Sirocco

In a way Bogart's greatest performances have left Sirocco "priced out of the market." I won't argue that it's on the same level as Casablanca, The Maltese Falcon, or Key Largo, but it is a surprisingly nuanced picture that gets unfairly criticized for not living up to some of the greatest films Hollywood ever produced.

Bogie is Bogie, tough-talking and trenchcoat-wearing as usual. He plays Harry Smith, a man who, ordinarily, doesn't take sides, but this time, see... there's a dame! That sounds a little dismissive, it's not meant to be. Nobody's ever played a "shades of gray" character quite like Bogart, in my opinion he could have done it a dozen *more* times.

Swedish actress Märta Torén (pegged as 'The Next Ingrid Bergman') is the dame. She really seems almost as out-of-place in the picture as she would have been in war-torn Damascus. Lee J. Cobb, playing the French commander Col. Feroud, chews the scenery a little but overall he gives a good portrayal of a man fighting for a cause he no longer believes in.

I'm a fan of both Zero Mostel (the original Max Bialystock) and Nick Dennis (the exuberant Greek mechanic from 'Kiss Me Deadly') and they both have good if small roles here.

I was impressed by the way Sirocco refused to overtly side with either the French or the Syrians. Neither does the film present Smith as anything but what he is, an opportunist. In fact, for me, it his teetering on the brink of whether to take sides or stay neutral (and thus be true to his own self-serving moral code) that provides the film's best drama.