IMDb RATING
5.9/10
1.5K
YOUR RATING
A series of misunderstandings leads to a chorus girl traveling to Paris to represent the American theater, where she falls in love with a befuddled bureaucrat.A series of misunderstandings leads to a chorus girl traveling to Paris to represent the American theater, where she falls in love with a befuddled bureaucrat.A series of misunderstandings leads to a chorus girl traveling to Paris to represent the American theater, where she falls in love with a befuddled bureaucrat.
Leon Alton
- Stagehand
- (uncredited)
Betty Arlen
- Young Woman
- (uncredited)
Frank Baker
- Delegate
- (uncredited)
Mary Bayless
- Ship Passenger
- (uncredited)
Mary Benoit
- Secretary
- (uncredited)
Andrew Berner
- Jacques Fouquet
- (uncredited)
Storyline
Did you know
- TriviaDoris Day wrote in her autobiography that she only encountered trouble or tension on two of her Warner Bros. movies: 'April in Paris' and Young at Heart (1954). Regarding this film, she claimed that leading man Ray Bolger and director David Butler clashed early on, with Butler accusing Bolger of trying to steal scenes away from Day. She also mentioned that being a relative newcomer to movies, she was unaware of Bolger's tricks and managed to stay out of the line of fire.
- GoofsRay Bolger supposedly flies to New York when he realizes the invitation mixup, but the plane is shown flying over the Wrigley Building in Chicago.
- Quotes
Ethel S. 'Dynamite' Jackson: It's no use, Philippe. I'm in love with the man I married. And he's not even my husband!
Philippe Fouquet: Even in Paris, that's an unusual situation.
- ConnectionsFeatured in IMDb Originals: Doris Day: In Memoriam (2019)
Featured review
True, even for the breezy 1950s, the plot for this musical is as light as a feather--but if you are a DORIS DAY fan, as I certainly was during these early Day films at Warner Bros., you'll be enchanted by her way with a song--particularly "I'm Gonna Ring the Bell Tonight", "April in Paris" and "That's What Makes Paris Par-ee". And on top of that, she excels in all of her dance routines, even those in which RAY BOLGER clearly has the spotlight to himself.
It's one of those mistaken identity plots that Warners used extensively throughout the '40s and '50s, something about a showgirl being mistaken for a diplomat and mistakenly invited to represent the U.S. at a French festival. Naturally, all is straightened out in time for a happy ending although I can't say I detected any real chemistry between Bolger and Day--even in a musical where logic doesn't really matter.
The dances staged by LeRoy Prinz are not the best, but there are some cheerful, well staged moments when Bolger gets to do his tap routines and limber legged dancing. All in all, it passes the time pleasantly if you have a weakness for musicals the way they were in the '50s. And Doris proves that singing wasn't her only asset. Her dancing is also very professional (and not surprisingly, she intended to become a dancer before an accident ruined her plans and she switched to singing).
It's one of those mistaken identity plots that Warners used extensively throughout the '40s and '50s, something about a showgirl being mistaken for a diplomat and mistakenly invited to represent the U.S. at a French festival. Naturally, all is straightened out in time for a happy ending although I can't say I detected any real chemistry between Bolger and Day--even in a musical where logic doesn't really matter.
The dances staged by LeRoy Prinz are not the best, but there are some cheerful, well staged moments when Bolger gets to do his tap routines and limber legged dancing. All in all, it passes the time pleasantly if you have a weakness for musicals the way they were in the '50s. And Doris proves that singing wasn't her only asset. Her dancing is also very professional (and not surprisingly, she intended to become a dancer before an accident ruined her plans and she switched to singing).
- How long is April in Paris?Powered by Alexa
Details
- Runtime1 hour 40 minutes
- Aspect ratio
- 1.37 : 1
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