1942 and the island of Malta is battling for survival. The threat of invasion by Axis forces is increasing as air raids wear down its defence. Entering this maelstrom is Flight Lieutenant Pe... Read all1942 and the island of Malta is battling for survival. The threat of invasion by Axis forces is increasing as air raids wear down its defence. Entering this maelstrom is Flight Lieutenant Peter Ross, an RAF photo-reconnaissance pilot.1942 and the island of Malta is battling for survival. The threat of invasion by Axis forces is increasing as air raids wear down its defence. Entering this maelstrom is Flight Lieutenant Peter Ross, an RAF photo-reconnaissance pilot.
- Joan Rivers
- (as Renee Asherson)
- Group Captain - Operations
- (uncredited)
- Hudson Passenger
- (uncredited)
- Naval Cypher Office
- (uncredited)
- Cypher Clerk
- (uncredited)
- Old Man in Food Queue
- (uncredited)
- Flying Officer
- (uncredited)
- Paolo Gonzar - Maria's Brother
- (uncredited)
Storyline
Did you know
- TriviaBenito Mussolini's decision not to attempt an invasion of Malta in June 1940, has been called the worst Axis mistake of World War II. Italian generals overestimated Malta's defenses. If the Italians had invaded the colony then, it would have been impossible for the Royal Navy to re-supply the garrison. Adolf Hitler was shocked that Mussolini had wasted time in formally declaring war on France and the British Empire on 10 June 1940, instead suggesting Mussolini should have invaded Malta after first launching a surprise attack on the British fleet at Alexandria.
- GoofsThe continuity "goof" above is wrong. There are two arrivals of Spitfires. The one at 30 minutes is the one referred to, but they aren't allocated numbers. The allocation of numbers takes place on the second arrival of 60 Spitfires at about 60 minutes and all are allocated numbers with ground crew holding boards with the numbers on.
- Quotes
Flight Lt. Peter Ross: Hello.
Maria Gonzar: Hello.
Flight Lt. Peter Ross: So... you weren't killed.
Maria Gonzar: No... I hardly ever am.
- Crazy creditsOpening credits prologue: MALTA 1942
- ConnectionsFeatured in Frances Farmer Presents: Malta Story (1959)
The black and white graininess of the film also gives it a documentary feel -- the strong light and shadow of the landscape shots of air, water and rocks that give us the vivid sense of place -- remind me also of Italian verismo cinema and reinforce that impression.
As for the acting, I did not feel it in the least "wooden." Actors who emote all over the place are not necessarily conveying true emotion: they are "acting." As with certain aspects of Italian cinema, more is conveyed in what is left out and held back than what is overtly revealed. I felt all of the performances, and especially Guinness's, and including his leading lady, were true to their character. The intelligence in his eyes and the slight, fleeting change of expression in his face, as he reacts, for example, to Hawkins' approval of his reconnaissance flights, is an example of the subtlety that would characterize all of Guinness's performances. Viewers who expect too much overt emotion are possibly allowing the actors on screen to experience it for them, rather than being drawn into the emotion and circumstance of the onscreen drama unfolding. Calling it a "stiff upper lip" may be one easy way to describe it, but one does have a sense in this film of people with some depth and substance, depicted with a visual honesty, who are caught in a life and death situation.
Of four stars, at least three *** without reservation.
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Details
- Runtime1 hour 37 minutes
- Color