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Cinephiles will have plenty to celebrate this April with the next slate of additions to the Criterion Channel. The boutique distributor, which recently announced its June 2024 Blu-ray releases, has unveiled its new streaming lineup highlighted by an eclectic mix of classic films and modern arthouse hits.

Students of Hollywood history will be treated to the “Peak Noir: 1950” collection, which features 17 noir films from the landmark film year from directors including Billy Wilder, Alfred Hitchcock, and John Huston.

New Hollywood maverick William Friedkin will also be celebrated when five of his most beloved movies, including “Sorcerer” and “The Exorcist,” come to the channel in April.

Criterion will offer the streaming premiere of Wim Wenders’ 3D art documentary “Anselm,” which will be accompanied by the “Wim Wenders’ Adventures in Moviegoing” collection, which sees the director curating a selection of films from around the world that have influenced his careers.

Contemporary cinema is also well represented,...

April’s an uncommonly strong auteurist month for the Criterion Channel, who will highlight a number of directors––many of whom aren’t often grouped together. Just after we screened House of Tolerance at the Roxy Cinema, Criterion are showing it and Nocturama for a two-film Bertrand Bonello retrospective, starting just four days before The Beast opens. Larger and rarer (but just as French) is the complete Jean Eustache series Janus toured last year. Meanwhile, five William Friedkin films and work from Makoto Shinkai, Lizzie Borden, and Rosine Mbakam are given a highlight.

One of my very favorite films, Comrades: Almost a Love Story plays in a series I’ve been trying to program for years: “Hong Kong in New York,” boasting the magnificent Full Moon in New York, Farewell China, and An Autumn’s Tale. Wim Wenders gets his “Adventures in Moviegoing”; After Hours, Personal Shopper, and Werckmeister Harmonies fill...

A teacher comes under fire for a sex tape in Bad Luck Banging Or Loony Porn, the Berlin Film Festival competition entry from Romanian writer-director Radu Jude (Aferim!). We first meet Emi (Katia Pascariu) when she is engaged in graphic sex with her husband, who’s filming an amateur video. She’s wearing a feline eye mask, and then a pink wig. For the rest of the film, she is dressed in a bland grey suit and a medical face mask. Like many Berlin features, this was made during the pandemic, and the cast typically wears masks. This Covid era lends additional tension as Emi goes about her day, running errands while trying to minimize the damage done by the video, which was put online and is now being shared by pupils.

The first part of three acts, entitled “One Way Street,” plays out almost in real time as we watch Emi in Bucharest,...