and the conscious of every American who watched more than ten Westerns in a life time. That's how brazen the formula was.
So, this is the biggest of clichés, and we get the most stereotypical characters you'll ever find in an old Western.
Still, the scenery and action works wonders to keep it from being dull. There are two women. The plain Jane one is nasty and hateful, and we can see her "reformation" a mile away. The other one is a hot Mexican woman, and her romance with the Army officer is the better and fresher story of the two romances. The romance of the vixen and the outlaw is so cliché filled that it was already a groaner in the sixties, so I expect it wasn't fresh in 1957 either, especially when one sees that this has been the standard since about 1950.
So, this is actually "fluff", and not just "fluff", but definitive "fluff". No dimensions here at all. Nothing fresh, but nice action and scenery.
The formula is the same one used today. Since about 1950, the formula has been heavily in favor of "outlaws turning hero". This mentality didn't "creep" into the culture. It was slammed into the subconscious and the conscious of every American who watched more than ten Westerns in a life time. That's how brazen the formula was.
So, this is the biggest of clichés, and we get the most stereotypical characters you'll ever find in an old Western.
Still, the scenery and action works wonders to keep it from being dull. There are two women. The plain Jane one is nasty and hateful, and we can see her "reformation" a mile away. The other one is a hot Mexican woman, and her romance with the Army officer is the better and fresher story of the two romances. The romance of the vixen and the outlaw is so cliché filled that it was already a groaner in the sixties, so I expect it wasn't fresh in 1957 either, especially when one sees that this has been the standard since about 1950.
So, this is actually "fluff", and not just "fluff", but definitive "fluff". No dimensions here at all. Nothing fresh, but nice action and scenery.
I may as well say at the outset that I am biased toward this movie. I liked westerns as a teenager and I liked westerns movies in color with recognizable actors. As an older fellow I now like mostly black and white movies westerns included. I stumbled on the production company filming this movie while on vacation with my folks in southern Utah desert in the summer of 1956. Iwas able to wander around the location and Stayed to watch about four takes of a two shot involving Okeefe and Cabot. After waiting eight months I saw the movie and a local theater and found the plot to be far more complex than most. This is not a run-of-the-mill 50s, one hero type, Western. I recommend it to anyone who likes some character development and appreciates the product of some of the good talents offered by Hollywood both in front of and behind the camera. I would like to find it on DVD.
Not as routine as it may sound-a cavalry captain and a wagon load of prisoners join forces on a trek through hostile Indian country. Fine acting from a strong cast, tight direction, and a rousing musical score make this one good fun.
Thoroughly enjoyed this movie. Many twists and turns. Wonderfully acted, written and filmed.
I kept saying "Gol this is a good movie".
Such a nice surprise when some reviews are not favorable.
Great character developments on many actors.
Beautiful scenery too.
Great mixture of recognizable actors. All of them do their best to put forth their stories.
I always enjoy Jack Elam in any movie. He did not disappoint in this movie.
Well worth sitting down with a bowl of popcorn and enjoying the ride.
Nice to hear a line about American Indians not being treated fairly.
Great direction and filming which captures the intriguing surroundings of the southwest.
I kept saying "Gol this is a good movie".
Such a nice surprise when some reviews are not favorable.
Great character developments on many actors.
Beautiful scenery too.
Great mixture of recognizable actors. All of them do their best to put forth their stories.
I always enjoy Jack Elam in any movie. He did not disappoint in this movie.
Well worth sitting down with a bowl of popcorn and enjoying the ride.
Nice to hear a line about American Indians not being treated fairly.
Great direction and filming which captures the intriguing surroundings of the southwest.
I'm not sure how this one escaped my attention for so long having only watched it for the first time in October 2024.
I've got a soft spot for westerns of this era.
This one is terrific.
Great characters. Barry Sullivan stood out for me and the two villains of the piece were easy to despise.
The scenery, the dialogue and the story combined to remind me how much Hollywood has lost the plot in recent times.
Great actors and interesting scripts offset the need for extreme violence and filthy language.
No fx outside the excellent stunts. The wagon rollover was awesome.
Check this gem out on YouTube. By the way, thank God for YouTube.
I've got a soft spot for westerns of this era.
This one is terrific.
Great characters. Barry Sullivan stood out for me and the two villains of the piece were easy to despise.
The scenery, the dialogue and the story combined to remind me how much Hollywood has lost the plot in recent times.
Great actors and interesting scripts offset the need for extreme violence and filthy language.
No fx outside the excellent stunts. The wagon rollover was awesome.
Check this gem out on YouTube. By the way, thank God for YouTube.