When a town boss confiscates homesteaders' supplies after gold is discovered nearby, a tough cowboy risks his life to try and get it to them.When a town boss confiscates homesteaders' supplies after gold is discovered nearby, a tough cowboy risks his life to try and get it to them.When a town boss confiscates homesteaders' supplies after gold is discovered nearby, a tough cowboy risks his life to try and get it to them.
- Awards
- 1 nomination
Julie Adams
- Laura Baile
- (as Julia Adams)
Stepin Fetchit
- Adam
- (as Stepin' Fetchit)
Harry Morgan
- Shorty
- (as Henry Morgan)
Victor Adamson
- Barfly
- (uncredited)
Harry Arnie
- Barker
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThough the film received generally poor reviews, it is noteworthy as marking a turning point in James Stewart's career, as he began to play much more violent, cynical and ruthless characters.
- GoofsWhen Laura Baile gets shot by an arrow, it is almost between her neck and her chest. Soon after, it is high in her right shoulder.
- Quotes
Glyn McLyntock: Always point this (the wagon tongue) toward the North Star. Then come morning, we'll know where we're going.
- ConnectionsEdited from Canyon Passage (1946)
Featured review
The story revolves around a group of pioneers traveling the Oregon Trail on their way to start new lives in the Oregon territory. After purchasing supplies in Portland and a promise to have them delivered before winter, they begin building their settlements in the valley they have chosen. In the meantime, gold is discovered in the territory and a dispute arises as to who will get those precious wagon loads of supplies.
There is much to enjoy. The cinematography, filmed in the Columbia River Gorge and around Mt. Hood in Oregon, is wonderful. We also get a glimpse of Celilo Falls, once a sacred fishing site for native Americans in the area but now buried beneath the waters backed up behind the Dalles Dam. The music score blends in nicely with the action and there is plenty of that. Of the actors, Rock Hudson seems out of place, but James Stewart more than makes up for it with his frenzied performance. He is electric when, left behind on the mountain side, he tells his adversary, "You'll be seeing me!"
However, this film is not without its faults. Quite a lot of blood is shed trying to get those wagons delivered but it doesn't seem to be much cause for concern or regret, as if life out on the frontier didn't hold much value. Characters are introduced one moment to be summarily disposed of the next. Trail boss Stewart, a former border raider during the Civil War looking to change his life, still uses violence on behalf of the settlers, who seem to enjoy moral superiority over the miners.
Thus, I don't consider "Bend of the River" among the best of several director Mann/actor Stewart collaborations of the 1950's. Even so, it is a cut above usual Western fare. The scenery, music and steel-eyed Stewart are all magnificent.
There is much to enjoy. The cinematography, filmed in the Columbia River Gorge and around Mt. Hood in Oregon, is wonderful. We also get a glimpse of Celilo Falls, once a sacred fishing site for native Americans in the area but now buried beneath the waters backed up behind the Dalles Dam. The music score blends in nicely with the action and there is plenty of that. Of the actors, Rock Hudson seems out of place, but James Stewart more than makes up for it with his frenzied performance. He is electric when, left behind on the mountain side, he tells his adversary, "You'll be seeing me!"
However, this film is not without its faults. Quite a lot of blood is shed trying to get those wagons delivered but it doesn't seem to be much cause for concern or regret, as if life out on the frontier didn't hold much value. Characters are introduced one moment to be summarily disposed of the next. Trail boss Stewart, a former border raider during the Civil War looking to change his life, still uses violence on behalf of the settlers, who seem to enjoy moral superiority over the miners.
Thus, I don't consider "Bend of the River" among the best of several director Mann/actor Stewart collaborations of the 1950's. Even so, it is a cut above usual Western fare. The scenery, music and steel-eyed Stewart are all magnificent.
- matchettja
- Jul 15, 2006
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Details
Box office
- Gross worldwide
- $5,194
- Runtime1 hour 31 minutes
- Color
- Aspect ratio
- 1.37 : 1
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