The Man Who Finally Died

This started really well and up until about halfway I was totally involved and enjoying trying to work out, as was Stanley Baker's character, just what was going on. But then around the time we visit a cemetery and there is much discussion about whether or not a body should be interred, I begin to lose it.

I think in a similarly confusing giallo there would be much more vivid and colourful aspects to maintain an interest that here just waned. It ends well enough and Baker is at his very best here although I thought Cushing only just held his end up. Mai Zetterling was wasted in a lousy role.