An American carnival in Germany sets the scene for sin, sex and melodrama.An American carnival in Germany sets the scene for sin, sex and melodrama.An American carnival in Germany sets the scene for sin, sex and melodrama.
Ady Berber
- Groppo the Wildman
- (as Adi Berber)
Amalie Lindinger
- The Fat Lady
- (uncredited)
Ly Maria
- The Snake Lady
- (uncredited)
Jacob Möslacher
- Self - Interpreter
- (uncredited)
Josef Schneider
- The Sword-swallower
- (uncredited)
Anni Trautner
- The Bearded Lady
- (uncredited)
Jadin Wong
- The Chinese Dancer
- (uncredited)
Storyline
Did you know
- TriviaThis was filmed simultaneously in a German language version, Circus of Love (1954). The cast of the German version can be seen in uncredited cameo appearances in the English language version, and vice versa.
- GoofsJoe didn't realize until shortly after Willie picked his pocket that his wallet was missing so would have not known it was Willie who stole it and therefore would not be able to pick her out in the crowd. Also when he confronts her, he would not have known where she hid his wallet.
- Alternate versionsSimultaneously shot in two versions; the German language version, Circus of Love (1954), stars Curd Jürgens, Eva Bartok and Bernhard Wicki.
- ConnectionsAlternate-language version of Circus of Love (1954)
- SoundtracksRing Down the Curtain
Written by Willy Schmidt-Gentner, Pony Sherrell, Philip Moody
Featured review
The believable atmosphere and some moments of real tension, along with Anne Baxter's starring performance, make "Carnival Story" worth watching despite its somewhat uneven quality overall. It has some strengths, but it leaves you feeling that it could have been improved without too much difficulty.
The story has an interesting setting, with the drama and romance taking place in an American traveling show that is touring Germany, having attracted little interest in the US. Although the portrayal of the show and its players uses a number of clichés, in general the atmosphere is believable, and it supplies an effective background to the story. The world of the carnival is self-contained to begin with, and their presence in a foreign country emphasizes their isolation from the 'real world'. Jay C. Flippen plays the show's manager, and his character adds an appropriate air of run-down authority.
Anne Baxter stars as the only German native among the main characters, an intense young woman who becomes involved romantically with more than one of the show's employees. In itself, the plot is the same as that in many other movies about romantic rivalry, with Baxter's character torn between the 'good' lover and the 'bad' lover. Baxter herself works well enough in the role, since her restless style fits in with her character here.
Most of the other characters, though, remain one-dimensional, and some of the confrontations and tense moments lose something as a result. When the dramatic turns work, it is usually because they take place in an interesting setting, rather than because they have been filmed with any particular skill. The pacing likewise is inconsistent. There are a number of slow stretches that do little of note, but then it does make good use of the recurring high dive scenes, with the pageantry, danger, and tension that they bring.
Overall, it has some definite strengths and some obvious weaknesses. It is essentially a formulaic drama about romantic rivalries, with a relatively interesting setting that hides enough of the weaknesses to make it worth seeing.
The story has an interesting setting, with the drama and romance taking place in an American traveling show that is touring Germany, having attracted little interest in the US. Although the portrayal of the show and its players uses a number of clichés, in general the atmosphere is believable, and it supplies an effective background to the story. The world of the carnival is self-contained to begin with, and their presence in a foreign country emphasizes their isolation from the 'real world'. Jay C. Flippen plays the show's manager, and his character adds an appropriate air of run-down authority.
Anne Baxter stars as the only German native among the main characters, an intense young woman who becomes involved romantically with more than one of the show's employees. In itself, the plot is the same as that in many other movies about romantic rivalry, with Baxter's character torn between the 'good' lover and the 'bad' lover. Baxter herself works well enough in the role, since her restless style fits in with her character here.
Most of the other characters, though, remain one-dimensional, and some of the confrontations and tense moments lose something as a result. When the dramatic turns work, it is usually because they take place in an interesting setting, rather than because they have been filmed with any particular skill. The pacing likewise is inconsistent. There are a number of slow stretches that do little of note, but then it does make good use of the recurring high dive scenes, with the pageantry, danger, and tension that they bring.
Overall, it has some definite strengths and some obvious weaknesses. It is essentially a formulaic drama about romantic rivalries, with a relatively interesting setting that hides enough of the weaknesses to make it worth seeing.
- Snow Leopard
- Dec 7, 2005
- Permalink
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Details
- Release date
- Countries of origin
- Languages
- Also known as
- Backfire
- Filming locations
- Munich Railway Station, Munich, Bavaria, Germany(train station dock in the opening scene; exterior later, as the loudspeaker announces a departure to Frankfurt)
- Production companies
- See more company credits at IMDbPro
- Runtime1 hour 35 minutes
- Aspect ratio
- 1.85 : 1
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