IMDb RATING
6.8/10
2.3K
YOUR RATING
Chronic sleepwalker Alison Courtland thinks that a mysterious man wearing horned-rimmed eye glasses is out to kill her but her husband blames her tired imagination.Chronic sleepwalker Alison Courtland thinks that a mysterious man wearing horned-rimmed eye glasses is out to kill her but her husband blames her tired imagination.Chronic sleepwalker Alison Courtland thinks that a mysterious man wearing horned-rimmed eye glasses is out to kill her but her husband blames her tired imagination.
Marya Marco
- Jeannie Lin
- (as Maria San Marco)
Murray Alper
- Drunk
- (uncredited)
Paul Bradley
- Party Guest
- (uncredited)
Barbara Brewster
- Wedding Guest
- (uncredited)
James Carlisle
- Party Guest
- (uncredited)
Spencer Chan
- Bartender
- (uncredited)
Storyline
Did you know
- GoofsWhen Alison is ready to fly back from Boston, the plane on the runway is a United Airlines flight. But when the plane begins to taxi, it now has an Eastern Airlines logo.
- Alternate versionsThere is an Italian edition of this film on DVD, distributed by DNA Srl: "RITROVARSI A PALM BEACH (1942) + DONNE E VELENI (1948)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnectionsReferenced in This Theatre and You (1949)
- SoundtracksSleep, My Love
Words and Music by Sam Coslow
Featured review
Sleep, My Love (1948)
OK, it's a no brainer. I love Claudette Colbert, I love this post-war period, and I love Douglas Sirk, the director. So it only figures that this unfolds in a delicious way.
The closest film to this is "Gaslight," which George Cukor makes into something more intense and memorable than this. But "Gaslight" is burdened by a kind of contorted plot--the reasoning behind the fake madness is some crazy lost jewel. This one, by fortunate contrast, is a really believable plot, and Colbert is faced with a very normal plot of a husband out to drive her away.
There are some weaknesses--the husband's girlfriend is pretty stiff, the Chinese pal is decent but sort of tacked on, and the overall development of things is too linear for a second viewing. But as a straight up drama, from start to finish, it's really strong. And a surprise for me was how charming in a low key way was Robert Cummings, the white knight of the story. Colbert's husband was played by the more famous Don Ameche, who is fine, though you get a sense he's going through the paces of a part, something he wasn't quite invested in.
The director is famous for his later dreamy, drippy soap opera movies that are quite something on their own terms, but this is good, and an important one to see if you like his work. For me, above all, is just another great Colbert appearance. First rate in many ways.
OK, it's a no brainer. I love Claudette Colbert, I love this post-war period, and I love Douglas Sirk, the director. So it only figures that this unfolds in a delicious way.
The closest film to this is "Gaslight," which George Cukor makes into something more intense and memorable than this. But "Gaslight" is burdened by a kind of contorted plot--the reasoning behind the fake madness is some crazy lost jewel. This one, by fortunate contrast, is a really believable plot, and Colbert is faced with a very normal plot of a husband out to drive her away.
There are some weaknesses--the husband's girlfriend is pretty stiff, the Chinese pal is decent but sort of tacked on, and the overall development of things is too linear for a second viewing. But as a straight up drama, from start to finish, it's really strong. And a surprise for me was how charming in a low key way was Robert Cummings, the white knight of the story. Colbert's husband was played by the more famous Don Ameche, who is fine, though you get a sense he's going through the paces of a part, something he wasn't quite invested in.
The director is famous for his later dreamy, drippy soap opera movies that are quite something on their own terms, but this is good, and an important one to see if you like his work. For me, above all, is just another great Colbert appearance. First rate in many ways.
- secondtake
- Dec 14, 2010
- Permalink
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Schlingen der Angst
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,800,000
- Runtime1 hour 37 minutes
- Color
- Aspect ratio
- 1.33 : 1
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