Racket Girls

1951
Unrated
1h 10m

IMDb RATING

1.8/10

1.1K

YOUR RATING

Timothy Farrell and Peaches Page in Racket Girls (1951)

Home Video Trailer from Arenas Entertainment

Play trailer2:06

1 Video

99+ Photos

Action Crime Drama Sport

A money launderer uses women's wrestling as a front for his illegal activities, but earns the enmity of a powerful mobster.A money launderer uses women's wrestling as a front for his illegal activities, but earns the enmity of a powerful mobster.A money launderer uses women's wrestling as a front for his illegal activities, but earns the enmity of a powerful mobster.

See production info at IMDbPro

IMDb RATING

1.8/10

1.1K

YOUR RATING

See production info at IMDbPro

Videos1

Trailer 2:06

Racket Girls

Photos102

+ 96

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Storyline

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Did you know

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Trivia
Shot at Quality Studios, an isolated single soundstage at 5628½ Santa Monica Blvd. in Hollywood. Its entrance was between The Harvey Hotel and The Gold Diggers (a bar). Edward D. Wood Jr. shot Plan 9 from Outer Space (1957) there. Its connection with Wood has led to efforts to restore and preserve the structure.

Goofs
When Scali chastises Joe the shadow of the boom mic is visible on the gym wall.

Quotes
Joe the Jockey: And don't forget about me. I'm Joe.
Peaches Page: Hi, Joe. You're cute.
Joe the Jockey: I get it - anything that is small is cute. Well, that's me.
Peaches Page: Don't you know? Good things come in small packages.
Joe the Jockey: [openly staring at Peaches' breasts] Not to my way of thinking.

Connections
Edited into Sleazemania! (1985)

User reviews25

Review

Featured review

1/10

Painful

Man. What a terrible movie. Ugh. Even with the MST3K riffs. People who claim "Manos" is the worst movie ever really need to watch this. It is on par with "Starfighters" as the most boring episode, mixed with LONG sections of boring wrestling, mixed with butter-faced women and their attempt at what can only be described as retro-soft porn. Avoid at all costs. If you must watch make sure it is the Mystery Science version. I would watch "Manos" 20 times before watching this excrement again.

And 1951? With the "editing" and everything else in this movie, it feels like one of those early, silent, turn-of-the-century films. But those would defiantly be better.