Listings compiled by Jessica Gardner and Pete KeeleyDEFINITIONS:Membership: Theater maintains an active company or ensemble of actors and generally casts productions from that pool.Open: Each show is cast on an open basis.Limited: Theater casts on an open policy under limited or special circumstances, usually when a part cannot be cast from existing company members.Key To Symbols & Abbreviations: R: Theater is available for rent. R-va: Rental with variable availability. H&R: Headshots and résumés accepted. M: Accepts manuscripts. Include self-addressed, stamped envelope. W: Workshops or classes offered. D: Charges dues.Note: The following sets of listings comprise theater venues and producing companies; often these are one and the same and are listed as such. Producing companies not exclusively associated with any particular venue are included in the "Independent Theatre Companies" listing on page 18. Affiliated companies are listed in parentheses.More Than 499 Seatsahmanson THEATRE135 N. Grand Ave.Los Angeles,...
- 11/24/2010
- backstage.com
Subject for further study: Jean Delannoy.
Object of current enquiry: Cornell Woolrich.
I love Woolrich's crime fiction, which is paranoid in almost a Philip K. Dick kind of way, and angst-ridden like Poe. Woolrich seems to have really lived the nightmare, roiling in misery his whole life, embittered, alcoholic and multi-dysfunctional. A natural for the movies.
Outside of the numerous film and TV adaptations in America, Woolrich found his fiction adapted in South America, Germany, Turkey, and especially France, where Truffaut adapted The Bride Wore Black (1968) and Waltz into Darkness (as La sirène du Mississipi, 1969).
Jean Delannoy, if he's remembered at all, is probably best known for the scathing review Truffaut wrote for his Chiens perdus sans collier (1955), a major salvo in the Cahiers du cinéma assault on the old guard of French filmmaking. Ironically, or at least coincidentally, the previous year Delannoy made Obsession, which was the last French...
Object of current enquiry: Cornell Woolrich.
I love Woolrich's crime fiction, which is paranoid in almost a Philip K. Dick kind of way, and angst-ridden like Poe. Woolrich seems to have really lived the nightmare, roiling in misery his whole life, embittered, alcoholic and multi-dysfunctional. A natural for the movies.
Outside of the numerous film and TV adaptations in America, Woolrich found his fiction adapted in South America, Germany, Turkey, and especially France, where Truffaut adapted The Bride Wore Black (1968) and Waltz into Darkness (as La sirène du Mississipi, 1969).
Jean Delannoy, if he's remembered at all, is probably best known for the scathing review Truffaut wrote for his Chiens perdus sans collier (1955), a major salvo in the Cahiers du cinéma assault on the old guard of French filmmaking. Ironically, or at least coincidentally, the previous year Delannoy made Obsession, which was the last French...
- 4/15/2010
- MUBI
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