Metacritic reviews

This superlative film set the pattern for myriad documentary-type dramas to come.

Nearly 50 years later, The Naked City‘s Oscar-winning cinematography and editing still have resonance.

Both a landmark and some sort of masterpiece.

Perhaps the best thing about Naked City is that it does justice to that source material. At times, it rivals Weegee's best work in its harsh, unsentimental portrayal of New York as a city with a dark side the size of the Hudson River.

A first-rate police thriller (1948) directed by Jules Dassin when he was still in his prime and before he was blacklisted, shot memorably in New York locations.

Shot on the streets of New York and offering vistas of the city before all the glass and steel skyscrapers, The Naked City, which won Oscars for cinematography and editing, boasts an impressive pedigree. [04 Jan 2004]

Throughout, despite its omniscient, stark melodrama, there has been no sight lost of an element of humor. Barry Fitzgerald, as the film’s focal point, in playing the police lieutenant of the homicide squad, strides through the role with tongue in cheek, with Don Taylor as his young detective aide.

There are countless more fascinating facets to this city than the work of cops with crime and countless more striking characters in it than genial detectives and mumbling crooks. However, within that range of interest, Mr. Hellinger has done a vivid job in this, his appropriate valedictory, which comes to you spontaneous and unrehearsed.

Despite its reputation, a rather overrated police-procedure thriller which has gained its seminal status simply by its accent on ordinariness and by its adherence to the ideal of shooting on location.

The drab script is by Albert Maltz and Malvin Wald; the film is visually impressive only.