Another 3-D breakthrough, this time for a Paramount musical rescued from oblivion and remastered by the 3-D Archive. Rhonda Fleming and Gene Barry star in a blend of songs and Alaskan adventure filmed in downtown Hollywood. The depth effects are great, but the big surprise is Teresa Brewer, the radio star turned one-shot movie musical wonder. Her voice resurrects memories of pop vocals just prior to the arrival of Rock ‘n’ Roll.
Those Redheads from Seattle
3-D Blu-ray
Kl Studio Classics
1953 / Color / 1:66 widescreen / 90 min. / Street Date May 23, 2017 / available through Kino Lorber / 34.95
Starring: Rhonda Fleming, Gene Barry, Agnes Moorehead, Teresa Brewer, The Bell Sisters, Guy Mitchell, Jean Parker, Roscoe Ates, John Kellogg, Sheila James Kuehl, Dub Taylor, Max Wagner.
Cinematography: Lionel Lindon
Film Editor: Archie Marshek
Original Music: Sidney Cutner, Leo Shuken
Written by Lewis R. Foster, Geoffrey Holmes (Daniel Mainwearing) and George Worthing Yates
Produced by William H. Pine,...
Those Redheads from Seattle
3-D Blu-ray
Kl Studio Classics
1953 / Color / 1:66 widescreen / 90 min. / Street Date May 23, 2017 / available through Kino Lorber / 34.95
Starring: Rhonda Fleming, Gene Barry, Agnes Moorehead, Teresa Brewer, The Bell Sisters, Guy Mitchell, Jean Parker, Roscoe Ates, John Kellogg, Sheila James Kuehl, Dub Taylor, Max Wagner.
Cinematography: Lionel Lindon
Film Editor: Archie Marshek
Original Music: Sidney Cutner, Leo Shuken
Written by Lewis R. Foster, Geoffrey Holmes (Daniel Mainwearing) and George Worthing Yates
Produced by William H. Pine,...
- 5/20/2017
- by Glenn Erickson
- Trailers from Hell
This is my seventh TCM Classic Film Festival. At a certain point, some things become routine – one learns to expect the exhaustion at the dawn of day three (of four), the constant negotiation between personal viewing whims and rare presentations, the way plots and aesthetic choices start to run together, and the suspicion that explaining the draw of such an event to those not immediately inclined to attend it may come across a touch insane. Film festivals are innately demanding experiences, but between the pleasure of its programming, the consolidation of the venues, and the brevity of most of its films’ running times, few make it so easy to watch four, five, six movies in a day. You tell your coworkers on Monday what you did all weekend, and it starts to not make a lot of sense. But somehow, in the midst of it all, the point of it couldn’t be clearer.
- 4/11/2017
- by Scott Nye
- CriterionCast
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