Directed by
George Seaton |
Writing Credits (in alphabetical order)
George Seaton | ||
Dorothy Segall | ... | (play) |
Harry Segall | ... | (play) |
Cast (in credits order)
Produced by
William Perlberg | ... | producer |
Music by
Alfred Newman |
Cinematography by
Lloyd Ahern Sr. | ... | director of photography (as Lloyd Ahern) |
Editing by
Robert L. Simpson | ... | (as Robert Simpson) |
Art Direction by
Richard Irvine | ||
Lyle R. Wheeler | ... | (as Lyle Wheeler) |
Set Decoration by
Thomas Little | ||
Walter M. Scott |
Costume Design by
Charles Le Maire |
Makeup Department
Irene Brooks | ... | hair stylist |
Esperanza Corona | ... | hair stylist |
Ben Nye | ... | makeup artist |
Kay Reed | ... | hair stylist |
Allan Snyder | ... | makeup artist (as Alan Snyder) |
Roy Stork | ... | makeup artist |
Production Management
Arthur Jacobson | ... | production manager (as Art Jacobson) |
Second Unit Director or Assistant Director
Lloyd Allen | ... | assistant director |
Sound Department
Roger Heman Sr. | ... | sound (as Roger Heman) |
Arthur von Kirbach | ... | sound (as Arthur L. Kirbach) |
Special Effects by
Fred Sersen | ... | special effects |
Visual Effects by
Matthew Yuricich | ... | visual effects artist (uncredited) |
Camera and Electrical Department
Logan Brown | ... | grip |
Paul Monroe | ... | gaffer |
Roger Shearman | ... | camera operator (as Roger Sherman) |
Anthony Ugrin | ... | still photographer (uncredited) |
Music Department
Edward B. Powell | ... | orchestrator (as Edward Powell) |
Cyril J. Mockridge | ... | composer: additional music (uncredited) |
Alfred Newman | ... | musical director (uncredited) |
Script and Continuity Department
Irving Cooper | ... | script supervisor |
Additional Crew
Hermes Pan | ... | dance coach (uncredited) |