User reviews

Despite the wooden acting of its stars, this film's intriguing themes and well-written dialog elevate it to something out of the ordinary. "A Day of Fury" is about the end of the Old West, embodied by the gunfighter, and its replacement by "decent folk" and their values. However, one gunfighter returns to town and exposes the hypocrisy and small-mindedness that lies beneath the veneer of civilization. This film is a must-see for those who love Clint Eastwood's "High Plains Drifter" as it seems to have inspired that film to a large degree. (One character remarks that if Jagade is allowed to stay, "He'll turn this town into hell.") Despite the emotionless acting of its leads and the irritating, strangely pronounced name of the main character, I enjoyed this film a great deal for its cynical view of the human character and its exposure of human weakness and fear.

Two of television's best known cowboy heroes, Dale Robertson from Tales Of Wells Fargo and the Range Rider Jock Mahoney star in this unusual western about a town full of hypocrites. Imagine High Noon had we probed a bit deeper into the town of Hadleyville and its citizens who would not back up Gary Cooper and you have A Day Of Fury.

Notorious gunslinger Robertson arrives in the town and the townspeople are righteously aroused. They want Marshal Mahoney to just run this guy out of town. But Mahoney's life was once saved by him and with no wants or warrants out on him, Robertson is a free man until he actually commits a crime.

Which works out fine as Robertson bit by bit turns things around completely and it's the marshal these fine citizens turn on. You have to see how he does it, more I will not say. There's also the complicating factor that Mahoney's fiancé Mara Corday has history with Robertson.

A trio of standout supporting performances come from Jan Merlin as a local tough, John Dehner as the town minister, and most of all Dee Carroll as the spinster school teacher who is a repressed and tragic figure.

Mahoney and Robertson have some good chemistry in their scenes. A nice mixture of antagonism and respect goes into their dialog.

A Day Of Fury is a real sleeper of a western. Caught it by accident almost, glad I did.

The nation's sweeping expansion westward . Standing the path on the new civilization were undisciplined , untamed men , the gunfighters whose way of life was coming to an end . The final chapter to the long , violent struggle was written on a summer sunday by a man called.. Jagade . It is a time when law is coming to the west and begins with a manhunt in which a Marshal (Jock Mahoney) is saved by a passing gunman named Jagade (Dale Robertson) donning his six-guns . When the gunslinger arriving a little town called West End that has the usual shops and buildings, as General merchandise, Livery stable, Hardware, Barber shop, Saloon , Hotel and of course the Church, then he finds again the town Marshal . Subsequently , the situation is further complicated due to a former loving relation between Jagade and Sharman Fulton (Mara Corday) who is about to marry Marshal Allan Burnett .The Story of Jagade...last of the MAVERICK KILLERS! This Was The Day Of The Rope And The Ravager!

This Western is set in a time when law was expanding westward , appearing a mysterious stranger , who comes to embitter some embattled citizens. As gunslinger Jagade arrives in a law-abiding god-fearing town and he arranges to change the townsfolk into scoff-law sinners , while the town Marshal Allan Burnett is powerless due to a moral debt to Jagade , and things go wrong when the sheriff learns the previous relationship between his fiancée and Jagade . Well crafted Western with interesting screenplay by James Edmiston and Oscar Brodney , displaying twists and turns . Although atmospheric , it's also downbeat and sometimes just downright nasty . The story is almost terrific as the drifter comes to strange frontier town just in time to reckoning villagers and bandits. This stirring picture contains a powerful examination of morality and hypocrisy on people of a little town . Dale Roberson plays decently as an avenger gunslinger , though only this time the pistolero appears to have been sent from hell rather than heaven to carry out a vendetta . Jock Mahoney gives a good acting as a Marshal who is caught between the town citizens fears and the debt he owes the gunslinger. While the third starring , Mara Corday , shows brilliantly her beauty and and gorgeous face . Good casting with several notorious and familiar secondaries as Carl Benton Reid , Jan Merlin , Dee Carroll, Malcolm Atterbury , Phil Chambers , James Bell , and John Dehner as a reverend.

This Universal Pictures movie with great main and support cast, being efficiently produced and competently directed . Furthermore, it contains a colorful and glimmer cinematography by Ellis Carter . As well as rousing and stirring musical score by Irving Gertz and Henry Mancini , though uncredited .This outlandish motion picture produced by Robert Arthur was professionally directed by Harmon Jones. He was a craftsman who worked as a production manager, editor, producer and filmmaker. He directed all kinds of genres as Westerns, drama, Thriller, Comedy, Film Noir, such as : The beast of Budapest, Wolf Larsen, Gorilla at large, Target zero, Canyon river, City of bad men , The pride of St Louis, Bloodhound of Broadway, As young a you feel. And he directed a lot of episodes of popular TV series as Land of giants , Death valley, Voyage to the bottom of the sea, The Virginian, Iron Horse, Perry Mason, Gunslinger, Daniel Boone, Iron Horse, The Monroe, The Zorro, among others. Rating 6. 5/10. Decent and above average Western.

I really like these Universal-International colour westerns made in the 1950s. This one was very probably the movie that got Dale Robertson the starring role in "Tales Of Wells Fargo" on TV (which I loved when it first appeared).

The chief extra reason why I like this movie though is the other main star was Jock Mahoney, in his usual understated style. He, of course, had previously starred in that superbly action-packed series "The Range Rider" and later "Yancy Derringer".

This is not a big budget western. You have to remember that when considering its worth. It's a classic "B" western. I'm not sure why this western would rate low in any old western lovers opinion. I know that this is not a typical role for Dale Robertson. He is playing against type. He is almost always the good guy. His Jagade character starts out fine enough, maybe even heroic in saving the life of the town sheriff. I would point out how well Robertson handles his role as the bad guy, because you are pretty much despising him before the midway point of the movie. Jagade is egotistical, selfish, and all around despicable in just about every way possible. There are not many redeeming qualities to him. He even uses his act of heroism to try to control the marshall through guilt. The marshal is played by one of Hollywood's best western stunt men, Jock Mahoney. His character is loyal to a fault and even though it seems he is bending to Jagade's every whim, Mahoney's turn as the town marshal will surprise you. Mahoney is not the best actor, but watch his character closely, because he is not what he seems to be. This western is not too bad. Let Dale Robertson have his fun playing against type. He plays Jagade to the hilt as a completely despicable bad guy. Even Robertson's disgusting mannerisms he displays as the gunfighter will start getting on your nerves. To me, he's great in this one, and Jock Mahoney's role as the reserved town marshal was one of his better roles in a western. Mara Corday is as beautiful as ever playing the reformed dance hall girl. Remember folks it is a "B" western. Enjoy it! I certainly did. Every time I see it, I enjoy it a little bit more. Robertson is a "B" western favorite of mine, and it's great to see this perennial, good guy actor chew up the scenery as the arrogant Jagade. They say that Mahoney was such a good stunt man, that if he refused to do a stunt, other stunt men refused to do it also, deeming it too dangerous. You might think he seems a little wooden in his role as the marshal, but I think he totally captures the quiet, but dangerous lawman. Plenty worth watching. For me, numerous times.

My problem with "A Day of Fury" was that as a child I watched Dale Robertson in "Wells Fargo" and I can't recall many films in which he hasn't played a honest hero. So I didn't find him convincing as the bad guy, especially with his expressionless acting, and was waiting for him to redeem himself. Randolph Scott (occasionally) and Glenn Ford were better at playing against type.

Talking of which, John Dehner (so often the villain or rascal) did this very successfully as the Parson.

I never did grasp what was Jagade's motivation for his behaviour, and perhaps the motives of Miss Timmons (the school-teacher) could have been made a little clearer.

Dale Robertson has always been a great actor, and Jock Mahoney was one of the most talented horseman, stuntman, and gunslinger in Hollywood. This movie was not right for Dale Robertson, because he was always better than this. I don't really know how Jan Merlin fit in at all. We were never told he and Dale were old friends. However, the female role Mara Cordey,threw me. I thought for certain that she was Margaret Field (or later Maggie Mahoney) who became Jocks real wife. I had to check that out to make sure she didn't use another name. Margaret did some acting in Mahoney westerns so I was sure that was her. I couldn't tell the difference...but I guess Jock could. Her role did make the movie interesting. I never say Mahoney in a bad movie, and my favorite was Slim Carter.

This movie was similar to Audie Murphy's "No Name On The Bullet," but it was better....but not by a whole lot. It was still too talky for a western.

The hero of the story, played by Jock Mahoney, was very bland and the female lead, played by Mara Corday, also offered little. The villain was the only interesting character. Dale Robertson played him. Mahoney and Robertson went on to star with TV westerns that were good.

The movie is only 72 minutes but really doesn't a whole lot, story-wise. You might see it on TV as it has never been issued on VHS or DVD. Since it's a free look, fine, but I don't think you'll be too impressed.

This Western is a "waste". There's obviously a lot of resources used here, attention to the spectacle and color, but it's very much "style over substance", because the script, is terrible. How is it terrible? There's no credibility in characters. A good story involves credible characters in incredible circumstances. We do have the incredible situation here. We have the old West, with the scenery, although most of it is set in the town itself. It's one of those "Western town movies" with way too much of the story in the town. The characters, however, are not convincing. The acting is less than third grade. That's a clue there. That none of the actors are convincing. And most of them are experienced in Westerns. Dale Robertson never really did much acting with his gamut of one emotion and expression, his self important sassiness, which always looks stupid, and even more so here. Then you have Dehner, Mahoney, and the others, who are wasted here. Since all the actors are "unconvincing", we're left with the fact that the director just walked through this in sleep. Attention was given to blocking, to style, to spectacle, to color. And that makes it even worse that the characters are laughably one dimensional. I'm not sure there is even one case in this movie of believable motivation in a character. They just magically do and say things that come out of left field, with absolutely no motivation, particularly the stereotype played by Robertson. Why does he just act like a creep for no reason? No one cares. He's a creep, but in any event, there is no credible reason given. The same can be said for the other characters. Mahoney certainly delivers on acting, being the only one who appears to even try, but his motivation is not believable. Now the casual observer may wonder what this has to do with the entertainment factor of this movie and the enjoyment thereof, but the reality is that the casual observer needs the motivation to be credible. The casual observer just doesn't realize this. When the motivation isn't there, it becomes farce, and that would work if this was a comedy, but it isn't a comedy.

To challenge b&w TV, Universal turned out a number of these Technicolor B-westerns in the mid- 1950's. I don't know why they bothered with color here since the action seldom leaves town. Except for the opening scene, it looks like the entire movie was shot on the Universal lot, with no colorful vistas to spice up the visuals. That might be okay if the screenplay weren't so talky or if Jock Mahoney as the marshal could work up some emotion. Too bad he and the comely Corday appear to be walking through their respective roles. Then too, one of the great sneering punks of the period, Jan Merlin, is largely wasted in a weak role.

Dale Robertson as the bad guy manages to show some life, but gets little help from director Jones who appears unengaged except for the sequence of Billy (Merlin) fleeing town, which happily shows some imagination. Actually, having a moral debt to the bad guy as the movie's premise has real dramatic possibility. But that would have taken a better director and a more motivated cast. As things stand, it's only an average oater, at best.

A masterpiece of B western, I mean a western without the Duke, Jimmy Stewart or Gary Cooper. Audie Murphy could have had Dale Robertson's role, easily, as a kind of NO NAME ON THE BULLET, a more than ambivalent character, bringing a brilliant chemistry between Mahoney and him. And in this scheme, I am surprised that Robertson doesn't wear dark, black clothes. This kind of topic is not totally new, though; I have no other titles in mind right now, except THE LAST CHALLENGE (starring Glenn Ford) concerning the resemblance with this one, but there are many other examples of westerns, and not only, ambiguous friendship between the good guy and the "bad" one. Of couse Robertson is excellent here. Town people hypocrisy is also shown very well, but, again, it is not new in westerns. People accept you in the first place, like you, admire you, then they suddenly change their mind for anything.... Yes, a very worth seeing western.

A well-turned screenplay, efficient editing, good small-scale production values, and tense directing make A Day of Fury much better than most Westerns.

Dale Robertson is a better actor than his reputation, but all 3 leads are limited in range. The best role and performance are the Preacher by John Dehner, who helps any film in which he appears. Most Westerns present ministers either as comic-cowardly milquetoasts or as unrealistic studs who give up their guns for the good book. When changes unsettle the town, Day of Fury's Preacher is the first to lose his temper and threaten violence, but then he's embarrassed by his own failing and horrified that his parishioners turn into a lynch mob.

The plot plays an interesting variation on the classic Western formula of the Old Wild West struggling to survive in or against the Cleaned-Up Bourgeois Town. The taciturnity of Robertson's Jigade fairly inverts the man-of-few-words Sheriff typically played by Joel McCrea or Randolph Scott into a Mephistophelean villain who quietly but steadily chips and shatters the thin veneer of civilization until the townsfolk break down into drunken irresponsibility, foolish greed, and vengeful terror. Jagade's opportunistic power compromises the town's Sheriff, played by the physically imposing Jock Mahoney, whose taciturnity can only dwindle to mute puzzlement until the wild card in Jagade's deck--the punk gunman Billy Brant--changes the game and creates a clear path of action for the law.

The sets are few, but the director keeps moving the characters across each other in well-defined space. The film's most impressive quality is to open with an atmosphere of uncertainty that steadily escalates into tension or dread. But its most interesting feature is that the anti-hero Jagade seems to have orchestrated the story as a suicide note.