After a dinosaur-like beast - awoken from undersea hibernation by atom bomb testing - ravages Tokyo, a scientist must decide if his similarly dangerous weapon should be used to destroy it.After a dinosaur-like beast - awoken from undersea hibernation by atom bomb testing - ravages Tokyo, a scientist must decide if his similarly dangerous weapon should be used to destroy it.After a dinosaur-like beast - awoken from undersea hibernation by atom bomb testing - ravages Tokyo, a scientist must decide if his similarly dangerous weapon should be used to destroy it.
- Awards
- 4 wins & 2 nominations
- The Old Fisherman
- (as Kuninori Kôdô)
Storyline
Did you know
- TriviaAn often-repeated myth is that the productions of both this film and Seven Samurai (1954) nearly drove Toho into bankruptcy. This neglects to mention a third Toho film made that year, Samurai I: Musashi Miyamoto (1954). All three of them were the most expensive Japanese films made up to that point and big financial risks for Toho. However, there is little evidence to suggest that Toho was ever at risk for bankruptcy. Toho released a total of 68 feature films that year, the most successful of which were "Seven Samurai", "Samurai I: Musashi Miyamoto", and "Godzilla", in that order.
- GoofsSeveral characters in the film, including Dr. Yamane, Japan's leading paleontologist, insist that the Jurassic Period was 2 million years ago. This is off by 143.5 million years.
- Quotes
[last lines]
Dr. Kyohei Yamane: I can't believe that Godzilla was the last of his species. If nuclear testing continues, then someday, somewhere in the world, another Godzilla may appear.
- Alternate versionsIn the scene where Godzilla destroys the train, shots of terrified people watching were cut from the U.S. version of the film.
- ConnectionsEdited into Godzilla Raids Again (1955)
- SoundtracksPrayer for Peace
(uncredited)
Performed by students of the Toho High School of Music
Lyrics by Shigeru Kayama
Composed by Akira Ifukube
It's telling that it was the most advanced scientific breakthrough made by the most brilliant minds on the planet, the harnessing of the atom, that led to the bombing of Hiroshima and Nagasaki, and in turn, in this movie, to the unleashing of a two million year old monster. It warns humanity that in stepping forward in its understanding of the universe, it was also taking a step backwards, and unleashing irrational, destructive violence upon the world. That's all pretty obvious I guess, but the scenes of fleeing people being incinerated by Godzilla, women and children huddling together in fear, and the destruction of Tokyo looking like an atomic bomb had gone off must have reverberated especially with the original audiences of the time. It certainly did for me. There is something deeply painful about this film.
In a fascinating development, it's a Japanese scientist who has to wrestle with the morality of having developed a weapon of mass destruction called the 'Oxygen Destroyer', knowing that its use to stop Godzilla in the short term may lead to its use to further horrific destruction in the long term. It seems to put the Japanese in the same position as the Americans in 1945, one where there are no easy answers. How does one put the lid back on the box of an arms race, where one technology or act of violence leads to another in a crazy, unending spiral? The solution offered may or may not be all that realistic, but I thought just raising the question in the way the film did - and so soon after the war - was incredibly thought-provoking and brave. The film thus works on emotional and philosophical levels that one normally wouldn't get in a monster film, or at least, with this level of meaning and intensity. Definitely recommended.
- gbill-74877
- Oct 18, 2019
- Permalink
Details
- Release date
- Country of origin
- Languages
- Also known as
- Japón bajo el terror del monstruo
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $175,000 (estimated)
- Gross US & Canada
- $562,711
- Opening weekend US & Canada
- $38,030
- May 9, 2004
- Gross worldwide
- $585,438
- Runtime1 hour 36 minutes
- Color
- Aspect ratio
- 1.37 : 1