IMDb RATING
7.7/10
2.7K
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Bucolic scenes from the outskirts of Paris are contrasted with stark footage from slaughterhouses.Bucolic scenes from the outskirts of Paris are contrasted with stark footage from slaughterhouses.Bucolic scenes from the outskirts of Paris are contrasted with stark footage from slaughterhouses.
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Did you know
- TriviaWas awarded the "Grand Prix International du Court Sujet" in 1950.
- ConnectionsFeatured in Cinéma, de notre temps: Georges Franju, le visionnaire (1996)
Featured review
In a suburban outskirt of post-WW2 Paris, we are enamoured by the beauty of one of France's pearls. It's an ordinary day where time seamlessly and relaxingly passes by. We wonder, "what's going on?"
It's only when you search inside the buildings one actually realizes the life (or lack thereof) in the city. Paris, a destination spot for romantics and travellers abroad, has its meat industry displayed--not their biggest attraction. It's not a heinous crime nor an "extreme" act. Yet it's only when peering behind the guarding walls we see the treachery the human race is capable of. Choosing to disregard mass murder is one thing, but the blood on our hands, innocence stolen and suffering caused is something we will take to the grave.
The complete sense of normality is the most sinister aspect of this short film. Rarely do people actively consider what they are consuming. We observe how very regular the acts of slaughter are depicted and it appears to be an outrageous crime. But it's not. It happens in our very own backyard and in the most elegant of places.
It's only when you search inside the buildings one actually realizes the life (or lack thereof) in the city. Paris, a destination spot for romantics and travellers abroad, has its meat industry displayed--not their biggest attraction. It's not a heinous crime nor an "extreme" act. Yet it's only when peering behind the guarding walls we see the treachery the human race is capable of. Choosing to disregard mass murder is one thing, but the blood on our hands, innocence stolen and suffering caused is something we will take to the grave.
The complete sense of normality is the most sinister aspect of this short film. Rarely do people actively consider what they are consuming. We observe how very regular the acts of slaughter are depicted and it appears to be an outrageous crime. But it's not. It happens in our very own backyard and in the most elegant of places.
- AbhiMathews
- Apr 12, 2014
- Permalink
Details
- Runtime22 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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