IMDb RATING
7.7/10
13K
YOUR RATING
A young priest taking over the parish at Ambricourt tries to fulfill his duties even as he fights a mysterious stomach ailment.A young priest taking over the parish at Ambricourt tries to fulfill his duties even as he fights a mysterious stomach ailment.A young priest taking over the parish at Ambricourt tries to fulfill his duties even as he fights a mysterious stomach ailment.
- Nominated for 1 BAFTA Award
- 7 wins & 3 nominations total
Adrien Borel
- Priest of Torcy (Curé de Torcy)
- (as Andre Guibert)
Rachel Bérendt
- Countess (La Comtesse)
- (as Marie-Monique Arkell)
Antoine Balpêtré
- Dr. Delbende (Docteur Delbende)
- (as Balpetre)
Gaston Séverin
- Canon (Le Chanoine)
- (as Gaston Severin)
Serge Bento
- Mitonnet
- (as Serge Benneteau)
Germaine Stainval
- La patronne du café
- (uncredited)
François Valorbe
- Bit Role
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe hand and handwriting in the film belong to Robert Bresson.
- Quotes
[subtitled version]
Countess: Love is stronger than death. Your scriptures say so.
Curé d'Ambricourt: We did not invent love. It has its order, its law.
Countess: God is its master.
Curé d'Ambricourt: He is not the master of love. He is love itself. If you would love, don't place yourself beyond love's reach.
- ConnectionsFeatured in Histoire(s) du cinéma: Les signes parmi nous (1999)
Featured review
This story was very influential and moving in many ways, seeing the afflictions of the Priest and the way that he deals with the animosity of his town are truly interesting. It depicts, very well, the life of a young man (who appears very boyish throughout the entirety of the film) not just living as a Priest, but also living as a sort of outcast -- it shows very well what the inter-workings of this Priest's, this outcast's brain is like, and it shows the human emotionality very well.
From the beginning to the end of the film I was fascinated with the main character, and his goals and his aims, his beliefs and his passionate inclination to helping others -- rarely do you see such great work done in putting the spotlight on the character. Bresson truly shows himself to be a master of character depiction. Anyone who has ever experienced awkward social circumstances or has ever felt alienated can immediately relate to the Father.
I found the dialogue in this film to be at times absolutely shocking & amazing, and the actors to be filled with a lot of feeling; there are parts in this film that I will remember forever because of the fabulous writing and acting. You rarely see a film with as much poignant & sharp character interaction as this; I found myself always anticipating the next meeting that the Father would have with certain characters, always anticipating more of the amazing dialogue.
For those who are interested in religion, this film really hits the nail on the head. I feel that, although it is very much inclined towards Christianity and Christian thought, it was in no way overbearing and nor would it take away from the film for a non-Christian. In fact, what makes the dialogue so sharp is the debates and self-doubt that we see the Priest have from time to time. Overall, a terrific film and study of social relationships.
From the beginning to the end of the film I was fascinated with the main character, and his goals and his aims, his beliefs and his passionate inclination to helping others -- rarely do you see such great work done in putting the spotlight on the character. Bresson truly shows himself to be a master of character depiction. Anyone who has ever experienced awkward social circumstances or has ever felt alienated can immediately relate to the Father.
I found the dialogue in this film to be at times absolutely shocking & amazing, and the actors to be filled with a lot of feeling; there are parts in this film that I will remember forever because of the fabulous writing and acting. You rarely see a film with as much poignant & sharp character interaction as this; I found myself always anticipating the next meeting that the Father would have with certain characters, always anticipating more of the amazing dialogue.
For those who are interested in religion, this film really hits the nail on the head. I feel that, although it is very much inclined towards Christianity and Christian thought, it was in no way overbearing and nor would it take away from the film for a non-Christian. In fact, what makes the dialogue so sharp is the debates and self-doubt that we see the Priest have from time to time. Overall, a terrific film and study of social relationships.
- jmverville
- Oct 23, 2004
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Details
Box office
- Gross US & Canada
- $47,000
- Opening weekend US & Canada
- $7,674
- Feb 27, 2011
- Gross worldwide
- $47,000
- Runtime1 hour 35 minutes
- Color
- Aspect ratio
- 1.37 : 1
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Top Gap
By what name was Diary of a Country Priest (1951) officially released in India in English?
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