Stepping-Up from its Poverty Row Stature, Monogram (soon to be Allie Artists) Turns its Production into a Cinecolor (soon made obsolete by Eastman Color) Battle-Royal.
Actually the Lowly Anemia of Cinecolor makes the 16MM Real Navy Footage Blend Better and the Result is a Treat for Fans of Actual WWII War Film.
The Confrontations with Japan Zeros and the US Navy Pilots is Dynamic and Exciting.
Surprisingly the Low-Budget-Movie Editing (John Austin) was Nominated for an Academy Award.
Sterling Hayden and Richard Carlson are Perfectly Cast as Type.
Perhaps if Complaints are Forthcoming, the Mixing of Aircraft Type and other Technical Stuff will Annoy Nerds and for General Non-Wonky Movie Watchers...
There are way too many Unconvincing and Static Shots of Pilots Sitting in Studio Cockpits and Gawking.
Their Non-Battle Below-Deck Dramatics are Labored and Boring Cliches along with the Grounded Script that does Nothing to Elevate the Characters or Their Missions.
Overall, the Battles are Worth the Price of Admission and the Movie is Worth a Watch for War Movie, Aviation, and Military Fans.