Directed by
| Mitchell Leisen | ||
Writing Credits (in alphabetical order)
| Ruth Goode | ... | (writer) |
| Sol Hurok | ... | (writer) |
| Harry Kurnitz | ... | (writer) |
| George Oppenheimer | ... | (writer) |
Cast (in credits order)
Produced by
| George Jessel | ... | producer |
Music by
| Alfred Newman | ... | (uncredited) |
Cinematography by
| Leon Shamroy | ... | director of photography |
Editing by
| Dorothy Spencer | ||
Art Direction by
| George W. Davis | ||
| Lyle R. Wheeler | ||
Set Decoration by
| Thomas Little | ||
| Walter M. Scott | ||
Costume Design by
| Renié | ||
Makeup Department
| Ben Nye | ... | makeup artist |
Production Management
| Joseph C. Behm | ... | production manager (uncredited) |
Second Unit Director or Assistant Director
| Bruce Fowler Jr. | ... | assistant director (uncredited) |
| Arthur Lueker | ... | first assistant director (uncredited) |
Art Department
| Stanley Detlie | ... | props (uncredited) |
Sound Department
| Winston H. Leverett | ... | sound (as Winston Leverett) |
| Murray Spivack | ... | sound |
Visual Effects by
| Ray Kellogg | ... | special photographic effects |
Costume and Wardrobe Department
| Charles Le Maire | ... | wardrobe director |
| Sam Benson | ... | wardrobe supervisor (uncredited) |
Music Department
| Ken Darby | ... | choral director |
| Alfred Newman | ... | musical director |
| Edward B. Powell | ... | orchestrator (uncredited) |
| Edward Rebner | ... | special assistant to musical director (uncredited) |
Script and Continuity Department
| Teresa Brachetto | ... | script supervisor (uncredited) |
Additional Crew
| Armando Agnini | ... | technical advisor |
| Leonard Doss | ... | technicolor color consultant |
| Sol Hurok | ... | technical advisor |
| David Lichine | ... | choreographer |
| Sergei Malavsky | ... | technical advisor |
| Harry Brand | ... | publicist (uncredited) |
| Francis Dawson | ... | dialogue coach (uncredited) |