IMDb RATING
7.1/10
1.7K
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Two nuns arrive unannounced in the small New England town of Bethlehem, where they recruit various townspeople to help them build a children's hospital.Two nuns arrive unannounced in the small New England town of Bethlehem, where they recruit various townspeople to help them build a children's hospital.Two nuns arrive unannounced in the small New England town of Bethlehem, where they recruit various townspeople to help them build a children's hospital.
- Nominated for 7 Oscars
- 9 nominations total
Walter Baldwin
- Claude Jarman - Realtor
- (uncredited)
Pati Behrs
- Nun
- (uncredited)
John Bleifer
- Rosey - Rossi's Goon
- (uncredited)
Nan Boardman
- Nun
- (uncredited)
Wally Brown
- Howard Sheldon - Bob's Agent
- (uncredited)
Russ Clark
- Policeman
- (uncredited)
Louise Colombet
- Nun
- (uncredited)
Teddy Driver
- Cherub
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAccording to a TCM narrative, "Come to the Stable" is based on the founding of the Abbey of Regina Laudis in Bethlehem, Conn., which was founded in 1947 by Mother Benedict Duss, O.S.B. and Mother Mary Aline Trilles de Warren, O.S.B. of the Benedictine Abbey of Notre Dame de Jouarre in France. One-time Hollywood actress, Dolores Hart, entered the convent in 1963, later becoming Abbess. Partly because of her acting background, the abbey now sponsors annual summer theatre productions.
- GoofsAfter the tennis match, Sister Scholastica calls Mrs. Townsend-Cooper "Mademoiselle" instead of the correct "Madame" for a married woman.
- Quotes
Sister Margaret: It isn't hard to relinquish a dream if it's God's will. Yes?
- ConnectionsFeatured in A Hollywood Christmas (1996)
- SoundtracksThrough a Long and Sleepless Night
Music by Alfred Newman
Lyrics by Mack Gordon
Performed by Dorothy Patrick (dubbed by Eileen Wilson) (uncredited) and by Hugh Marlowe (dubbed by Ken Darby) (uncredited)
Featured review
I saw this charming, slickly produced film as a young parochial grammar school kid at a theater in downtown Boston (near where my family lived at the time) and remember being tremendously amused at the scene where the two sisters, played by Loretta and Celeste (saddled with having to approximate a French accent), blithely tore up a parking ticket, placed on the windshield of their borrowed open WW II-era Jeep, thinking it was just an advertisement. Sister Celeste tosses the pieces into the air as they drive off from in front of New York's St. Patrick Cathedral where they'd illegally parked. (I doubt that she felt obliged to confess that little venial sin, do you?) There's a lot more to be amused and entertained by, of course, and the behind-the-camera artisans, as well as the well-chosen actors, especially Hugh Marlowe and Elsa Lanchester as well as Misses Young and Holm, all contributed some very professional work. Henry Koster, the director, was an old hand at keeping a project such as this from slipping entirely into a bath of over-the-top sentimentality.
So much has changed since those somewhat more innocent times and a gentle story such as this, with two ladies encased in those heavy, enveloping habits (with only their perfectly made-up faces visible to the world, by the way), is almost inconceivable today. See it and be transported back to a time when goodness, sincerity, and religious beliefs that don't descend into fanaticism were the order of the day, at least in Hollywood movies aimed at the family trade.
One interesting little tidbit: in one scene Hugh Marlowe's character (a song writer) sings the Academy Award-nominated song, "Through a Long and Sleepless Night" (which didn't win - and you'll hear why), and his singing voice was dubbed by Ken Darby, who was chiefly responsible for directing most of the choral work in many of Twentieth's films for many years. I have a suspicion that Mr. Darby probably rejected quite a few male candidates who wanted to join the Fox studio's choir if they didn't sound any better than he did!
So much has changed since those somewhat more innocent times and a gentle story such as this, with two ladies encased in those heavy, enveloping habits (with only their perfectly made-up faces visible to the world, by the way), is almost inconceivable today. See it and be transported back to a time when goodness, sincerity, and religious beliefs that don't descend into fanaticism were the order of the day, at least in Hollywood movies aimed at the family trade.
One interesting little tidbit: in one scene Hugh Marlowe's character (a song writer) sings the Academy Award-nominated song, "Through a Long and Sleepless Night" (which didn't win - and you'll hear why), and his singing voice was dubbed by Ken Darby, who was chiefly responsible for directing most of the choral work in many of Twentieth's films for many years. I have a suspicion that Mr. Darby probably rejected quite a few male candidates who wanted to join the Fox studio's choir if they didn't sound any better than he did!
- gregcouture
- Apr 21, 2005
- Permalink
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Details
- Release date
- Country of origin
- Languages
- Also known as
- ...und der Himmel lacht dazu
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 34 minutes
- Color
- Aspect ratio
- 1.37 : 1
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