The trials and tribulations of bitter veteran Captain Maddocks and argumentative rookie Lieutenant McQuade at a cavalry desert outpost.The trials and tribulations of bitter veteran Captain Maddocks and argumentative rookie Lieutenant McQuade at a cavalry desert outpost.The trials and tribulations of bitter veteran Captain Maddocks and argumentative rookie Lieutenant McQuade at a cavalry desert outpost.
- Awards
- 1 nomination
Mark Allen
- Cole Daugherty
- (uncredited)
John Ayres
- Capt. Owen Yates
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaA Thunder of Drums is notable for the involvement of James Warner Bellah, a controversial author who made a name for himself by writing a series of pulp magazine stories about the U.S. Cavalry. Famed director John Ford took early notice of Bellah, adapting many of his cavalry stories printed in The Saturday Evening Post for his informal "Cavalry Trilogy": Fort Apache (1948), She Wore a Yellow Ribbon (1949), Rio Grande (1950), and later Sergeant Rutledge (1960). Bellah, an unrepentant misanthrope once described by his own son as "a fascist, a racist, and a world-class bigot," saw Native Americans as the "red beast in the night." In most of his films adapted from Bellah stories, Ford countered this contemptuous viewpoint by granting Indians a sense of dignity and humanity. In Fort Apache, for example, the Indians are not the villainous, mysterious "Other," but the victims of government-sanctioned scoundrels. Despite their racial disagreements, Ford and Bellah agreed on one thing: the valor and pride of the military. The cavalry was basically honorable and uncomplicated by psychological neuroses or social bugaboos.
- GoofsOn the night before the final battle: around the campfire, bottom right, ribbed shoe-prints are clearly visible in the dust. They were obviously made by modern footwear with synthetic soles.
- Quotes
Captain Stephen Maddocks: [Addressing 1LT McQuade] I am a long way from a Bible Thumper, but one thing I do believe, the sum total of man's experience with morality is the Ten Commandments. If we do not try to live by them, we throw away the God given chance for decency.
- ConnectionsFeatured in Kain's Quest: The Stone Killer (2015)
Featured review
I have a soft spot for b-movies and random westerns. This one is a run-of-the-mill cavalry vs. Indians job that suffers from uneven pacing, a miscast lead role, and over-reliance on formula plot elements. But there are a few interesting points that make it worth watching.
One of its chief virtues is the excellent job it does of capturing the day to day flavor of life in a remote cavalry outpost in 1870s southwest. The military manners, habits, and routines are portrayed with convincing detail. The class stratification between enlisted men and officers is utterly real. An early scene with dead soldiers being transported on horseback is played to grim, nauseating effect, with enlisted men displaying hardened indifference and black humor about the situation. All of this gives the film some weight and veracity.
On the other hand, it suffers from generic Hollywood artificiality, relying unthinkingly on shoot 'em up conventions of faceless Indians, and sporting a formulaic romantic triangle subplot. Another major problem is George Hamilton's performance. The character he plays is not particularly sympathetic or likable, and he does nothing to bring depth to it. He's unappealingly flat and cocky. A better actor in this key role would've gone a long way toward breathing some life into the film, especially in its flabby, tedious midsection.
But the real reason to watch this film is Richard Boone. I've liked him in just about everything I've seen him in, but here he is completely riveting. He plays the tough, smart, experienced commander of the undermanned outpost. He's a lonely man, who feels keenly the burden of his job. Late in the film there's a scene where he discovers a scene of carnage, with a number of his men dead, and his controlled rage is very moving. He brings the only real gravitas and feeling to the movie, effectively communicating the weight of life & death decisions and consequences. He's absolutely terrific.
One of its chief virtues is the excellent job it does of capturing the day to day flavor of life in a remote cavalry outpost in 1870s southwest. The military manners, habits, and routines are portrayed with convincing detail. The class stratification between enlisted men and officers is utterly real. An early scene with dead soldiers being transported on horseback is played to grim, nauseating effect, with enlisted men displaying hardened indifference and black humor about the situation. All of this gives the film some weight and veracity.
On the other hand, it suffers from generic Hollywood artificiality, relying unthinkingly on shoot 'em up conventions of faceless Indians, and sporting a formulaic romantic triangle subplot. Another major problem is George Hamilton's performance. The character he plays is not particularly sympathetic or likable, and he does nothing to bring depth to it. He's unappealingly flat and cocky. A better actor in this key role would've gone a long way toward breathing some life into the film, especially in its flabby, tedious midsection.
But the real reason to watch this film is Richard Boone. I've liked him in just about everything I've seen him in, but here he is completely riveting. He plays the tough, smart, experienced commander of the undermanned outpost. He's a lonely man, who feels keenly the burden of his job. Late in the film there's a scene where he discovers a scene of carnage, with a number of his men dead, and his controlled rage is very moving. He brings the only real gravitas and feeling to the movie, effectively communicating the weight of life & death decisions and consequences. He's absolutely terrific.
- RoughneckPaycheck
- Jan 12, 2011
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- How long is A Thunder of Drums?Powered by Alexa
Details
- Runtime1 hour 37 minutes
- Aspect ratio
- 2.35 : 1
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