IMDb RATING
6.6/10
6.8K
YOUR RATING
When a commercial airliner develops engine problems on a trans-Pacific flight and the pilot loses his nerve, it is up to the washed-up co-pilot Dan Roman to bring the plane in safely.When a commercial airliner develops engine problems on a trans-Pacific flight and the pilot loses his nerve, it is up to the washed-up co-pilot Dan Roman to bring the plane in safely.When a commercial airliner develops engine problems on a trans-Pacific flight and the pilot loses his nerve, it is up to the washed-up co-pilot Dan Roman to bring the plane in safely.
- Won 1 Oscar
- 5 wins & 6 nominations total
Pedro Gonzalez Gonzalez
- Gonzales
- (as Gonzalez Gonzalez)
Storyline
Did you know
- TriviaErnest Gann's novel clearly indicates that the character of Sally McKee has resorted to prostitution in order to survive. The film version, made at the height of Hollywood censorship, was unable to explicitly state this; however, Gann slyly managed to insinuate the information during Sally's entrance, wherein two sailors at the Honolulu airport recognize her and pointedly remark, "Hey, look! Remember?"
- GoofsNear the end of the film, Air Traffic Control clears the aircraft to land on "runway 39" This is impossible. Runways are numbered are within 10 degrees of their actual magnetic heading, and since there are only 360 degrees on the compass, the highest runway number possible is "runway 36".
- Quotes
Alsop: She may be put together with paste and flour, but that woman has something. What would you say it was?
Miss Spalding: Practice. Plenty of practice.
- Alternate versionsThe song "The High and the Mighty" (with lyrics) does not appear in the original 1954 release of this film. However, the studio wanted the hugely popular, chart-topping song to be nominated for the Best Song Academy Award that year. According to AMPAS regulations, the song could not be nominated because it was no officially sung in the film, even if would be heard elsewhere. To satisfy these regulations, a version was released towards the tail-end of 1954 for a few nights only with the song inserted into an Exit Music. The Academy then decided to give the song a nomination on the basis of these screenings. The song lost to "Three Coins in a Fountain".
- ConnectionsEdited into The FBI Story (1959)
Featured review
The High and the Mighty might be called Muzzy Marcellino's movie since it was his wonderful, masterful whistling of the theme that made this movie not just good, but great. It is a pity that his talents were not more appreciated, but then most people think that anyone can whistle a sonorous tune. Far from it! Very few people could whistle in orchestral color and range which is what this man did for Dimitri Tiomkin's wonderful score which well deserved the 1955 Academy Award for "Best Music" and Scoring. Yes, John Wayne did indeed make the film his own and turned in a multi-layered performance, and yes, this is the granddaddy of the 'disaster films,' which has never been surpassed in quality, but its distinction is not the primacy, nor the casting, nor even the story by a professional pilot, but the distinctive music - distinctly rendered - which one may not notice at first, but which imbues this non-epic with the caliber of stardom.
I can remember when I was in high school in the '60s some ten years after the movie was released (I have never seen it since) and Mr. Marcellino was a guest at one of our assemblies and demonstrated his amazing versatility at whistling and even performed the letters of the alphabet as an example of how he had mastered his craft. His range was phenomenal as he portrayed the instruments of the orchestra and then performed the entire Rhapsody in Blue as well as popular works all by whistling without accompaniment, but admitted that the theme for TH&TM was his proudest achievement. The Academy of Motion Picture Arts and Sciences has never recognized the contributions of all musical forms to the success of pictures as gauged from their mention in passing at the annual telecast Oscar ceremonies, but if they had, this singular performance would have been guaranteed a Special Oscar. Truly, once it is heard, neither it nor the film can ever be forgotten, but will haunt one for years to come! This classic film is the fitting epitaph for Messrs. Wayne, Tiomkin, and Marcellino. Would that we all could be remembered for such an achievement.
I can remember when I was in high school in the '60s some ten years after the movie was released (I have never seen it since) and Mr. Marcellino was a guest at one of our assemblies and demonstrated his amazing versatility at whistling and even performed the letters of the alphabet as an example of how he had mastered his craft. His range was phenomenal as he portrayed the instruments of the orchestra and then performed the entire Rhapsody in Blue as well as popular works all by whistling without accompaniment, but admitted that the theme for TH&TM was his proudest achievement. The Academy of Motion Picture Arts and Sciences has never recognized the contributions of all musical forms to the success of pictures as gauged from their mention in passing at the annual telecast Oscar ceremonies, but if they had, this singular performance would have been guaranteed a Special Oscar. Truly, once it is heard, neither it nor the film can ever be forgotten, but will haunt one for years to come! This classic film is the fitting epitaph for Messrs. Wayne, Tiomkin, and Marcellino. Would that we all could be remembered for such an achievement.
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Details
- Release date
- Country of origin
- Language
- Also known as
- William A. Wellman's The High and the Mighty
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,470,000 (estimated)
- Gross worldwide
- $4,334
- Runtime2 hours 27 minutes
- Sound mix
- Aspect ratio
- 2.55 : 1
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