User reviews

The script is well written, handling clichés very well. The direction is brisk and orderly. The actors are very professional, even the God-awful Robert Wagner. Watching Dale Robertson I am surprised that he didn't become a bigger star: he is at ease in front of the camera, charming when it is called for, and very realistic in his delivery. Rory Calhoun was quite adequate for an undemanding role. This really seemed to be a vehicle for the young Wagner. I must admit I have only enjoyed him in one movie in his career and generally find him uninteresting and sub-par. Was Zanuck gay and in love with him? I will never understand Fox pushing him; but the 50's did bring on the teenage girls in the audience. I guess that was it. Overall, this movie is a little gem that deserves more recognition. I recommend it.

"The Silver Whip" has a very good cast for a western. Rory Calhoun, Dale Robertson and a very young Robert Wagner star in this one.

Jess (Wagner) is very young but capable...so much so that Race (Robertson) recommends the stage company hire him to be their driver. But on his first run, the stage coach wanders into an ambush. Race yells at Jess to leave him behind to fight off the bandits but Jess refuses and stays to help. In the process, Jess gets himself shot (not badly) but his passengers are killed. Later, when he returns to town, Jess is fired for not listening to Race and not leaving with the coach.

Following this robbery, Race sticks behind and tracks the band of killers...all on his own. Jess goes back to town and after being fired, he's hired by the Sheriff (Calhoun) to be his deputy. Obviously Sheriff Davisson still has confidence in the young guy. Soon, the Sheriff and Deputy set out to find Race and the killers. What's next? See the film.

There's nothing great about this film but the script has some original ideas AND the acting is quite nice. After all, while not exactly A-listers, Robertson and Calhoun made some mighty good westerns during the 50s....and Wagner was just fine in one of his earliest roles. Overall, if you like westerns, you're bound to like this one...and seeing Jess grow and change through the course of the story was quite nice as well.

Character-driven western whose guiding idea unfortunately is better than the result. Sheriff Tom, tough guy Race, and young man Jess, are friends in a small frontier town. Jess, however, wants a chance to prove himself a man, so he gets trial run as a stage driver. Trouble is he screws up by not driving off to protect doomed passengers when stage is ambushed at a way station. Instead he stays behind to help his friend Race. Now Jess needs to redeem himself by helping Sheriff Tom and posse track down stage robbers before vengeful Race guns them all down. Climax occurs in town when lynch mob gathers to head for Tom's jail.

It's really Wagner's film. As the untried Jess, he shows his acting chops in a vivid performance still early in his lengthy career. Robertson (Race) and Calhoun (Tom) also get a lot of screen time as self-assured westerners. Oddly, they look so much alike, I got confused at times. The oater's unusual since no bad guy gets focal time, while the girls are strictly peripheral. Instead, the highlight is a well-photographed and lengthy chase scene across scenic rocks and hills. There's one unexpectedly jarring occurrence that I guess Hollywood convention couldn't let stand without smoothing out. Had they instead let it go extreme, the movie would be memorable. One key point, I wish Robertson's ambiguous character (Race) were more intense. That would have injected needed emotion to the movie as a whole There's a dramatic potential in the key conflict between Race and Tom that's unfortunately underplayed.

All in all, it's an interesting western with an unusual plot and some riveting scenery, but drains too much story potential.

Based on a novel from the author of "Shane" and "Monte Walsh" comes a much less substantial of western, but an entertaining one none-the-less. Robert Wagner plays a young cowboy who's getting restless in his small town, so to keep him from becoming a no-good drifter the local stagecoach owner hires him as an armed guard for a large gold shipment. After the stagecoach is robbed, young hotheaded Wagner learns from the stagecoach driver (Dale Robertson) and from the sheriff (Rory Calhoun) there are two kinds of justice and he has to decide which one is right. In the hands of a director like George Stevens, this story had the potential to be something really smart, but instead it's merely a diverting western that will entertain fans of sagebrush tales.

Western novelist Jack Schaefer's follow-up to SHANE, THE SILVER WHIP is turned into a "shaky A" with Dale Robertson, Rory Calhoun, and Robert Wagner in the lead as an ambitious young stage driver. While this black-and-white effort lacks the visual grandeur of George Stevens' masterpiece, and the cast all right. and.... well, this is a good B western, with some nice outdoor photography by Lloyd Ahern Sr.

Director Harmon Jones doesn't seem to push anyone too hard, but it's a well-told story. It's clear they were feeling ambitious with this one. They screenplay is pretty good. I's simply that they chose to tell the story with melodramatic intentions, rather than the simple way that George Stevens' masterpiece did.

Three of the stars became major television stars as well. And Rory Calhoun, Dale Robertson, and Robert Wagner made an excellent trio.

Accompanied by two of the loveliest ladies, Lola Albright and Kathleen Crowley, as well as by some un-credited high-caliber performers such as the great John Doucette, George Cheesbro, and Edmund Cobb, they give us a tense western drama.

Anger and revenge for cold-blooded killing always make for drama, and usually the audience, the viewers know which side to take. Here, though, there becomes a question of the right and wrong of lynch law. Who will defend the "official" law, and who will support the old "eye for an eye" law?

The denouement is not what we expect.

Until then, we are torn, because all the protagonists are good people and it is hard to decide for whom to root.

Un-billed is Chuck Connors, but billed is the superb James Millican, as is J.M. Kerrigan in an undemanding but literate and important role.

"The Silver Whip" is available at YouTube and I highly recommend it.

This film essentially begins with a young man by the name of "Jess Harker" (Robert Wagner) finally getting the opportunity to prove his mettle by driving the local stagecoach which, in this particular case, is also transporting a valuable shipment of gold as part of its cargo. For that reason, another cowboy named "Race Crim" (Dale Robertson)--who happens to be Jess Harker's friend and mentor-has also been tasked to ride alongside the stagecoach as well. Not only that but Race's girlfriend named "Waco" (Lola Albright) just happens to be riding in the stagecoach as a passenger. So, making sure the stage arrives safely and on time is extremely important to both Jess and Race. However, this becomes quite problematic once news of the gold shipment gets out as some local bandits quickly a devise a scheme to ambush the stage and steal the gold. Unfortunately, while carrying out their plan, they not only steal the gold but also accidentally kill Waco in the process. As might be expected, this infuriates Race who immediately off in search of these bandits with the intention of killing each and every one of them. The problem, however, is that the local sheriff named "Tom Davisson" (Rory Calhoun) wants them all brought back alive to stand trial. That being the case, this not only puts Race at odds with Sheriff Davisson, but it also places Jess in an awkward position as well. Now, rather than reveal any more, I will just say that this was a solid 50's Western which benefited by good performances by all of the aforementioned actors. Admittedly, it is somewhat tame by today's standards but, even so, I enjoyed this film for the most part and I have rated it accordingly. Slightly above average.

Wagner, Calhoun, and Robertson-a fine cast in a smoothly directed action/drama from the novel by Jack Schaefer(also wrote "Shane" 1953). The supporting cast of familiar faces, including Albright, Millican, and MacDonald round out this superior effort. If there is a fault in this one, it is the toned-down ending. The chance to really pack a punch is thrown away for a happily ever after conclusion. Too bad. But it is still a great watch.

It will not be a mile stone in western history for sure but it presents the advantage to have Dale Robertson, Robert Wagner and Rory Calhoun together. Nothing special to me. But for a B Fox western it is enough for my taste. It is rare, effective, fast but not furious. I prefer more ambiguous, ambivalent characters, as Audie Murphy in NO NAME ON THE BULLET, or Alan Ladd in ONE FOOT IN HELL; here it is a bit too smooth, but entertaining enough to justify the time to waste watching it.

Frustrated with the lack of opportunities in his hometown, young Jess Harker( Robert Wagner) plans to leave, but sympathetic stagecoach armed guard Race Crim (Dale Robertson) persuades his boss to give Jess the stage driver job. He accepts and gives the kid a chance to drive the stagecoach's main-line carrying $27000 dollars in gold dust and two important passengers. Crim rides as a guard, but when they arrive at a waystation, a gang of outlaws is waiting to ambush the coach. Jess panics and disobeys orders, resulting in the death of both coach passengers and the theft of the gold. Crim's love is among the dead, and he swears vengeance on Slater's gang, heading off after them. Jess is ordered back, but instead joins the posse led by Rory Calhoun's sheriff Tom Davisson, eager to make up for his mistakes. Crim however has turned vigilante, and shows no mercy for Slater's men as a hunts them down, before Tom and Jess apprehend Slater before Crim can hang him. Tom wants justice done, but not the frontier justice that the townsfolk have in mind, and as tensions simmer, friends will clash as doing the right thing becomes the unpopular option.

A fresh-faced Robert Wagner does well as a cocky man who soon goes through trial and tribulations before growing up and becoming someone, and that with the help of Dale Robertson and Rory Calhoun who both went on to have a successful career in westerns. Dale Robertson went on to make Tales of Wells Fargo. This western has plenty of Stagecoach chases, shootouts and they are quite excitingly shot, which gives this decent western a boost. Characterisation is fine, too.

The Silver Whip was Rory Calhoun's worst western ( and he was the best one in it). What made the movie fail was Robert Wagner. There are certain actors who do not belong in Westerns and Wagner is one of them. I know his character is a lightweight, but he is far too light for the role ( a stagecoach driver turned deputy). I did not hate the silver whip, but I certainly did not like it, so unless someone is a Wagner completist this is a movie to avoid.

Robert Wagner, thirty years before Hart to Hart. Here, he's young Jess Harker, waiting to leave his quiet little hometown, in one of his early roles. the stagecoach company lets him drive the stage, but of course, there will be obstacles along the way. when they get held up, they go after the gang. co-stars Dale Robertson and Rory Calhoun. Some scenes filmed in the hills east of modesto. GIANT trees on the ponderosa. Directed by Harmon Jones.. his first film as director was As Young As You Feel, with some huge hollywood names; he directed a bunch of big films, but moved into Television pretty quickly. It's good! no real surprises, but it's good.

I'm not a fan of long drawn-out westerns. There's only so much you can do with horses, guns, and cowboys. So I prefer westerns to be nice and short. This movie is nice and short. And it keeps things moving. That's a big plus for me. Don't waste my time with nonsense.

The male cast is very likable and the women are genuinely beautiful. Robert Wagner was not a great actor early in his career. He's not bad here, just a little stiff. He was clearly an external actor and not an internal actor like the brilliant James Dean. But in a movie like this it doesn't matter all that much. As long as you can say the lines and look good you can be in a "B" western like this. It must have been fun to make these old westerns.

The first time I ever saw Rory Calhoun was on Gilligan's Island. He showed up in a helicopter if I remember correctly. He was looking for game to hunt. He decided to hunt Gilligan. Gilligan drove him crazy. That's off topic, but I just wanted to note that. He's my favorite character in this movie. He plays a good solid sheriff. Rory does a great job with it.

This is a good solid little western. And it's nice and short. And it has a good cast. And the shot setups are very well done. I enjoyed it quite a bit.

I'm not a fan of spaghetti westerns. I don't like all that spaghetti nonsense. This is the opposite of that. This is a meat and potatoes western. Meat and potatoes. Eat up. And then get a good night's sleep. We've got a long ride tomorrow. And the sun is going to be hot.

This is an unusual Western in the way it treats characters as though they are three dimensional.

It involves three main characters, safe to say, the three "handsome" guys, Calhoun, Robertson, and Wagner. They even look alike, which is part of the character study. It's flip sides of the same face.

All three are quite believable in this tale of keeping law and order in the old West and not allowing mob justice.

The mob justice is the interesting part here. It isn't like most Westerns. Instead, we get "thinking" people in the mob, instead of Hollywood caricatures. That's what makes the movie stand out as the most prominent of lynch mob movies.