Barabbas

1961
Approved
2h 17m

IMDb RATING

6.9/10

7.2K

YOUR RATING

Barabbas, the criminal that the Jewish leaders induced the populace to vote to set free, so that Christ could be crucified, is haunted by the image of Jesus for the rest of his life.

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Biography Drama History

Governor Pontius Pilate gave the populace a choice to spare either Barabbas, a criminal, or Jesus, condemned as a heretic, from crucifixion. The masses chose Barrabas, and he is haunted by t... Read allGovernor Pontius Pilate gave the populace a choice to spare either Barabbas, a criminal, or Jesus, condemned as a heretic, from crucifixion. The masses chose Barrabas, and he is haunted by the image of Jesus for the rest of his life.Governor Pontius Pilate gave the populace a choice to spare either Barabbas, a criminal, or Jesus, condemned as a heretic, from crucifixion. The masses chose Barrabas, and he is haunted by the image of Jesus for the rest of his life.

See production info at IMDbPro

IMDb RATING

6.9/10

7.2K

YOUR RATING

See production info at IMDbPro

Awards
- 1 win & 3 nominations

Trivia
The solar eclipse that takes place during the crucifixion scene was the real thing, an event for which director Richard Fleischer delayed shooting in order to capture the ethereal nature of the phenomenon on 2/15/61.

Goofs
When Barabbas is sent to the sulfur mines, a guard chains him to another prisoner by hammering closed an iron link shaped like a 'C' with both ends of the 'C' glowing red-hot. The same technique is shown at least one other time. However, it's not the ends of the 'C'-shape that should be glowing red-hot in order to hammer the link closed, it is the middle, where it needs to bend. Cold iron is brittle and needs to be heated to bend or it will fracture.

Quotes
Peter: [Arrested for arson, Barabbas has been brought to the dungeons housing the Christians falsely accused of the act] This burning city is no work of ours. This isn't how the new kingdom is going to be made. You were wrong.
Barabbas: Who are you to tell me I'm wrong?
Peter: Many years ago, we spoke together. Do you remember?
Barabbas: No.
Peter: You asked me why I was making a net so far from the sea.
Barabbas: Jerusalem. The street of the potters.
Peter: You were as mistaken then as you are again now.
Female Christian: We didn't set fire to the city.
Male Christian: You've done the work of the wild beasts of the emperor.
Female Christian: Are you a lunatic?
Male Christian: It was his fire, you fool. Not God's.
Barabbas: [the realization of his error sinks in] Why can't God make himself plain? What's become of all the fine hopes, the trumpets, the angels, all the promises? Every time I've seen it end up in the same way, with torments and dead bodies, with no good come of it. Huh? All for nothing.
Peter: Do you think they persecute us to destroy nothing? Or, for that matter, do you think that what has battered on your soul for twenty years has been nothing? It wasn't for nothing that Christ died. Mankind isn't nothing. In His eyes, each individual man is the whole world. He loves each man as though there were no other.
Barabbas: I was the opposite of everything he taught, wasn't I? Why did He let Himself be killed instead of me?
Peter: Because being farthest from Him, you were the nearest.
Barabbas: I'm no nearer than I was before.
Peter: Nor any farther away. The truth of the matter is, He's never moved from your side. I can tell you this: there has been a wrestling in your spirit back and forth in your life which, in itself, is knowledge of God. By the conflict you have known Him. I can tell you as well that so it will be with the coming of the kingdom. A wrestling back and forth and a laboring of the world spirit, like a woman in childbirth. We are only the beginning. We won't see the time when the earth is full of the kingdom. And yet, even now, even here, the hour at the end of life, the kingdom is within us. There's nothing more to fear. Upon us, the years will be but many years, many martyrdoms. The ground of men is very stubborn to mature. But men will look back to us in our day, and will wonder, and remember our hope. It is the end of the day. We shall trust ourselves to a little pain, and sleep, saying to world, "Godspeed."

Connections
Featured in The World According to Smith & Jones: The Romans (1987)

User reviews66

Review

Featured review

8/10

An accidental miracle of a film from Hollywood, playing with darkness and light

Fascinating because it is based on a Nobel Prize winning novel and the film's most popular slice is the gladiator segment, which I am told was never a part of the novel! That's Hollywood. It is also the sequence that presents the arch villain of Hollywood, Jack Palance at his evil best.

I have not read the novel and I have not seen the earlier Swedish film by director Alf Sjoberg--both are great works, I believe.

What is great about Fleischer's "Barabbas"? The casting is accidentally superb--Yul Brynner was to play the Quinn part initially. And this is arguably Quinn's best work. So is the case of Sylvano Mangano, again the most memorable work of hers. Jack Palance, Arthur Kennedy and Ernest Borgnine are fascinating. Ms Mangano's brother plays the cameo of Jesus.

For the religious, the eclipse during the crucifiction of Christ was real, not a studio trick. At the same time one needs to know that director Fleischer had planned it in advance. It was not a "miracle" at all.

Starting from the amazing low-angle opening shot of the film, the film has very creditable photography. The cinematographer is Aldo Tonti who gave us the lovely images in Fellini's classic "Night of Cabiria" (1957).

For me, "Barabbas" is the best Biblical and the best sword-and-sandals work Hollywood and Cinecitta ever made. A miracle by itself, not just the mere work of a great novelist! A great subject to meditate on--darkness versus light, thanks to the author of the Nobel-Prize winning novel.