User reviews

Given the basically no-star cast and the fact that it came from Universal-International, it's understandable that you might think this would be just another run-of-the-mill "B" oater--and you'd be dead wrong. This first-rate western has several things going for it. The breathtaking Oregon locations have been beautifully captured by Harold Lipstein's expert Technicolor cinematography. The colors are lush, and the photography is so atmospheric you can almost feel the chill in your bones as the troops slog through the rugged mountain country. There are several rousingly staged and exciting action scenes, notably a somewhat lengthy sequence in which a wagon train loaded with troops cuts its way through a mass of charging Indians. The performances by a cast of veteran character actors--Lee Marvin in an early role (although his Irish brogue is a bit much), Keith Andes, Charles Horvath, Alberto Morin and Willis Bouchey, among others--are top-notch, Dorothy Malone is beautiful, Jeff Chandler gives a more authoritative (and animated) performance than he usually did and Ward Bond does an outstanding job as a caring and concerned missionary who doesn't want to see bloodshed on either side. The main thing the film has going for it, though, is the subject matter. Rather than having the usual Apaches or Comanches rampaging through the Southwest, the film is set in the Oregon mountain country, and the Indians are not superstitious savages but have been converted to Christianity by missionary Bond, and many in their religious zeal have given up their "animal" names and taken the names of Biblical figures (to further drive the point home, one soldier complains to Bond that, since he has "Christianized" the Indians, they have no qualms about attacking at night; "uncivilized" Indians never attacked at night for fear that if they were killed, their spirits would roam in the dark forever and never find peace). As far as I know, this particular facet of the Indian wars had never been tackled before or, for that matter, since. The story consistently holds your interest (although the triangle between Chandler, Malone and Andes tends to slow things down somewhat), the action scenes are terrific, the photography, as noted, is superb. A very worthy effort from veteran director George Marshall. Well worth your time.

Pillars of the Sky (AKA: The Tomahawk and the Cross) is directed by George Marshall and adapted to screenplay by Sam Rolfe from the novels "Frontier Fury" & "To Follow a Flag" written by Will Henry. It stars Jeff Chandler, Ward Bond, Dorothy Malone, Keith Andes and Lee Marvin. A Technicolor/CinemaScope production, photography is by Harold Lipstein and music is by Joseph Gershenson.

Oregon County 1868, and the Native Indian tribes have been shunted on to government sanctioned reservations. As the U.S. troops arrive to lay the roads through Indian territory for new settlers, the Indian chiefs decide to fight back. Led by Chief Kamiakin (Michael Ansara), the Indians attack leaving the army short on numbers, all that's left is a small band of soldiers and some civilians. Can they survive on guts and religious comfort alone?

It was originally intended to be made with John Ford directing and John Wayne starring, but come 1956 the pair were unable to commit to the production. They had another Western to make that year, The Searchers! Plot is familiar for Pillars of the Sky, but the even handed portrayal of the Indians and a pro-Christian bent in the narrative, lifts it out of the ordinary. Picture is further boosted by some excellent action sequences that are skilfully crafted by director Marshall (Destry Rides Again/How the West Was Won). Indian attacks, via horseback or flaming arrows assault, considerably raise the pulse, while the sight of the army desperately trying to conquer the rocky terrain while under attack is a bona fide piece of Oater grit. With the exteriors actually filmed on location in Oregon at Joseph & La Grande, the backdrop is gorgeous, expertly brought to life in Technicolor "Scope" by Lipstein (No Name on the Bullet/Von Ryan's Express). While Gershenson (Horizons West/The Man from the Alamo) scores it with genre compliant riffs on Cavalry marches and Indian flavouring.

That it isn't better known or thought of higher comes down to a so so set of acting performances and a pointless love triangle that pads the picture out with boorish periods of chat. Malone, looking beautiful as per usual in colour, is basically a token character, who serves only to be a romantic interest that causes friction between Chandler and Andes. In fact her dialogue is minimal. Marvin has only a small role, and he offers up a quite poor Irish accent as well, while Andes fails to convince. Chandler does cut a decent rugged figure, portraying First Sergeant Emmett Bell as a man you would fight alongside, but it's a performance that lacks charisma, something that Duke Wayne no doubt would have brought to the role. It's left to Bond to take the acting honours, where in an unusually restrained role for him as strongly Christian Dr. Joseph Holden, he gives good value for money as he plays it out with stoic nobility.

With a great DVD transfer and the correct aspect ratio used, the film looks absolutely terrific. It has flaws for sure, but it comes easily recommended to the Western fan. 7/10

Pillars of the Sky is an unusual western in that it touches on the role of Christian missionaries in the American West. This film also gives Ward Bond one of the most unusual roles he ever had in his career.

Bond plays a Christian missionary preacher/doctor in the Pacific Northwest region. There is still considerable debate among historians as to what they accomplished. It was thought at the time that the conquered Indian tribes would be more humanely treated under preachers than soldiers. There is no doubt that missionaries, not only in the American west, but in other parts of the world colonized by the west, probably saved indigent peoples from some acts of barbarism.

Whether though, even with the best of intentions, they had the right to destroy a culture is very much open to debate. And Bond is a man with the best of intentions even as he baptizes the Indians giving them names found in the Bible.

One Indian who isn't having any of it is Michael Ansara who's rousing all the tribes to resist the building of a new army post in their territory. But Colonel Willis Bouchey has his orders and Bond is caught in the middle.

Another trio caught in the middle is Captain Keith Andes, his wife Dorothy Malone, and Sergeant Jeff Chandler who Malone was previously engaged to. Malone and Olive Carey are captured by Ansara's bunch and Chandler rescues them. This little romantic subplot is exactly what the cavalry doesn't need as Ansara's band is on the hunt for them.

Pillars of the Sky was filmed on location in the Pacific Northwest and the photography is first rate. And the Indian attacks are well staged by some very smart Indians. Ansara is a cunning and ruthless foe.

It also succeeds in making you admire the courage of our cavalry in carrying out their orders though in fact they are in clear treaty violation. One of the best roles in the film is that of Lee Marvin, an army veteran from the Civil War who is giving the green troops some lessons for survival in a hurry.

I did find it a bit much the end Jeff Chandler has in store for him and I think most viewers will also. As Chandler said, Bond may have given the Indians the priceless gift of his God, but was the cost worth it?

This is the story of Sgt. Emmet Bell (Jeff Chandler) who found his weakness in the arms of another man's woman (Dorothy Malone) and his strength in the power of another man's God . In Oregon Country , 1868 , numerous tribes of Native Americans with Biblic and Evangelist names have been placed on a reservation north of the Snake River . Here a priest called Holden (War Bond) , has constructed a church , and many of the tribes have accepted Christianity and Christian names such as Samuel , Aaron , Abraham , Jacob ; in fact , the three Indian chiefs hold Christian names : Elias , Isaias and Zacarias . But the White Men are building a bridge that across the river to Indian territory to areas north . When the cavalry, under the command of Col. Stedlow (Willis Bouchey) and Capt. Tom Gaxton (Keith Andes) arrive they intend to make peace but the tribal chiefs feel their treaty has been violated . As the cavalry column advances into the reservation , Kamiakin (Michael Ansara) carries out razzias against the US Cavalry and settlements .

A-Universal-International-Picture gets Western action , shootouts , a triangular love story , breathtaking Indian raids on Yankees regiments and results to be quite entertaining . This moving movie is an epic portrait of the thrilling story about several tribal chiefs decide to unite their forces against the trespassing whites who open a road across the reservation and are building a bridge crossing their lands . It's a medium budget film with good actors , technicians , production values and pleasing results . At the ending , when takes place the Indian assault , possesses all the sweep , grandeur and noisy action of the greatest Westerns of an age long past . The picture contains spectacular charges of Indian riders , including an overwhelming final when the US soldiers are besieged at a church turned into a strongly defended fort . Nice acting from a great cast . As Jeff Chandler is good as a honorable and Cristian Sergeant who is in charge of maintaining order and attempts to keep the peace between US cavalry and Indians . Chandler gives stature to the role , providing sincerity and bravura . Chandler was famous , until his early death , for playing Indian chief Cochise , a dignified portrait well shown in : ¨Broken arrow¨ , ¨Battle of Apache Pass¨ and ¨Taza , son of Cochise¨ . Although Chandler also played all kinds of genres , such as : ¨Return to Peyton Place¨(drama) , ¨Flame of Araby¨ (adventure) , ¨Merrill's marauders¨ (wartime , in his last film) , until his early death at 42-year-old . Dorothy Malone as gorgeous and pleasant wife , proves to be a great actress , as usual . And support cast is frankly excellent , such as : Ward Bond , Keith Andes , Lee Marvin , Sydney Chaplin, Olive Carey and special mention for the veteran Willis Bouchey as well as Michael Ansara as violent Indian chief vowing to lead the tribes in battle against the encroaching white men . This exciting and stirring Western was beautifully photographed in Cinemascope , print in Technicolor by Harold Lipstein , Universal's ordinary cameraman. And an original and shining score from William Lava and Heinz Roemheld , though uncredited .

This motion picture was professionally directed by George Marshall in colorful style , though has a few flaws . He realized a great number of films , especially Westerns . His first Western was ¨Wild Gold¨(1934) and he subsequently directed ¨Destry rides again¨ with James Stewart and Marlene Dietrich in which years later he would make a remake titled ¨Frenchie¨ with Audie Murphy and Marie Blanchard . As George Marshal introduces hilarious elements and amusement in his Westerns , such as ¨Texas¨ , ¨Fancy pants¨, ¨Advance to the rear¨, and also directs Musical Westerns as ¨Red Garters¨ and ¨The second greatest sex¨ . Being particularly known for his co-direction of the epic Western ¨How the west was won¨ along with Henry Hathaway and John Ford .

That scene,when the good doctor courts danger ,when he comes towards an army of angry bloodthirsty Indians ,strongly reminds you of that scene in "the war of the worlds" (1953) when Uncle Matthews ,the minister ,faces up to the Martians ,a Bible and a cross in his hands .But those Indians were supposed to be Christians whereas the ETs were not .Which would tend to show that religion does necessarily calm people down !Jeff Chandler is efficient as sergeant Bell but the love affair is totally bland and Dorothy Malone is totally wasted (hardly 10 lines to say in the whole movie)-she would win an AA for her next movie the famous "written on the wind" melodrama -.Some (Indian only) sadism in certain scenes.

I am not a huge fan of westerns but from time to time I don't mind watching some on TV. The problem is that most of the time the plots are all very similar... originality is not a trademark of the genre. Yet PILLARS OF THE SKY was a bit different. Let's see why.

In 1868 Oregon various Indian tribes are confined in a reserve built by Doctor Holden (Ward Bond) and Sergeant Emmet Bell (Jeff Chandler) has to make sure that there is always peace. However, some transfert of US Army Weapons makes chief Kamiakin (Michael Ansara) very suspicious and they attack the Army. Unfortunately appeals for a truce don't work, and after Kamiakin is killed by one of his own the other chiefs and Bell will do whatever is necessary for keeping the peace.

The acting was very good for a Western. Jeff Chandler was very good and believable as an Army Sergeant that is very concerned about keeping the peace between the Army and the Indians. Dorothy Malone gives a great performance other than still looking gorgeous, and the cast is chock full of many familiar faces of those years: Martin Milner, Lee Marvin, Willis Bouchey, Philip Carey and a scene-stealing Michael Ansara are all pretty entertaining. The Oregon scenery was great and makes you want to go on vacation there, and the soundtrack fit the movie's spirit very well.

If you are a die hard western fan don't miss it if you haven't seen it, but for those who watch them from time to time it's solid and entertaining... what more you can ask?

A rather sombre film for veteran director George Marshall, set in Oregon in 1868.

In a well-acted film, Ward Bond is particularly good in a sympathetic role as a preacher; and even Lee Marvin is permitted a touching scene as one of the troop.

Slow-paced story gets off to a ponderous start with too much talk and too little action, with only some gorgeous scenery for eye comfort. The fault seems to be George Marshall's sluggish direction of a uniformly bland cast.

All of the actors go through their paces in rather standard roles, including JEFF CHANDLER, KEITH ANDES, WARD BOND and LEE MARVIN and for a western that promises some action when the plot thickens, it's a good half-hour before the conflict between cavalry and Indians provides any thrills.

DOROTHY MALONE has the only substantial female role, as a woman no longer in love with her husband. In make-up and hairstyle, she looks and acts more as though she's a woman of modern times rather than frontier days. The romantic triangle (Malone, Chandler, Andes) is a weak one.

The big set piece is the Indian attack that occurs an hour into the film and wipes out most of the command. It's well staged and vigorously mounted for western action. But it comes too late to alter the slow pacing of most of the story which is either Marshall's or the scriptwriter's fault.

A minor quibble: All of the night scenes have a soundstage look to them, in sharp contrast to all the daytime locations.

Summing up: Lackluster western needed the John Ford touch from George Marshall, with Lee Marvin and his Irish accent less than credible in the sort of supporting role Victor McLaglen usually played. Nothing more than average.

Near the Oregon Trail in what is now southeastern Washington and northeastern Oregon, tribal leaders are upset by the movements of a new cavalry officer and his troops, which break the treaty. An established First Sergeant whom the Indians trust (Chandler) tries to keep the peace, but war is inevitable. Lee Marvin is on hand as a young sergeant while Michael Ansara plays a hostile chief.

"Pillars of the Sky" (1956) came in the tradition of John Ford's Cavalry Trilogy from 1948-1950 and the ensuing "Warpath," as well "The Last Frontier" (aka "Savage Wilderness"). While it's arguably just as worthwhile as the Cavalry Trilogy in its own unique way, it's not as compelling as the other two.

Some of the key actors playing American Indians are Lebanese, Latino, Tennessean, and a New Yorker, but one is a Kickapoo and there are some other genuine Indian peripherals. Overall, their depiction is well done. Meanwhile Chandler's character is supposed to be an alcoholic, but he doesn't look or act like a typical functioning alcoholic, such as Ulysses S. Grant. Actually, Jeff is towering and god-like as the commanding noncommissioned officer, despite his drinking.

There's a love triangle thrown into the mix involving Chandler, Dorothy Malone and Keith Andes. While this might cause some eye-rolling, I'm pretty sure there were one or two love triangles during the decades of the Indian Wars. Speaking of rolling your eyes, there's some lame (and incongruous) comedy involving a raw recruit and his horse, but it's so minor it can be overlooked.

The best thing about this Western is the superb authentic locations and the muscular action. But I also liked the emphasis on Christianity with Ward Bond playing the missionary-physician. You'd never see this today, of course, as it's a great sin now to show Christianity in a positive light. Get real.

It runs 1 hour, 26 minutes (the version I watched), and was shot in northeast Oregon at Joseph and nearby Wallowa Lake, as well as LaGrande, which is to the west of there. Studio scenes were done at Universal Studios in the Los Angeles area.

GRADE: B-

Since I love westerns, and usually have no problems watching actors like Jeff Chandler, Dorothy Malone, Ward Bond and Lee Marvin, I thought for sure I would enjoy this movie.

Wrong. The lead, "1st Sgt. Emmetr Bell" (Chandler) was a unlikeable, bitter guy who gets a quick slam in about "having no use for the Bible" and appearing as a bitter guy. My major complaint, however, was that - especially in a western - you better grab the audience's attention early on, if you want to hold. Nothing happens in this movie for at least the first half hour. By then I was bored, and I couldn't have been the only one. If memory serves me, the big calvary-vs. Indians battle doesn't happen for at least an hour.

Malone also did not look the part at all. Marvin with an Irish accent? Puh-leeze! They and some of the others either had no credibility or they sounded like they just mailed in their performances.

At least they were good enough to film this on location, in the Pacific Northwest, which always looks impressive on film. This might have been an interesting had they punched it up in the first half, but you can't expect to hold audiences with something this lackluster.

This fine western is a cavalry-Indian affair that has the usual treaty-breaking by the government as it builds a road and fort on Indian land that causes an uproar and leads to war. The military's action sets in motion cavalry-Indian hostilities and the tribes gather for an attack on the fort. Many of the Indians have been baptised and converted to Christianity by a white missionary and live in peace with the soldiers, many serving as scouts under a sergeant played by Jeff Chandler. Complicating matters are two white women the Indians hold as hostages who are at great risk should war break out. Chandler did some his best work in westerns and is the lieutenant whom the Indian soldiers respect and follow faithfully. Chandler's flirtation with a married woman, played by Dorothy Malone, doesn't have much to do with the story other than to give the leading man a romantic interest. Ward Bond, Michael Ansara and Keith Andes are good in supporting roles. Oregon's scenic beauty is on display in this CinemaScope film.

The U. S. cavalry violates a treaty with Native American tribes and incites the wrath of tribal chiefs in "Pillars of the Sky," a fair western that benefits from scenic Oregon locations lensed in Cinemascope and Technicolor. Director George Marshall makes good use of the wide screen and stretches the action across the horizon in some exciting, eye-filling scenes. Producer Robert Arthur assembled a solid cast of actors that include Jeff Chandler, Ward Bond, Keith Andes, Lee Marvin, Martin Milner, Sydney Chaplin, and Michael Ansara. Adapted from a 1956 novel by Will Henry, the screenplay unfortunately wanders from the core confrontation between cavalry and tribes and introduces a sappy romantic triangle that brings actress Dorothy Malone unnecessarily into the mix.

While Chandler, Bond, Andes, and Marvin confront Native American chiefs and warriors, Malone emerges from tribal captivity with her hair, make-up, and clothing intact. Losing no time, Malone as Calla Gaxton, wife of Cavalry Captain Tom Gaxton, played by Keith Andes, is intent on re-igniting her passionate affair with First Sergeant Emmett Bell, Jeff Chandler. Malone's character is a distraction to both viewers and soldiers throughout; she emotes, recites purple prose, and demands attention, while the soldiers are faced with death, injury, and worse.

Consistent with 1950's Hollywood, the Native Americans are portrayed by a Lebanese, a Latino, a Tennesseean, a New Yorker, and, gasp, one genuine Kickapoo. Supposedly, the tribes were converted to Christianity, and some of the film's moralizing will make eyes roll; burning a church; bad; violating a treaty; good; divorce and adultery; no problem. At times the situation and dialog are laughable, although when the film adheres to the action, "Pillars of the Sky" is quite entertaining. With the exception of hot-blooded Malone of the heaving bosoms and languid looks, the cast of veterans perform well under Marshall's assured direction and the fine cinematography of Harold Lipstein. Unfortunately, the story's unevenness will tire viewers, and the film will quickly fade from memory.

I cannot understand some of the glowing reviews on here for this standard 50's western. The best thing about it are some stirring action scenes but it is an hour into the film before we see the first one. The army have broken a treaty and the Indians are on the warpath, understandably, but as usual, they are played by white actors in make-up. The script is lousy with a ridiculous love triangle between the stars, Jeff Chandler, Dorothy Malone and Keith Andes that goes nowhere. There is a Christian conversion theme going through this but not all of the tribes are open to this and one chief played by Michael Ansara is out for revenge. Ward Bond is the Christian missionary who does this work and rather causes the film to drag. After all, we want to see action scenes in westerns, not preaching. Lee Marvin in another early role steals most of his scenes and you have to ask, why did it take so long for producers to recognise his star quality. A lot of the supporting actors give very wooden performances and there is a really irksome situation where the Colonel, played by Willis Bouchey, is constantly out maneuvered by his first Sargent, Chandler. Only Chandler seems to know the best thing to do and you have to wonder how did the colonel ever achieve that rank in the first place as he acts clueless throughout. Three stars for some nice photography when we are not studio bound and some effective action scenes.

Typical jeff chandler preachyness An excellent cast of supporting characters wrecked by Jeff chandlers over the top performance.

My title says it all. It's painful to watch. A terrible script leads an awful story. The acting is poor but l attribute that to a poor script and a complete lack of direction. The score is typical with the usual "Indian" music. After watching a movie like Dances With Wolves where they use actual natives as real people it's impossible to watch these old 50's movies.

Never forget that George Marchal was a very prolific director, as Richard Thorpe, Joe Kane, George Sherman, but him, Marchal, was not specialized in westerns. No, not at all, more, however in comedies. But his rare westerns: WHEN THE DALTON RODE, GUNS FOR FORT PETTICOAT, THE SAVAGE, PILLARS OF THE SKY, DESTRY, THE SHEEPMAN, were pretty good, if not great. Not comedy oriented, or a little, not Burt Kennedy's sixties ones. Only solid westerns, though not at the scale of John Sturges, Delmer Daves or John Ford. So this very one, produced by Universal Studios, is a worth watching Jeff Chandler's vehicle, Chandler at his peak, shining, powerful, with a solid script.