The Great Sioux Uprising

A crooked horse dealer threatens to spark an Indian uprising during the Civil War when he steals horses belonging to the Sioux. It's only 80 minutes long, but The Great Sioux Uprising seems to go on forever thanks to a pedestrian screenplay from no less than four writers. Jeff Chandler, one of Hollywood's blandest leading men, plays a Union doctor suffering from battle fatigue who gets wind of bad guy Lyle Bettger's plot to steal hundreds of horses belonging to the Sioux, who, a little unusually for an early '50s Western, are portrayed as victims pushed to violence by the treacherous white man. Don't hold your breath waiting for that uprising - this is a title that fails to deliver on its promise.

I have a great affection for both Faith Domergue and Jeff Chandler. I do not feel that they got the scripts they deserved, and I believe this was the first time they acted together. The chemistry was good, but sadly the film should have expanded Domergue's role more than it did. Given the grand title the film needed more playing time and probably would have had if Cinemascope had been on offer in 1953. Bur given these quibbles the film is solid, thoughtful and has a liberal feeling to it often lacking in Westerns. The friendship between the Indian woman and Domergue is one example. I will not give any spoilers but just say that I would prefer to see this kind of Western than many others that have an over masculine bravado and a total indifference to the loss of the Indian populations which was too often portrayed.

Directed by Lloyd Bacon and collectively written by Melvin Levy, J. Robert Bren and Gladys Atwater. Starring Jeff Chandler, Faith Domergue, Lyle Bettger, Peter Whitney and Stacy Harris.

The grand title sadly doesn't match what is actually put on screen, since Bacon's film is more a thinker than a thugger. Plot has Chandler as an ex-Union surgeon who takes up with ranchers and Indians in fighting the good cause against Bettger's horse baron and nefarious rebel rousers.

Undeniably the intentions and thought as per the screenplay are honourable, the anti-racist currents coupled with thematics involving the false deals laid at the Native American's doors, these are interestingly played and keep the pic from sinking below an average level. Action is in short supply, but there are moments of muscular brawn and bravado, while the Oregon locations and Technicolor photography (Maury Gertsman) provide pleasing surroundings.

Chandler and Bettger get roles for which they were known and suited, but Domergue - radiant in that "just made love" look she had - just ends up as more token interest than the feisty intelligent business woman that the story threatens to unleash. Whitney and Harris deliver good foil as stoic friend and unscrupulous fiend respectively. While John War Eagle and Glenn Strange offer up a firm backbone in the secondary support slots.

The story and ideas have been done far better in far more well known Westerns, thus rendering this as hardly essential. But some merit exists and for Chandler and Bettger fans it's a decent time waster. 6/10

Not a great or even a very good Western, but notable, for 1953 (more than ten years before Cheyenne Autumn), for its relatively strong anti-racist message with reference both to the Abolitionist issue in the Civil War and to the long history of failed promises to Native Americans. Given the standard tendency of Westerns (at best) to skirt over race entirely or to present a favorable interpretation of the Confederate cause, this is no small issue.

Apart from Dr Westgate's (Chandler) obvious sympathy for the Indian position, he presents his case for Indian neutrality in the Civil War to the Sioux Council, citing the clear racism of the Confederate general (which he implied would be transferred to the Sioux if they made common cause with the Confederates) and the sacrifice being made by Northern troops in the cause of racial equality. Elmer Daves' Broken Arrow of 1950 with James Stewart and Chandler had already raised the issue of Indian grievances against US Indian policy, but this was emphasizing the message in a 'B' Western context.

During American Civil War an ex Army doctor called Jonathan Westgate : Jeff Chandler, gets to a little town where he finds a job as a veterinary. There he meets the beautiful Joan : Faith Domergue, she is a horse dealer whose boyfriend is the nasty crooked dealer Stephen Cook : Lyle Bettger. She is suppying horses to Union Army, while her colleague is planning to sell robbed horses to Confederation and Jonathan opposes his ominous activities to prevent a new Indian war. The latter is an unscrupulous horse dealing who attempts to rob herd to the Wyoming Sioux led by Red Cloud : John War Eagle. Meanwhile, a Confederate general called Stand White, a Cherokee, is attempting to join forces with Sioux Indians to face off the Union Army. As a doctor against a villain rustler, agitators, Southern rebels and the mighty Chief Red Cloud along with his scalp-hungry hordes at his command ! . For the scarlet lips of a traitor's woman, he stood alone!

Thrilling western with frantic action, brawls , Indian assaults , and chavary charges . This is a routine Western with usual elements, including ordinary triangular romance, as starring, the good guy Jeff Chandler falls for gorgeous Faith Domergue who is also for the corrupt bad guy Lyle Bettger . There are some nice action scenes, as well as violent, thrilling fights . Stars Jeff Chandler as an unfortunate doctor who escapes from Civil War but becomes involved into a lot of problems. Chandler is well known for his deep characterization as historical Apache Chief Cochise, in Broken arrow 1950, who went on playing the role in The battle of Apache 1951 and Taza son of Cochise 1954 . He dressed military uniform in Two flags west 1950 , War arrow 1954, Pillars of the sky 1956 and he was a mine owner in The spoilers 1956 . As well as a Georgia military governor in Durango 1957 , a Basque wagon train guide in Thunder in the sun 1959, an ambitious dreamer person in The Jayhawkers 1959, a Civil War veteran in The Plunderers 1960 and his Western final as a modern sheriff in Man in the shadow 1957. Chandler is finely accompanied by the beauty Faith Domergue who at the time, the Hollywood studio attempted to launch her as Marilyn Monroe's rival. Supported by awesome secondaries such as : the always villainous Lyle Bettger, the sympathetic and strong Peter Whitney, Walter Sande, Stacy Harris, John War Eagle and Glenn Strange who played Frankenstein character in terror Universal series.

It contains a glimmer cinematography in Technicolor by Maury Gertsman, shot on location in Portland Oregon, Pendleton Oregon, and, of course, Universal studios. As well as atmospheric and stirring musical by the uncredited Henry Mancini, Milton Rosen, Herman Stein, all of them Universal's regular. The motion picture was uneven but professionally directed by Lloyd Bacon, and it has some flaws. Bacon was a prolific craftsman who made films of all kind of genres, as Thriller, Westerns, dramas, comedy, Film Noir and outstanding in Wartime and Musical genres. As he directed movies as 42th Street, Footlight parade, Kept husbands, Devil dogs of the air, Marked woman, Boy meets girl, Oklahoma Kid, Brother orchid, Footsteps in the dark, Silver Queen, The fighting Sullivans, Action in the North Atlantic, Miss Grant takes Richmond, It happens every Spring, The Fuller brush girl, She couldn't say no, The French line , among others. Rating 5.5/10. Passable and acceptable.