I have seen Do Bigha Zamin many times ( at least five ) but never had a chance to write a review. Every time I see this movie I put my hats off to Mr. Bimal Roy as the director of this masterpiece. I have read comments about having the idea from a different film ( Vittorio Di Sica's Bicycle Thief ) But I can challenge a lot of director to copy any film they want and produce something like Do Bigha Zamin. The scenes of a village in Bengal and the streets of Calcutta ( now Kolkata ) in early fifties are so real - it just sends shivers through my body. I was a student in a Calcutta college during that period and the scenes from Esplanade area, with Metro Cinema, Chowringhee Road, the double decker buses, the trams and finally the human rickshaws were presented in such a way that I felt being there in that period. The poverty of the villagers and as well as the bustee dwellers were very realistic and the characters were portrayed and played extremely well. Some of the scenes like when Paro went to Meena Kumari to get a letter written, the short scene where Nirupa Roy complaining to Balraj Sahni that he does not love her are very touching scenes. One of the other wonders are the boot polish kid Laloo. I don,t know whether he is an actor or real boot polish kid in real life , but he displayed a wonderful piece of acting as the friendly companion to Kanhaiya ( Rattan Kumar ). Nirupa Roy as the wife of the peasant Balraj Sahani, Balraj Sahani himself and Rattan Kunmar all played their parts very well. I should also mention the role played by Rajlakhsmi Devi as the Bustee owner - what can be more realistic than that. Though the economic scene in India has changed over the last sixty years still there are a lot of poverty in India and peasants like Shambhu Mahato can be found all over India. I appreciate the director's last scene where it shows the family is still intact with hope for the future at the same time the struggle for survival goes on as they lost their land to the greedy landlord. I have the DVD and will watch it many more times.
