Det. Sgt. Mark Dixon wants to be something his old man wasn't: a guy on the right side of the law. Will Dixon's vicious nature get the better of him?Det. Sgt. Mark Dixon wants to be something his old man wasn't: a guy on the right side of the law. Will Dixon's vicious nature get the better of him?Det. Sgt. Mark Dixon wants to be something his old man wasn't: a guy on the right side of the law. Will Dixon's vicious nature get the better of him?
Fred Aldrich
- Detective at Staff Meeting
- (uncredited)
Don Appell
- Willie Bender
- (uncredited)
David Bauer
- Sid Kramer
- (uncredited)
Eddie Borden
- Pool Hall Patron
- (uncredited)
Neville Brand
- Steve
- (uncredited)
Barry Brooks
- Thug
- (uncredited)
Ralph Brooks
- Railroad Baggage Clerk
- (uncredited)
Oleg Cassini
- Oleg
- (uncredited)
John Close
- Hanson
- (uncredited)
Storyline
Did you know
- TriviaThis is the last in a series of films that Otto Preminger made as a director-for-hire for Twentieth Century Fox in the 1940s. The series includes Laura (1944), which also stars Gene Tierney and Dana Andrews, Fallen Angel (1945) and Whirlpool (1950).
- GoofsIn the opening sequence, the police dispatcher is heard on the car radio. The words spoken by the dispatcher, announcing two incidents, are lifted directly from the 1949 Procedures Manual of the New York City Police Department, where they are given as examples of the correct radio method. Only the time of day was changed to agree with the scene, but the addresses, incidents, car numbers, and dispatcher number are verbatim from the manual.
- Quotes
[to Detective Dixon]
Insp. Nicholas Foley: Your job is to detect criminals, not to punish them.
- Crazy creditsThe opening credits start as chalk writing on a sidewalk with someone walking over them and whistling.
- ConnectionsFeatured in Gene Tierney: Final Curtain for a Noir Icon (2008)
Featured review
At first glance, it would seem natural to compare Where the Sidewalk Ends with Laura. Both have noirish qualities, both were directed by Otto Preminger, and both star Dana Andrews and Gene Tierney. But that's where most of the comparisons end. Laura dealt with posh, sophisticated people with means who just happen to find themselves mixed-up in a murder. Where the Sidewalk Ends is set in a completely different strata. These are people with barely two nickels to rub together who are more accustomed to seeing the underbelly of society than going to fancy dress parties. Where the Sidewalk ends is a gritty film filled with desperate people who solve their problems with their fists or some other weapon. Small-time hoods are a dime-a-dozen and cops routinely beat confessions out of the crooks. Getting caught-up in a murder investigation seems as natural as breathing.
While I haven't seen his entire body of work, based on what I have seen, Dana Andrews gives one of his best performances as the beat-down cop, Det. Sgt. Mark Dixon. He's the kind of cop who is used to roughing up the local hoods if it gets him information or a confession. One night, he goes too far and accidentally kills a man. He does his best to cover it up. But things get complicated when he falls for the dead man's wife, Morgan Taylor (Tierney), whose father becomes suspect number one in the murder case. As Morgan's father means the world to her, Dixon's got to do what he can to clear the old man without implicating himself.
Technically, Where the Sidewalk Ends is outstanding. Besides the terrific performance from Andrews, the movie features the always delightful Tierney. She has a quality that can make even the bleakest of moments seem brighter. The rest of the cast is just as solid with Tom Tully as the wrongly accused father being a real standout. Beyond the acting, the direction, sets, lighting, and cinematography are all top-notch. Overall, it's an amazingly well made film.
If I have one complaint (and admittedly it's a very, very minor quibble) it's that Tierney is almost too perfect for the role and her surroundings. It's a little difficult to believe that a woman like that could find herself mixed-up with some of these unsavory characters. It's not really her fault, it's just the way Tierney comes across. She seems a little too beautiful, polished, and delicate for the part. But, her gentle, kind, trusting nature add a sense of needed realism to her portrayal.
While I haven't seen his entire body of work, based on what I have seen, Dana Andrews gives one of his best performances as the beat-down cop, Det. Sgt. Mark Dixon. He's the kind of cop who is used to roughing up the local hoods if it gets him information or a confession. One night, he goes too far and accidentally kills a man. He does his best to cover it up. But things get complicated when he falls for the dead man's wife, Morgan Taylor (Tierney), whose father becomes suspect number one in the murder case. As Morgan's father means the world to her, Dixon's got to do what he can to clear the old man without implicating himself.
Technically, Where the Sidewalk Ends is outstanding. Besides the terrific performance from Andrews, the movie features the always delightful Tierney. She has a quality that can make even the bleakest of moments seem brighter. The rest of the cast is just as solid with Tom Tully as the wrongly accused father being a real standout. Beyond the acting, the direction, sets, lighting, and cinematography are all top-notch. Overall, it's an amazingly well made film.
If I have one complaint (and admittedly it's a very, very minor quibble) it's that Tierney is almost too perfect for the role and her surroundings. It's a little difficult to believe that a woman like that could find herself mixed-up with some of these unsavory characters. It's not really her fault, it's just the way Tierney comes across. She seems a little too beautiful, polished, and delicate for the part. But, her gentle, kind, trusting nature add a sense of needed realism to her portrayal.
- bensonmum2
- Feb 9, 2006
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- How long is Where the Sidewalk Ends?Powered by Alexa
Details
Box office
- Budget
- $1,475,000 (estimated)
- Runtime1 hour 35 minutes
- Color
- Aspect ratio
- 1.37 : 1
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By what name was Where the Sidewalk Ends (1950) officially released in India in English?
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