An undercover government agent battles insurrectionists whose want Southern California to secede and become a slave state.An undercover government agent battles insurrectionists whose want Southern California to secede and become a slave state.An undercover government agent battles insurrectionists whose want Southern California to secede and become a slave state.
Katherine Warren
- Phoebe Sheldon
- (as Katharine Warren)
Anthony Caruso
- Vic Sutro
- (as Tony Caruso)
Nestor Amaral
- Musician
- (uncredited)
Emile Avery
- Henchman
- (uncredited)
Trevor Bardette
- Sheldon's Henchman at Hideout
- (uncredited)
Gregg Barton
- Henchman Luke
- (uncredited)
George Bell
- Trooper
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe scene where Randolph Scott (Callicut) is chasing Roy Roberts (Sheldon) and jumps onto Sheldon's horse, and the white horse carrying the two men runs off the end of a damaged bridge and falls head first into a river, was actually a scene from the WB film San Antonio (1945).
- GoofsThe film is set in 1850s. Most, if not all, of the firearms employed in the film post-date the American Civil War (1861-1865). Examples include Colt Single-Action Army revolvers and various lever-action rifles that first appear in the 1870s.
- Quotes
Major Ransome Callicut: [as voiceover narrator] Los Angeles - thirty difficult miles from San Pedro. Here in the tropical sun it was hard to believe that the City of Angels had its share of unholy activities.
- ConnectionsFeatures San Antonio (1945)
Featured review
I am a big fan of Randolph Scott and try to watch as many of his films as I can. Why? Because Scott had a nice style--easy-going and likable yet tough. However, I must also admit that for every exceptional film his made (such as "Ride the High Country") he made several that were not so special--and perhaps a few that were simply adequate. Considering how dull this film was in spots and how similar it was to several of his other films, I'd put "The Man Behind the Gun" in this last category. Like MANY of his other films, this one is about the Civil War and divisions between Northerners and Southerners. In about half of these films (or perhaps a few less) he is working for the North and in the others he's either an agent/spy for the South or an ex-soldier after the war trying to help oppressed Southerners. To me, it's like the writers were beating a dead horse and needed some originality. The only thing SLIGHTLY original about this is that it is set just BEFORE the war instead of during or after. Otherwise, a very typical sort of formula. And, if you care, a chance to see Alan Hale, Jr. in a supporting role. In addition, there's just too much singing in this film. Now if you are NOT a fan who's seen most of his films, this may not be that important and the film might be more watchable. At best adequate.
- planktonrules
- Feb 16, 2012
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Details
Box office
- Gross US & Canada
- $2,000,000
- Runtime1 hour 22 minutes
- Aspect ratio
- 1.37 : 1
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By what name was The Man Behind the Gun (1953) officially released in India in English?
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