IMDb RATING
6.7/10
3.9K
YOUR RATING
A woman trapped in a home elevator is terrorized by a group of vicious hoodlums.A woman trapped in a home elevator is terrorized by a group of vicious hoodlums.A woman trapped in a home elevator is terrorized by a group of vicious hoodlums.
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Storyline
Did you know
- TriviaFirst of two pictures in a row in which Olivia de Havilland stepped into a role originally announced for Joan Crawford. She also replaced Crawford in Hush...Hush, Sweet Charlotte (1964).
- GoofsThe battery for the alarm is shown as it runs down; but later in the movie the battery works like new.
- Quotes
Cornelia Hilyard: You're one of the many bits of offal produced by the welfare state. You're what so much of my tax dollars goes to the care and feeding of!
- Crazy creditsThe opening Paramount logo is done in vertical stripes to reflect the cage motif.
- ConnectionsFeatured in What She Said: The Art of Pauline Kael (2018)
Featured review
The presence of big-name Hollywood stars does not guise the fact that this is one of the most flagrant mainstream movies of the 1960s. Surprisingly professional treatment is applied to the very sordid thrills at hand, most notably in the leads' performances which range from entirely believable to wonderfully unrestrained. Exceptional, also, is the film's score which erupts occasionally into a semi-experimental, wild beat-jazz type of noise(particularly effective in punctuating the cool opening credits, an interesting Saul Bass-inspired merging of film and frozen shots with linear animation). I can only imagine how some viewers must have reacted to this at the time it was released...a grimy urban nightmare with implied taboo sex, doped-up punks, and some highly disconcerting graphic violence and cruelty for the time.
Many of the most cherished leading ladies of Old Hollywood's glory days turned up in very lurid lo-budge vehicles during the 60s, and LIAC would be exemplary of that trend for its inclusion of DeHavilland and Sothern. Both actresses are in top-form here, and their professionalism veils somewhat the meretricious nature of the material(DeHavilland an urbane, mollycoddling mother sidelined by an injury who becomes trapped between floors in her home elevator, and Sothern a wearied but soft-hearted cyprian/burglar taking sheepish advantage of DeHavilland's perdition). Making a memorably heady debut is James Caan(channeling Brando), in his joyously immoderate portrayal of a sociopathic and frighteningly cunning young criminal who strikes terror into the heart of helpless DeHavilland. As he gradually comes to understand this woman's patrician, maternal nature, a very personal and pitiable hostility ignites within him. She is the embodiment of all the love and nurture he's been denied throughout his tragic life, and this becomes his chance to settle the score.
Classic must-see stuff for fans of singular 1960s B films within a vague realm which might include WHO KILLED TEDDY BEAR, WHAT EVER HAPPENED TO BABY JANE, THE NAKED KISS, and BUNNY LAKE IS MISSING.
8/10
Many of the most cherished leading ladies of Old Hollywood's glory days turned up in very lurid lo-budge vehicles during the 60s, and LIAC would be exemplary of that trend for its inclusion of DeHavilland and Sothern. Both actresses are in top-form here, and their professionalism veils somewhat the meretricious nature of the material(DeHavilland an urbane, mollycoddling mother sidelined by an injury who becomes trapped between floors in her home elevator, and Sothern a wearied but soft-hearted cyprian/burglar taking sheepish advantage of DeHavilland's perdition). Making a memorably heady debut is James Caan(channeling Brando), in his joyously immoderate portrayal of a sociopathic and frighteningly cunning young criminal who strikes terror into the heart of helpless DeHavilland. As he gradually comes to understand this woman's patrician, maternal nature, a very personal and pitiable hostility ignites within him. She is the embodiment of all the love and nurture he's been denied throughout his tragic life, and this becomes his chance to settle the score.
Classic must-see stuff for fans of singular 1960s B films within a vague realm which might include WHO KILLED TEDDY BEAR, WHAT EVER HAPPENED TO BABY JANE, THE NAKED KISS, and BUNNY LAKE IS MISSING.
8/10
- EyeAskance
- Oct 25, 2003
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Diez horas de terror
- Filming locations
- 1132 South Lake Street, Los Angeles, California, USA(exterior view of Mrs. Hilyard's house)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $500,000 (estimated)
- Runtime1 hour 34 minutes
- Color
- Aspect ratio
- 1.85 : 1
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